Frantic

A truly brilliant film, a touch of Hitchcock, The acting from all players is superb in my book, I adore the music which truly complements the atmosphere, Recommended a must watch..

"Frantic" is the most Hitchcock-influenced movie of Roman Polanski. The director has touched almost every cinematic genre, although always with a special taste for mysteries and disturbing elements. That's his trademark.

"Frantic" is a more conventional movie in Polanski filmography, but it's very well done and the sensation of something disquieting –typical of his films- is always there. An American doctor (Harrison Ford) goes to Paris for a medical congress with his wife. In their hotel the woman disappears without explanations and Harrison Ford begins a nightmarish research throughout the city…

The film reminds us of the Alfred Hitchcock thriller "North by Northwest" (1959) –in that movie a misunderstanding is the motor of the story, here it's something similar but more enigmatic, because we don't know who kidnapped doctor's wife.

This is the first cinematic collaboration between the Polish-French director and his future wife, actress Emmanuelle Seigner –she's the girl who helps Harrison Ford in this adventure.

Intriguing and exciting: these are the words for "Frantic". Perhaps it's not considered among Polanski's most important movies, but it still looks fresh and entertaining.

A great suspense movie of Roman Polanski in a Hitchcockian style. One of the beloved theme of great master is already here: looking for a vanished person. I think Frantic is one of the movies more successful through the films with the plot located in Paris. Polanski tells us the story with great suspense involving the city of Paris like a character of the film. All movie spends on the Parisian places and rooftops. The music of Ennio Morricone also is a great element of the film success that gives us a great mood. The characters as Harrison Ford and Emmanuel Seigne are superb in their roles too. I think a must see movie if you love great oeuvres of Hitchcock and you love Paris.

What was truly amazing about Frantic was Polanski's ability to turn ordinary situations (finding and opening a briefcase, climbing on the stairs, grabbing the timing device, even driving from the airport) into extended and memorable scenes where the level of dramatic tension was extended to the point beyond slight interest.

Take the scene in the bedroom when Harrison Ford is originally searching for the briefcase and trying to open it up. Polanski does not end with the briefcase here. Later scenes involving it evoke a remembrance of the detail that went into crafting the first scene. Ford's trip onto the rooftop is treated the same way. The scene does not end with him neatly hiding on the roof. It is wracked with complications. The four sitting at the table about to grab the stolen timing device. Even the dance scene, surrounded with potential spies and unknowns, fills itself with Ford's eroticism and paranoia equally well.

The movie is filled with other examples like these, which make it a slow and delayed series of expectant occurences. The movie flows well from a sequence of dramatic sources of tension. I cannot believe that I had seen it earlier. It is truly a shame that Polanski is effectively banished from this country.

This could possibly be the greatest film ever made!!!

It was criminally, barbarically received coolly by both critics and audiences when released - for no apparent reason!!

Many reviews have said up to the half-way point, it is as good as any hitchcock thriller; but from there it goes downhill.

Speaking on behalf of the male population, this is where it picks up from the greatest film hitchcock never made to a surreal masterpiece!

The reason for this, of course is the introduction of Roman Polanski's real life wife - Emmanuelle Seigner. She is surely one of the most hypnotic, mysterious actresses ever to grace the screen.

She has a raw, down to earth beauty, which fits in perfectly with the film's setting - The Paris underground: airport hangers, parking lots, alleys and seedy nightclubs.

Never has Paris been shown in this light.

The film perfectly shows the disillusionment of a stranger in a foreign place.

The film also has a few nice touches which might be missed by a casual viewer, such as Harrison Ford's characters increasingly pathetic returns to his hotel as he grows increasingly "frantic". At the beginning of the film he is a respected doctor, but as Paris begins to take its toll on him he ends up a shoeless, crazed mess followed everywhere by a drug-crazed punkette.

All in all, Polanski's definitive film and a mega-hit that never was.