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This original action classic has been hugely influential over the years - and it's no surprise, as it's one of the best action thrillers ever made. New meaning is brought to the word "action" as here it is exhilarating, furious and nothing less than exciting. The premise is simple: one location, one good guy and twelve bad guys. Cue lots of explosions, fist fights, blood, violence, and plenty of shooting too. The thrills come from the suspense of Willis using his wits as well as his brawn to fight the bad guys and save the hostages.

When watching this film what becomes immediately apparent is how fresh it is. This hasn't been filmed with some cheap cameras for a quick buck, it looks professional and couldn't be less polished. The photography is clear and brings out the best of the surroundings, while the music has obviously been carefully chosen to convey the right mood. And, strangely enough for an action film, the acting is actually very good. Unheard of, as remember this was back in the days where Schwarzenegger and Stallone were the top stars of the action genre. Bruce Willis excels as the wisecracking, sardonic cop, and you can't fail to like him. He's consistently witty and provides a powerful presence when needed - it comes as no surprise as he lived off this image for the next six or seven years.

The supporting cast aren't half bad, either. The reliable Bonnie Bedelia takes a break from her usual highbrow, "moral dilemma", television movie fare as Willis' tough wife, while Reginald Veljohnson is also great as a sympathetic cop - you just want to hug him. But most memorable of all is Alan Rickman for his excellent turn as the cool, calculating terrorist with a carefully-crafted German accent and a fine line in natty suits. Rickman is THE bad guy of modern cinema, watch any subsequent action film with terrorists and you'll see people trying to be him. He's that good. The rest of the cast of terrorists have all been picked for their imposing looks, and they're not bad either. Keep your eyes peeled for fearsome Bond baddie Robert Davi in a minor role as an FBI man.

As well as the tense running around in corridors and stand-offs between Willis and the various creeps, this film really delivers in the action stakes. The guys here really do look like they are trying their hardest to kill each other, and we get people flying down stairs, getting chains wrapped around their necks, getting shot all over the place. Every kill that Willis makes is original and exciting. There are also plenty of ace stunts, like when Willis jumps off an exploding roof with only a fire hose tied around his waist. The gore level is high, graphic in fact, with people being shot apart wherever you look, and it's definitely a film for all cinema fans to enjoy. Consistently entertaining and strong enough to withstand repeated viewings, this is the first and final word on the "one guy versus lots of bad guys" sub-genre of the action flick.

I've got to admit, I only really watched this movie because of the (many, many) references in Brooklyn 99. And I got thinking, is Die Hard really that good? So, I gave it a watch, guided by the many, many Jake Peralta jokes that I had grown accustomed to. And I've got to say, this is the action movie that paved the way for all future action movies.

I usually have an aversion to Christmas movies as they all tend to turn into cheesy rom-coms but this was pretty awesome. And I think the reason for that is because that even though it was Christmassy where it mattered, the plot didn't completely revolve around it.

I've got to admit, most of it was guns and explosions and there was very little plot to go off of besides a pretty traditional three-act structure, but it was still pretty damn entertaining. And you know it's a good movie when about 90% of it was guns and blood and explosions and the other 10% was Bruce Willis saying badass things and crawling through vents in an ever-disintegrating tank top, and you stilled enjoyed it.

There was never a still moment in this movie, but unlike most times, where I just end up getting bored of the CGI-fest explosions, I was actually pretty captivated through the entire runtime. I'm actually really pleasantly surprised. The ending is predictable, but it's nice. Not all movies have to be intellectual masterpieces. Sometimes you just need to switch your brain of a little and watch Bruce Willis kick ass.

So, Jake of B99 was right. I mean, it's badass, Bruce Willis has the best one-liners, you have cool explosions. There's not too much more I could say about this movie. Yippie kayak, other buckets.

-Sasha.

"Nine million terrorists in the world and I gotta kill one with feet smaller than my sister."

Well, what else can I say besides that this is "THE" (can't stress it more) action movie from the 80's with a young Bruce Willis. Personally, I don't even know how many times I've seen this movie. "Die Hard" remains an example for all action movies that followed. At that time you had the Sly and Arnie action movies. But these were more a performance of brutal violence, with big muscles and a sense of invincibility. Bruce showed a clever, shrewd, caustic action hero, who can take a beating, but on the other hand shows that he's not completely invincible.

Of course, the action in films nowadays is much bigger, more impressive and mind-blowing, but the strength of this film is the story, the accumulated tension, lightness and the dry humor of Bruce Willis. From the first minute he takes you in his grip, and he won't let loose. You see him slowly evolve from a wrinkle-free clean-shaved top cop into a reasonable damaged hero. This pattern keeps coming back in the next two parts, which are also top movies of the same caliber.

You'll notice this is already an old movie because for instance lighting a cigarette in a public place isn't prohibited. But how the action scenes are imaged, is still top-work and should be the aim for many action flicks.

I think the sudden confrontation between Gruber and McClane is one of the strongest scenes in this film, along with the well known "Yippie-kay-yee" cry. Trademark of Willis. The fact he likes the character of McClane a lot, you see clearly in "The Last boyscout". In that movie he plays an impoverished detective with the same coolness and cynical, dry humor as McClane. Too bad that in the last two Die Hard movies, McClane is only a shadow of himself like in the original movie.

"Die Hard" is one of those rarities in movie land, which you can watch without thinking "Pfft Again this movie". It remains, for me, an enjoyment to watch.

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DIE HARD (1988) **** Bruce Willis, Alan Rickman, Bonnie Bedelia, Alexander Godunov, Reginald Vel Johnson, William Atherton, Paul Gleason, Hart Bochner, Robert Davi. NYC cop John McClane (Willis in his star-making iconic role) is visiting LA at Christmas to reconnect with his estranged wife Bedelia who is at an office party that becomes a nightmare when a group of terrorists take over the building led by Hans Gruber (perfect Rickman) a German nutjob out to filch millions in bonds in the vault of the Japanese company. As the " fly in the ointment", Willis does his damnedest to stop him at all costs relying on his street-smarts and out-guessing as time ticks away. Great blend of action suspense and much welcomed humor. Best bit: Willis plunging from a rooftop attack by the FBI (thinking the disheveled cop is one of the bad guys!) attached to a fire hose and shooting his way into an empty office! Hair-raising and exhilirating fun for all. "Yippiee-Kay-Ay !!!!" (Dir: John McTiernan)

Even if the non-action parts are a tad slow in comparison, that is more than compensated by so many things that makes Die Hard so brilliant.

For one thing the action is explosive and consistently exciting, and the cinematography is astounding being very inventive and colourful. John McTiernon(The Hunt for Red October, Last Action Hero) directs briskly and efficiently, and the pacing a vast majority of the time is exhilarating.

Then there is a terrific score by Michael Kamen, some intelligent and witty scripting and a plot that doesn't feel forced or convoluted. Not to mention some excellent acting. As good as Bruce Willis is, yes his character is somewhat two-dimensional, but he is also resourceful and world-weary and Willis handles this really well, it is Alan Rickman who steals the acting honours as Hans Gruber. Gruber is cold, calculating, suave and menacing, in my opinion only Rickman could do justice to such a character. Overall, a superb movie, not only the best of the Die Hard franchise but one of the best of the action genre. 10/10 Bethany Cox