Dance of the Damned

A vampire (Cyril O'Reilly) goes to a strip-club and overhears that the dancer Jodi Hurtz (Starr Andreeff) is thinking of committing suicide since her ex-husband did not let her see her son on his birthday. When she is leaving the club late night, the vampire says that he is lonely and offers one-thousand dollars to Jodi to talk to him sharing her life experience. They go to his house and soon she learns that she is trapped inside, and he is a vampire that will kill her drinking her blood at 6:00 AM. Along the night, the vampire discloses his existential crisis and Jodi discloses her unfortunate life but concludes she does not want to die. Their inner feelings unleash a strange sentiment between them that are different creatures of the night.

"Dance of the Damned" is a different vampire movie, with a touching romance. Despite the low budget, the storyline and the screenplay are very well written in few locations. Therefore, the plot is theatrical and supported by magnificent performances of the lead cast. Unfortunately, this film was only released on VHS. My vote is seven.

Title (Brazil): "Dança Macabra" ("Macabre Dance")

The first thing that struck me about this movie and is often true of well done, low budget films is that it feels like a stage play. The movie is character and dialog driven with an economy of changing scenes. Like insects trapped in a magnifying jar, the claustrophobic space brings the characters into raw detail.

When I first saw this film, I thought it was foreign - maybe British, Canadian, or Italian. None of the actors have been in a lot of movies that I am aware of, although Starr has been in a few other B grade vampire movies (none near this good). Surprisingly it used to be easy to find for rent. Since it never came out on DVD though, it is tougher to find now (apparently it was released on laser disk but the second half/side was badly engineered so it would have to be remastered before being transferred).

There was however an uncredited remake in 1993: To Sleep With a Vampire (directed by Adam Friedman) that is available on DVD (for real cheap). It features almost the exact same script including portions of word for word dialog. Besides the fact that it is not as well acted, the main differences are that the stripper has bigger breasts and that both of the main characters had a small following before they took the rolls. Watching that remake is like watching your favorite play performed at a local High School: it reminds you pleasantly of the better performances you have seen.

Not your average run-of-the-mill vampire movie, so at least that's something. Don't expect vampire-action, bat-like facial transformations or bloody killings in general from "Dance of the Damned" or you'll be disappointed. What we get here is more like a TV-drama play, with a bit of 80's cheesiness and nudity added for good measurement. Pretty much a 'doomed romance' type thing about a non-vampire stripper and a vampire-yuppie. One wants to die, the other one will have to die if that other one doesn't die. Something like that. Starr Andreef is damn sexy in this one (and she shows plenty of skin - yes, the top comes off) and it has an ending that will leave you hanging in there (in a neither-here-nor-there kinda way). Certainly worth a watch if you're into offbeat vampire movies (more like the cheesy romance ones, not the edgy arty ones). And it's at least about 5 times better than that awful Andrew Stevens vampire-vehicle "Red Blooded American Girl" from 1990 (I've said it before & I'll say it again: avoid movies with Andrew Stevens playing the leading role in them). Anyway, he's not in "Dance of the Damned", so you're safe to watch it.

...about an 80's rock star-type looking male vampire who picks up a stripper after hours to ask her plenty of questions that a vampire would yearn to know the answer to and then to subsequently eat her before dawn. Questions like "what does the day feel like?", "what does the sun-light on your skin feel like?", "what does it feel like to have a friend?",... Questions that the stripper has a hard time answering to the vampire's satisfaction and she's rather reluctant to put much effort into her answers given that she knows that he wants to kill her in a few hours.

It's really just about those two characters, not much else. The vamp has got plenty of cool powers, wants to eat her but also wants her company and the experiences of her that he can't have. Also the woman contemplated suicide before meeting him so she repeatedly goes from wanting him to kill her and to trying to save her skin which makes for interesting inner conflicts and thrilling drama.

It very much has this early 90's B-movie kind of look and feel to it that I like so much. Man, this thing is so underground, I'm tellin' ya. Erotic goth sleaze with serious aspirations. Forget Anne Rice? No, but this is just as good. It was directed by a woman which, I think, is very noticeable, in a good way. The vamp is a romantic tough guy with cool contacts, he has super powers, taste in art and is rich because of some "long term investments" (makes sense, huh?). And yes, the woman is way more sickly looking than him, actually, but then he isn't the one who's the smoker (makes sense, yes?). Sounds groovy? It is. Unfortunately although the movie has something that feels like a proper ending I personally wasn't satisfied with it, I could have easily gone for another "chapter" to get some real closure on the story.

My review was written in March 1989 after watching the film on Virgin Vision video cassette.

This morbid but engrossing vampire drama is skedded for direct-to-video release this month, but gets brief big-screen exposure at the AFI Festival in Los Angeles.

Filmed back-to-back last year with same filmmaker's "Stripped to Kill 2", pic shares that sequel's strippers milieu. Starr Andreeff is a suicidal peeler, distraught at having a court order barring her from visiting her young son.

A handsome vampire, Cyril O'Reilly is in the Paradise Cafe and senses Andreeff's despair, propositioning her after hours to spend the night with him for a quick g-note; he even promises to kill her at dawn after their confab.

Despite that claustrophobic premise, reminiscent of the launching point of Anne Rice's novel "Interview with the Vampire", pic covers much ground, with an especially atmospheric late-night visit to the beach. Helmer Katt Shea Ruben bears down effectively on the various philosophical questions of the genre: emptiness of immortality, search for meaning in existence, etc.

Punching it across is an uninhibited performance by brunette Andreeff, whose unusual beauty and on-the-edge thesping command sympathy and interest. O'Reilly also is impressive, rising above obvious James Dean mannerisms to create his own persona as the brooding, shoulder-length-hair night creature.

Special effects are modest but fresh. Climax is predictable and undercut by an unintelligible final line of dialog.