Da

... and yet virtually no one I know has ever heard of it. A story of reminiscence, regret, and reconciliation (a little too late), as Charlie, a successful Broadway playwright, returns home to Ireland for his father's funeral. His father, though dead, is very much alive in Charlie's thoughts.

Every character in the movie is 100% believable, and real. The dialogues are genuine, ordinary, but insightful, and keenly sculpted. It's clear that Hugh Leonard crafted this as a play, and the cinematography leaves you with more of a stage feeling, than a film setting, but this doesn't detract from some stellar performances by the venerable Bernard Hughes, and what is probably Martin Sheen's finest performance.

Funny, timeless, and ultimately very sad and touching. I hate to gush, but this movie brings it out in me. Flawless.

Martin Sheen can do no wrong in my book. All his roles reflect reality and truth and this film is no exception. Any one of us who has lost a crotchety, cranky old parent can relate to this movie as Martin tries to understand his history with his father and how it has shaped him and impacted on him. Barnard Hughes is a delight as is the boss from the office. I have known these people in Ireland, they lived and breathed all around me in the sixties. Well done again, Hugh Leonard.

The movie was interesting but the sad thing is that when a movie is not in Midwestern English dialect it very hard to follow. The Irish brogue has a person trying to figure out what was said and by the time you figure it out you is in another seen. Close Captions are a great learning tool for all ages.

This great little slice of life film is well-worth giving your time to viewing. The music score by Elmer Bernstein reminds me of "To Kill a Mockingbird" with an Irish accent. I laughed and cried - sometimes both at the same time. The acting is superb and Martin Sheen shows himself to be the great actor most of his film roles have never given him the prove.

Irish writer Hugh Leonard has made a career out of coming to terms with his father's death, writing first a book and then a theatrical play about the experience, and now a screen adaptation of the same play, each of them an unashamedly sentimental vehicle for his memories of the proud but playful old man. Of the three it probably works best on screen, where the episodic timeline and playful unreality of the script are better served by creative editing, and by some handsome location photography (in the Irish seaside village of Dalkey). Martin Sheen, fatally miscast, portrays the expatriate Irishman who returns to the Shamrock Shores to bury the body and memory of his father, but not before trading some serio-comic banter with the old man's spirit and reviewing with him the key episodes of their life together. The screen version makes little attempt to camouflage the awkward stage dialogue, but does at least serve it with a gentle air of whimsy and plenty of local brogue. Barnard Hughes recreates his award-winning performance in the title role, but the entire cast is upstaged by a pet dog with an aversion to the Catholic Church.