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Un cri dans la nuit

Titre original : Evil Angels
  • 1988
  • PG-13
  • 2h
NOTE IMDb
6,9/10
12 k
MA NOTE
Sam Neill and Meryl Streep in Un cri dans la nuit (1988)
Regarder Official Trailer
Lire trailer1:27
1 Video
25 photos
BiographieDrameDrame juridique

Ajouter une intrigue dans votre langueA mother whose child was killed in a dingo attack in the Australian Outback fights to prove her innocence when she is accused of murder.A mother whose child was killed in a dingo attack in the Australian Outback fights to prove her innocence when she is accused of murder.A mother whose child was killed in a dingo attack in the Australian Outback fights to prove her innocence when she is accused of murder.

  • Réalisation
    • Fred Schepisi
  • Scénario
    • John Bryson
    • Robert Caswell
    • Fred Schepisi
  • Casting principal
    • Meryl Streep
    • Sam Neill
    • Bruce Myles
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    12 k
    MA NOTE
    • Réalisation
      • Fred Schepisi
    • Scénario
      • John Bryson
      • Robert Caswell
      • Fred Schepisi
    • Casting principal
      • Meryl Streep
      • Sam Neill
      • Bruce Myles
    • 70avis d'utilisateurs
    • 35avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 8 victoires et 13 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:27
    Official Trailer

    Photos25

    Voir l'affiche
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    + 17
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    Rôles principaux99+

    Modifier
    Meryl Streep
    Meryl Streep
    • Lindy
    Sam Neill
    Sam Neill
    • Michael
    Bruce Myles
    • Barker
    Neil Fitzpatrick
    • Phillips
    Charles 'Bud' Tingwell
    Charles 'Bud' Tingwell
    • Justice Muirhead
    • (as Charles Tingwell)
    Maurie Fields
    Maurie Fields
    • Barritt
    Nick Tate
    Nick Tate
    • Charlwood
    Lewis Fitz-Gerald
    Lewis Fitz-Gerald
    • Tipple
    Lauren Shepherd
    • Azaria
    Bethany Ann Prickett
    • Azaria
    Alison O'Connell
    • Azaria
    Aliza Dason
    • Azaria
    Jane Coker
    • Kahlia, New Born
    Rae-Leigh Henson
    • Kahlia, 18 months
    Nicolette Minster
    Nicolette Minster
    • Kahlia, 4 years
    Brian James
    • Cliff Murchison
    Dorothy Alison
    Dorothy Alison
    • Avis Murchison
    Dale Reeves
    • Aidan, 6 years
    • Réalisation
      • Fred Schepisi
    • Scénario
      • John Bryson
      • Robert Caswell
      • Fred Schepisi
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs70

    6,911.7K
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    Avis à la une

    7moonspinner55

    Privately grieving mother of dead child tried in the court of public opinion

    Excellent true-life drama from director and co-writer Fred Schepisi, adapting John Bryson's book "Evil Angels" with Robert Caswell, details the 1980 case of a nine-week-old baby allegedly carried off by a wild dingo at a camping site at Ayers Rock in the Northern territory of central Australia. The infant's parents, the Chamberlains, a Seventh-day Adventist pastor and his wife, cooperate with the authorities and give all the necessary print and television interviews--they, in fact, do everything asked of them--but their misunderstood religion coupled with Lindy Chamberlain's stoic demeanor turns the tide of public opinion against them, from sympathetic to vengeful. Everything about this private couple soon becomes suspect under the microscope, including the meaning of their child's name, Azaria, to the discovery of baby clothes in the Outback that had cuts on them but no teeth marks. Meryl Streep's riveting performance as Lindy is quite remarkable. This is a woman who hides the sadness in her eyes behind sunglasses, who has grieved until reaching a kind of jaded resolve--she quickly becomes as suspicious of the badgering legal and media figures as the public is of her. Schepisi's docudrama-styled take on the tragedy sweeping Australia is marvelously rendered, and all the performers, especially Sam Neill as husband Michael, do powerful work. A classy production from (surprise!) Golan-Globus and Cannon Entertainment resulted in a much-deserved Oscar nomination for Streep, affecting a realistic Aussie accent (no surprise there). *** from ****
    7smatysia

    Another example of Meryl Streep's enormous talent.

    Meryl Streep is such a genius. Well, at least as an actress. I know she's been made fun of for doing a lot of roles with accents, but she nails the accent every time. Her performance as Lindy Chamberlain was inspiring. Mrs. Chamberlain, as portrayed here, was not particularly likable, nor all that smart. But that just makes Streep's work all the more remarkable. I think she is worth all 10 or so of her Oscar nominations. About the film, well, there were a couple of interesting things. I don't know much about Australia, but the theme of religious bigotry among the general public played a big part in the story. I had largely missed this when I first saw the film some years ago, but it came through loud and clear yesterday. And it seems the Australian press is just as accomplished at misery-inducing pursuit and overkill as their American colleagues. A pretty good film. A bit different. Grade: B
    8lee_eisenberg

    apparently, you can't be a Seventh Day Adventist in a media-centric society

    When I first saw "A Cry in the Dark", I had no idea what the plot was. But when I saw it, I was shocked at what it portrayed. When I saw it a second time in an Australian Cinema class, I realized a second point: communication issues. You see, when a dingo snatched Lindy Chamberlain's (Meryl Streep) baby, she and her husband Michael (Sam Neill) were grief-stricken but didn't show it. As Seventh Day Adventists, they believed that God willed this to happen, and so they couldn't mourn it. But when people all over Australia saw their lack of sadness, everyone started believing that Lindy did it herself.

    The point is, the wrong message got communicated to the public, and it turned people against Lindy. Even though this was a pure accident, it still happened. It may be one of the biggest disasters resulting from the existence of mass media, regardless of any media outlet's political views.

    As for the performances, Streep does a very good job with an Australian accent (no surprise there), and Sam Neill is equally great. You will probably get blown away just by what you see here. Definitely one of Fred Schepisi's best movies ever.
    Old Joe

    ‘Evil Angel' is a fitting tribute to the Chamberlain's and the death of baby Azaria.

    If there is any Australian that I feel sorrier for, it would have to be Lindy Chamberlain. Her compelling story is one of the more famous court cases in Australian history. Also known as ‘A cry in the dark', ‘Evil Angel' shows how divided the Australian public really were towards this case and how the media can manipulate a story, by favouring just one side of a story that they believe is the whole truth. When I hear the cry ‘The dingo's got my baby', it brings back memories from along time ago.

    During a camping trip, an infant disappears from her family's tent. When the child's mother spies a dingo nearby, authorities launch a frantic search, but all they find is a torn, bloodied garment. The press, distressed by the mother's seeming "lack of emotion", and suspicious of her religious beliefs, begin to accuse her of murdering the baby. The sentiment against her begins to grow, and soon the whole continent is talking about the case. Despite the lack of evidence, the woman is imprisoned; although investigators eventually re-examine her story, the damage is done: the innocent mother's relationship with her husband has been irreparably destroyed. This is the documentary style film adaptation of the true story of Lindy and Michael Chamberlain.

    This film has some truly amazing performance in it. Meryl Streep is a wonderful actress, but in this film she does so much that you just have to like. She really becomes ‘Lindy' and embodies what she actually went through. I remember reading that Streep had to have speaking classes, so she could sound ‘Australian', which she does very well. But it is her persona I like the most. Streep performance as Chamberlain is so flawless, as she shows no emotion when she is going in and out of court, which is what the real Lindy Chamberlain did. It is understandable that the general public would think that Lindy is guilty of murder, which is again testament to Streep's masterful performance. However in court Lindy is visibly upset, when she has to recall the night a dingo took her baby.

    The other performance which is most noteworthy is that of Sam Neill. While Neill has gone on to do many big performances in Hollywood blockbusters such as ‘Jurassic Park' and the Aussie favourite ‘The Dish', this is one film I continue to remember him from. I like how we see that Michael is visibly distressed by the whole court case scenario, with him stumbling through the interrogation when he is on the stand. It is also most taxing on the couple's personal life, with Michael the first one to crack.

    Yet there are some famous Australian cameos from many actors in ‘Evil Angel'. Look at these for names; Maurie Fields, Charles ‘Bud' Tingwell, John Howard, Frankie J. Holden, Mark Little, Mark Mitchell, Glenn Robbins and Kym Gyngell. All of them are well known personalities in Australian TV, and it is of great significance to this story to have such great fame among the cast of this film.

    Director/Screenwriter of ‘Evil Angel' Fred Schepisi does justice to this story in many ways. Firstly, Schepisi and co screenwriter Robert Caswell stuck very close to the story written by John Bryson. Then Schepisi directs this film in quite a unique way. He points the story in many ways, showing the Chamberlain's in one shot, then to the media, then to the general public. This amount of change gives the film great variety, which is good. If it was fixated with just the Chamberlains, this movie could have had major problems.

    I also like the many shots of Australia that this film shows off. Having this tragedy take place in the Northern territory, certainly gave that state and its famous attraction Ayers Rock (Uluru) some sort reputation, as this film does too. Yet there are some excellent shots in Alice Springs, Darwin and in the Chamberlain's home-town (for some time) of Mt. Isa in Queensland. This is good work of cinematographer Ian Baker.

    So with all those factors taken into consideration, this film looks deep into what it must be like to go through the loss of a baby child, taken by a wild animal. It also a fascinating insight into what the media can do to turn a story and how merciless people can be towards someone that in all possibility could be ‘innocent'. Although it is 22 years since this horrible event has happened, I realise that Chamberlain's lives were, and probably never will be the same again. Michael and Lindy had to go through the most painful of divorces, and their children had to go grow up with a large amount of innuendo attached to their lives. I am thankful that Lindy Chamberlain was released from prison, after serving three and a half years of a life imprisonment sentence for a crime which she did not commit.

    CMRS gives ‘Evil Angel': 4 (Very Good Film)
    9Cincy

    Excellent look at 'justice' and the media

    Some movies seem to be made before we are ready for them. As I watched this film, made in 1988, in 1999, I thought I was watching the O.J. Simpson debacle (although I have very different opinions about the innocence of the individuals in each situation).

    The Australian news media, if this movie is to be believed, devoured the case of a possible infanticide and truth was left as an afterthought. It was scary to see the scenes of invasive, swarming media hordes, ridiculous accounts of half-truths and lies and debates over the supposed merits of the case by persons at all levels of society.

    Equally appalling is the media's depiction as indifferent and uncomprehending of the technical information in the case. I do wish more was made of the issue of religious prejudice in the case (the accused are Seven-Day Adventists).

    Today these circuses have become common but that makes the lesson only more important.

    Streep is excellent as usual, and this is the best I've ever seen Sam Neill. The Aussie accents get a bit thick at times but not incomprehensible.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      (June 2008) Ranked #9 on the American Film Institute's list of the 10 greatest films in the genre "Courtroom Drama".
    • Gaffes
      In the end credits, the movie's copyright year is 1988. In Roman numerals, it would be MCMLXXXVIII. Instead, the year is MCMLXXXIII, 1983.

      There may be some version with this error, but the theatrical version did have the correct "MCMLXXXVIII".
    • Citations

      Lindy: The dingo's got my baby!

    • Connexions
      Featured in Siskel & Ebert & the Movies: Everybody's All-American/U2: Rattle and Hum/The Good Mother/Little Dorrit/A Cry in the Dark (1988)

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    FAQ

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    Détails

    Modifier
    • Date de sortie
      • 17 mai 1989 (France)
    • Pays d’origine
      • Australie
      • Royaume-Uni
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Un llanto en la oscuridad
    • Lieux de tournage
      • Uluru/Ayers Rock, Uluru-Kata Tjuta National Park, Northern Territory, Australie
    • Sociétés de production
      • Cannon Entertainment
      • Golan-Globus Productions
      • Cinema Verity
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 15 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 6 908 797 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 561 793 $US
      • 13 nov. 1988
    • Montant brut mondial
      • 6 908 797 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 2.39 : 1

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