Parle à mon psy, ma tête est malade

Only one comment (as of this writing) on IMDB?? Which is the ultimate example of why this is a very underrated comedy dealing with Aykroyd's escape from a mental facilitly (more like a den for misfits) and masqerading as his hated supervisor/doctor from the nutbarn. He heads to L.A. with his assumed name to sub for an unstable radio shrink (Grodin) and his candid approach garners him city-wide attention. He fast talks his way into a big contract and seems on his way. He gets distracted, though, by knockout Dixon (his real-life wife, how lucky), who is some kind of shrink-producer and also by Matthau's perceptive homeless schemer. He's onto Aykroyd and says he'll keep quiet if Dan splits the cash with him. That's just a little of what's going on in this busy little conman adventure, as at the same time Grodin is getting wise with the real doctor Aykroyd is impersonating. And Grodin's wife is also involved with his lawyer, who is seeing dollar signs in Aykroyd, as well is a kiss-butt producer, and annoyingly assisting Grodin is Clennon, the real doctor who is supposed to be replacing him. There are a lot of great jabs at the psychiatry profession, and the entertainment business, the best being the short but very memorable scene where Aykroyd takes calls on the radio, one of the funniest scenes I've ever watched. Unfortunately, the film ends abruptly and could've used a better knock out blow. But, from beginning to (near) end this provides a lot of solid laughs and it's too bad that the kind of plot it has doesn't permit another trip to the couch.

I wasn't expecting much from this movie to be honest, it was on late night television and only stayed to watch it because I couldn't sleep, but I found it funny, original and it has a great cast. This is one of those lost eighties comedies which more people should see. Dan Aykroyd is especially brilliant giving his usual mad perfomance! See it if you can...

9 out of 10

A patient in a chicago physcriatric hospital is in a war with Doctor Baird. When he intercepts a call for Dr Baird to replace LA shrink Dr Maitlin in his practice and his radio show. Baird had been selected because he was inept enough not to put Maitlin in the shade. Burns escapes from the hospital, travels to LA and assumes Baird's identity to get the job. Issues are complicated when drifter Becker recognises Burns as a conman and tries to get in on the act.

This is an earlier version of Dolly Parton's `Straight Talk' - a straight talker gets mistaken for a radio host, gives mad advise but the public love it. This is complicated by Matthau's conman getting involved and other little subplots. The plot doesn't always convince or hold the interest but it is quite amusing at points. The ending is pure laziness as it attempts to milk a happy ending out of unlikely circumstances.

Aykroyd is well suited to his character and provides all the jokes here. Grodin and Matthau are both good but Matthau is certainly greatly underused. Really it's Aykroyd's show and everything slows down when he's not onscreen or when he's having to move the story on.

Overall this is a very standard film. It's only amusing when Aykroyd is allowed free reign, for the rest of the film it's dull at times, aimless and meandering at others. Of the famous cast, this is nobody's finest hour.

One of the most underrated comedies. Dan Akroyd is hilarious in this over the top role; Charles Grodin gives a performance nearly as good as in "Midnight Run;" and Walter Matthau gives a superb comedic performance in this sometimes subdued, sometimes wacky film. Akroyd and Matthau have great chemistry together....

I am surprised that this, well above average 80's comedy scores only a 5.2 from all the IMDB voters. Dan Ackroyd does his usual satirical turn as a con who seizes a great opportunity to steal a contract from his prisons physician. He retreats to California to start his work giving advice on a radio show pretending to be the infamous Dr Lawrence Baird. The only person that knows he's an imposter is the drunken priest (Walter Matthau) who comes along to be pampered by Ackroyd's new found wealth having blakmailed him. Charles Grodin throws in a good supporting performance too. For its genre I think this film deserves the same crediblity as 'Ferris Bueller' or 'Trading Places'. 7.5 / 10