Cocoon, le retour

I had hesitated on watching this sequel because it good bad reviews, but I really enjoyed it. They had to come back for the cocoons, right? What makes this movie worthwhile is that all of the Seniors struggle with whether they want to leave Earth again. Immortality isn't all it's cracked up to be.

Completely lacking in originality, and even more in unpredictability, "The Return" gives one the feeling of 'déjà vu', as director Petrie sticks with the identical formula in order to guarantee success. This unfortunately also guarantees that we will get no inspiration from this sequel.

Yet in this light it is well filmed, with each character returning to fill us with the same emotions as the first "Cocoon" film. Stars Don Ameche, Wilford Brimley, Hume Cronyn, Jessica Tandy and Steve Gutenberg all return among others. James Horner's music is also back to enhance the mood. Never as good as the first, but never mind.

Sunday, May 24, 1992 - Video

Sad follow up to tender 1985 hit with Petrie dropping the ball as director, lacking Howard's polish and care for the material. Ameche and group return once again, but the magic is lost.

Multiple different plots, none of them interesting. They try to cram a bunch of stuff in, but don't focus long on any one thing. There's the kid who can't play baseball real good, bernie and his dead wife, the guy whose cancer comes back, the wife who gets hit by a car, the other two old people who are pregnant, wilford brimley and his wife are having doubts about leaving, gutenberg and welch's relationship, an earthquake releases cocoons, an alien gets captured and they have to rescue it, and more. Why are there so many plots, all of them maudlin?

It is laugh out loud funny when the alien looks at courtney cox. It looks like someone in a lumpy vacuum-sealed garbage bag.

I would recommend this to people who want to see a shirtless steve guttenberg in the best shape of his life and people who really like side plots.

The only reason this movie was made, was to capitalize on the success of the first Cocoon (1985) and make money. Pointless; witless; inane; formulistic; vapid; moneygrubbing to the point of pandering. A loathsome movie!