Colors

It was about 1988 when people in my suburban world first became aware of the inner city war between Bloods, Crips, and many of the fringe groups. This film, along with the rise of "gangster rap" were probably my first exposure to this culture. And its safe to say that if anything, the problem has only gotten worse in the past two decades. Gangs are still killing each other, and they seldom need a reason to do so.

Colors is a fairly daring film directed by Dennis Hopper. The story wishes to point out the plight of inner-city youths caught up in gangs as well as the futility of law enforcement in dealing with them. Robert Duvall and Sean Penn play basically the timeless "good cop/bad cop" duo out to learn what they can on the street and help prevent as much gang crime as possible. The film starts out strongly detailing the differences in their respective approaches to the job. Both men are a joy to watch, and continue to be so to this day. There are few American actors as talented as either man. However, as the story progresses, these two main characters seem to get kind of lost in the shuffle, and the story becomes more about the gang members. They are mostly interesting people, but you're going to find yourself wishing for more of the two leads.

The film is packed with shootouts and car chases.... perhaps a few too many. A lot of thought went into stunt work, fight scenes, and explosions. Most are not needed. Had Colors stayed more of a thoughtful drama instead of an action pic, it would have had a much bigger impact. The Los Angeles we see here is well filmed, and seems off limits to those who don't live there. This was certainly the intention. There are some wonderful little details that project the local flare. In one scene for example, while Penn and Duvall are questioning a group of Hispanic suspects in the Barrio, you can hear a rooster crowing just off screen. The cast is teeming with soon-to-be famous folks like Damon Wayans, Don Cheadle, Glen Plummer and many others. Look out for a young Mario Lopez as a young gang member. But what on earth was Malakai from Children of the Corn doing in the Barrio???? 7 of 10 stars.

The Hound.

And so goes the chorus for rapper Ice-T's hit gang warfare anthem "Colors," which also happened to be the name of the 1988 gang warfare action film "Colors," which was directed by the late actor/director Dennis Hopper, who does not appear at all in the film.

"Colors" was one of the earliest films to deal with the bloody gang violence that by 1988 when the film was released, close to 400 gang-related murders had occurred in the greater Los Angeles area. The police were overworked and unable to effectively deal with the increasing gang violence, communities were forced to live in fear, and the L.A. streets were a virtual war zone.

"Colors" was also different from previous films dealing with gangs in the fact that although it was told largely from the point-of-view of the dedicated police officers out there on the streets trying to curb the rising gang violence and ease community fears, it also showed us some of the inner-workings of gangs and why some people, mostly teenagers and young adults, join them and find such a dangerous lifestyle so rewarding. For once, gang members are given a human face so that we understand why they may do what they do as gangs.

The film focuses on the L.A. Police Department's anti-gang C.R.A.S.H. (Community Resources Against Street Hoodlums) unit. At the beginning of the film, and using a set-up familiar to the many buddy-cop action films produced during the time, veteran C.R.A.S.H. officer Bob Hodges (Robert Duvall) is partnered up with the brash, young Danny McGavin (Sean Penn). Hodges knows the streets and has an informal rapport with many of the local L.A. gangs, and many of them know him; there's a sense of mutual respect between Hodges and the gang members. Danny also knows the streets, but knows nothing of how to fight the gangs terrorizing them and he just wants to bust heads and make arrests.

"Colors" is almost episodic as Hodges and Danny go from one anti-gang operation to another, but a plot of sorts forms at the scene of the latest gang homicide. A young "Blood" gang member is gunned down in his backyard by a rival "Crips" crew, led by Rocket (Don Cheadle, in an early role playing a character with much restrained malevolence). Hodges and McGavin are put on the case, and as their investigation goes on, it brings them into contact with many of the other local L.A. gangs fighting for "turf" in the streets - eventually culminating in a bloody turf war with the cops and surrounding communities caught in the middle.

"Colors" does have its weaknesses in an occasionally spotty script and weak dialogue. But the film keeps you watching and engaged to what's going on on the screen. Fault can be found, of course, with the buddy-cop formula of pairing a veteran like Robert Duvall with an unseasoned rookie in Sean Penn. But their pairing works, as the two constantly clash with one another over their differing approaches to the job - but gradually build a grudging respect for the other man and his perspective on how to best handle their situation.

"Colors" was also remarkable, as I mentioned earlier, in that the gang members themselves are not nameless, faceless entities occupying your typical us-vs.-them war flick. No. Hopper actually took the opportunity to go inside the gangs so that we get to know some of them as characters. We don't condone anything they do, but we get to know them and understand why gang-banging is so appealing - family, belonging, lack of ambition and/or opportunity, power/status, the overall lifestyle, etc. It was a brave and revealing, and unflinching, insight, and a departure, since not having this could have made "Colors" seem like your run-of-the-mill late-'80s cop movie.

A great action-crime film that comes highly recommended from this viewer.

8/10

When it first came out, it was probably a C movie to all but the kids who watched it, and fell in love with crip and blood culture.

Almost 40 years later, the additions of 'cultural relevance' and a creatively stagnant film industry makes it all the more entertaining.

Somehow, this movie felt dated in '95 - but in '22 is the only one of its genre still watchable. A paradox. Clearly, Penn and Duvall are timeless.

It should be noted, for historical purposes, this movie led to crip and blood gangs popping up all over America; and with the proliferation of gangsta rap - brought about the 90s gangsta culture that ruined millions of lives.

Younger generations can equate it to how much biker culture grew after Sons of Anarchy became popular.

Until I checked this out on IMDB, I had no idea that Dennis Hopper was the director. Wow, that says a lot about his directing ability.

In a void, this movie might not be great. Someone from the UK complained about it. I'm not from Compton but, this movie rates up there with the other true-to-lifers like Boyz in the Hood, and other gang related "classics" (as they deserve to be called).

This is a great movie with great acting and a great plotline. It's a pretty realistic view (again, I'm not a gang banger, so maybe my view is skewed) of the gang life in L.A. And it was the first to really portray it... I'm still a big fan of Boyz in the Hood (not for excitement, but for a good story about a tough life). But this was the first (as I recall) and Hopper deserves a great deal of credit for that. Penn and Duvall are fantastic actors and both come through in a big way in this movie.

My personal opinion: This movie has been, by far, underrated...

An experienced cop (Robert Duvall) and his rookie partner (Sean Penn) patrol the streets of East Los Angeles while trying to keep the gang violence under control.

Looking back now (2017), this film seems so normal, something that could be included in a long list of L.A. gang movies, with the Crips and Bloods fighting it out for turf. We all know about "gangsta rap" and Compton and South Central and all of that. But then you look at the date this film was released -- 1988 -- and you see that all these things we take for granted had never been explored in any detail before. (Merriam-Webster, for example, does not even think the term "gangsta rap" was invented until 1989, even if Schoolly D and Ice-T were already around.)

Although it is probably not true that "Colors" is the first film about gang violence in Los Angeles, it was probably the most influential at the time it came out. Allegedly, some reviews found it even hard to believe that gangs existed in L.A. -- that is just how novel the premise was. Director Dennis Hopper does an excellent job in laying out what these neighborhoods are like and really tackles the crack epidemic head on.

The original script by Richard DiLello (best known as a Beatles historian) actually took place in Chicago (the traditional gang stronghold) and was more about drug dealing than individual gang members. Hopper ordered changes, so Michael Schiffer was hired and the setting was changed to Los Angeles with the focus of the story becoming more about the day-to-day world of gang members. This switch may be the single best decision Hopper made while developing and shooting the film.

What makes the film valuable today, besides its historic aspect, is seeing just how great the casting was, too. Don Cheadle before he was widely known. Tony Todd before "Candyman". Damon Wayans before his entire family became big stars. Even a young Mario Lopez shows up. The idea of having a white kid (Courtney Gains) in a Latino gang seems strange, but as Gains himself says, that was written into the script and he just happened to be lucky enough to get the part.

Thanks to Shout! Factory and their Shout Select label, we now have the full, uncut film on Blu-ray, looking great and sounding fantastic. The Herbie Hancock score is dynamite, to say the least. Special features are a little bit slim, unfortunately -- no commentary and not a single actor interview -- but we do have a look back at both the writing process and the gang situation in 1980s Los Angeles.