À chaque saison, une fan se lance dans une liaison avec un joueur de baseball de ligue mineure qu'elle choisit. Cette fois, elle rencontre un lanceur prometteur et le receveur expérimenté qu... Tout lireÀ chaque saison, une fan se lance dans une liaison avec un joueur de baseball de ligue mineure qu'elle choisit. Cette fois, elle rencontre un lanceur prometteur et le receveur expérimenté qui lui est assigné.À chaque saison, une fan se lance dans une liaison avec un joueur de baseball de ligue mineure qu'elle choisit. Cette fois, elle rencontre un lanceur prometteur et le receveur expérimenté qui lui est assigné.
- Nommé pour 1 Oscar
- 7 victoires et 6 nominations au total
- Mickey
- (as Lloyd Williams)
- Doc
- (as Greg Avelone)
- Teddy - Radio Announcer
- (as Carey 'Garland' Bunting)
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That for me is the central theme of this film. It is all summed up when Crash tells Nuke, the wild young star pitcher "You don't respect yourself. That's your problem. You don't respect the game. That's my problem."
Take a player that passionate, and a youngster that annoying, add in a sexy yet maternal fan and you have great comedy. Bull Durham works scene after scene, because the film never forgets that baseball is what binds all the characters together.
Tim Robbins is nothing short of brilliant and Nuke Laloosh, the rising star youngster who walks 18 batters and strikes out 18 batters in his first minor league appearance - both league records. But Nuke is caught up in his fat contract, his Porsche, and his endless parade of women. Baseball is a sideline. Eventually, Crash's mentoring begins to pay off until he finally realizes that winning is "like, you know, better than losing!"
The love triangle between Annie (Susan Sarandon), Crash and Nuke is wonderful and funny, but it mainly provides us with set up for the baseball scenes, like when Sarandon convinces Nuke to wear women's underwear while he pitches. Or my favourite scene, when Annie and Crash take batting practise together, Annie dressed like she is ready for a wedding, but determined to correct Crash's swing. Crash is determined to take Annie home. They flirt and practice batting in one of the best prolonged foreplay scenes ever filmed.
The ending is satisfying but the real depth of this film is harmony that the game brings to the characters. **** out of ****.
Kevin Costner plays "Crash" Davis, a veteran minor league catcher who's hired by the Durham Bulls to act as a mentor to their new pitcher Ebby LaLoosh (Tim Robbins). Ebby is in need of some direction, as he may be truly talented but has ego and discipline problems. At the same time, sexy Annie Savoy (Susan Sarandon), the Bulls' loyal groupie, takes an interest in Ebby as she makes a habit of hooking up with one young player every season and helping the man to mature. Naturally, some sparks fly as the two guys both get attracted to Annie.
Writer / director Ron Shelton truly knows the territory, having been a minor league baseball player himself, although he doesn't in truth feature a lot of game action. His dialogue is often very funny and often very profane. A lot of humour comes from Annies' manipulation of the naive Ebby, whom she nicknames "Nuke" and has him do things like wear a garter, thinking this will improve his game. And while the film does get serious at times, it never becomes too maudlin. As was said previously, the attraction comes from watching three intriguing characters and three fine performances. With fine support by Trey Wilson and Robert Wuhl, Costner, Sarandon, and Robbins make the most of the material. There's also some endearing goofiness from the real-life "Clown Prince of Baseball", a man named Max Patkin. And to top it all off, there are some very sexy scenes in this thing, especially towards the end. All in all, this likable story has a little something for everybody, and is well worth a viewing.
Eight out of 10.
While both great movies, "Field of Dreams" requires a dream-like nostalgia for the era and aura of childhood in order to best feel that film inside your bones. "Bull Durham" edges it out by summoning outstanding character development across the board, and by supporting Coster's terrific portrayal with elite supporting acting from juggernauts Susan Sarandon and Tim Robbins.
This is a classic film, and possibly the best there's been at conjuring the very nuanced American soul of baseball, as well as the unique characters and life-affirming truths our pastime evokes. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!)
Le saviez-vous
- AnecdotesRon Shelton was a former minor league baseball player and used his experience as the basis for the story.
- GaffesWhen Crash hits the home run he promised off the opening breaking ball, he stares intently at far left field, but the ball ends up in deep right center.
- Citations
Crash Davis: This son of a bitch is throwing a two-hit shutout. He's shaking me off. You believe that shit? Charlie, here comes the deuce. And when you speak of me, speak well.
- Bandes originalesCenterfield
Written and Performed by John Fogerty
Courtesy of Warner Bros. Records, Inc.
By arrangement with Warner Special Products
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La bella y el campeón
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 888 729 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 009 301 $US
- 19 juin 1988
- Montant brut mondial
- 50 888 729 $US
- Durée
- 1h 48min(108 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1