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État de choc

Titre original : The Boost
  • 1988
  • Tous publics
  • 1h 35min
NOTE IMDb
6,1/10
2,6 k
MA NOTE
James Woods and Sean Young in État de choc (1988)
A real estate developer who enjoyed short-lived success seeks to regain his edge by using cocaine, but takes himself to new lows as he gets lost in the downward spiral of drug addiction.
Lire trailer2:06
1 Video
19 photos
DrameRomance

Ajouter une intrigue dans votre langueA real estate developer who enjoyed short-lived success seeks to regain his edge by using cocaine, but takes himself to new lows as he gets lost in the downward spiral of drug addiction.A real estate developer who enjoyed short-lived success seeks to regain his edge by using cocaine, but takes himself to new lows as he gets lost in the downward spiral of drug addiction.A real estate developer who enjoyed short-lived success seeks to regain his edge by using cocaine, but takes himself to new lows as he gets lost in the downward spiral of drug addiction.

  • Réalisation
    • Harold Becker
  • Scénario
    • Ben Stein
    • Darryl Ponicsan
  • Casting principal
    • James Woods
    • Sean Young
    • John Kapelos
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    2,6 k
    MA NOTE
    • Réalisation
      • Harold Becker
    • Scénario
      • Ben Stein
      • Darryl Ponicsan
    • Casting principal
      • James Woods
      • Sean Young
      • John Kapelos
    • 37avis d'utilisateurs
    • 18avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Trailer
    Trailer 2:06
    Trailer

    Photos19

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    + 13
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    Rôles principaux41

    Modifier
    James Woods
    James Woods
    • Lenny Brown
    Sean Young
    Sean Young
    • Linda Brown
    John Kapelos
    John Kapelos
    • Joel Miller
    Steven Hill
    Steven Hill
    • Max Sherman
    Kelle Kerr
    • Rochelle
    John Rothman
    John Rothman
    • Ned
    Amanda Blake
    Amanda Blake
    • Barbara
    Grace Zabriskie
    Grace Zabriskie
    • Sheryl
    Marc Poppel
    Marc Poppel
    • Mark
    Fred McCarren
    Fred McCarren
    • Tom
    Suzanne Kent
    Suzanne Kent
    • Helen
    Libby Boone
    • Delores
    Greg Deason
    • Michael
    David Preston
    David Preston
    • Surfer
    June Chandler
    • Secretary
    Edith Fields
    Edith Fields
    • Office Manager
    Barry Jenner
    Barry Jenner
    • Billy
    David Tress
    David Tress
    • Dr. Shapiro
    • Réalisation
      • Harold Becker
    • Scénario
      • Ben Stein
      • Darryl Ponicsan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs37

    6,12.5K
    1
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    10

    Avis à la une

    mcfly-31

    Woods best ever

    Most people say James Woods best might be "The Onion Field," or maybe "Once Upon a Time in America," or possibly "Salvador." But this gets my vote for the best work in his career, as he's an absolute powerhouse. He plays Lenny, an ambitious businessman who gets his chance to move to L.A., live in a kick ass house, own great cars, and obviously make amazing money. But then the hole falls through his tax shelter venture and he's left with nothing. But he finds new life with cocaine, the thing he thinks makes him more aggressive and will get him back on top. Instead he and his wife keep heading down, unbelievably down in utterly convincing, strongly developed scenes. The houses get smaller, the money gets scarcer, and Lenny gets more near death. Woods' best scene ever, in my opinion, occurs in this movie, when he violently explodes during a business dinner, totally ruining any chances he had. The way he so quickly says his lines, is amazing. He's incredibly wired throughout the moment and its awesome to watch. The only downside for me is the end of the film, which doesn't lead to a redemption for Lenny. Woods is still as strung out as ever, and has a terrific final moment as he reads directly into the camera the pain his character is still feeling. So despite a downer (no pun) of a finish, this is still great storytelling, with James Woods at his strongest.
    7Lazy Berto

    Very Powerful

    I had never heard of this movie until it happened to show up one night on cable. I have always been a fan of James Woods, but never have I seen him in a more convincing role. This is the best rags to riches, then riches to rags flick I have ever seen. Anyone whom has ever been involved in drugs, or has even thought about experimenting with them should watch this film.
    grisell

    Not bad at all.

    This film has suffered some unjustified criticism.

    Woods and Young are really doing great performances, as usual. One criticist stated that it was difficult to see any difference between J Woods "before" and "after", just as with J Nicholson in "the Shining". He may be true there, but taking things not too seriously, this is a believable and well-acted movie. To put it simply: It could have happened in real life.

    I wouldn't rate this as a masterpiece, but given the good performances of Young and Woods, it's clearly above average.

    Yes, it is an anti-drug film, but if you are against drugs you should see it. If you're pro-drugs, it is even more important for you to see it!
    6michaelRokeefe

    Sometimes you win; sometimes you lose.

    I appreciated this movie more after the second viewing. Although dark, it leaves a powerful statement. James Woods is a silver-tongued real estate salesman that for the first time in his life he is successful and rolling in money. So much money and so quick, he turns to cocaine to stay in high gear. His wife (Sean Young)wishes things could stay plain and simple; but after slipping into the high life, she too needs drugs to remain functional. Steven Hill is the mentor that suddenly is disgusted with Woods character. The profitable real estate business dries up leaving Woods ass deep in debt and no way to support his drug habit. Woods finally clean and sober still can't repair the damage done to his life and marriage.

    John Kapelos and Kelle Kerr are noteworthy in support. Woods is dynamic and very convincing. Young on the other hand seems quite bland and exhibits little acting skills. Young however is not afraid to get naked! THE BOOST is dark, moody and all too realistic.
    rbmoviereviewsdotcom

    Woods at his finest

    Another great performance by Woods, first playing his typical schemer who this time gets a lucky break to go to LA and be respectable and even rich. He's now a fast-talking real estate salesman who still has no self esteem, but for the first time has the money to buy the look that can kind of hide it. Unfortunately, the paper reports the tax laws might be changed, so the incredibly profitable business of selling real estate so people can get a tax exemption dries up overnight. Woods is left with no money because he's p****d it away on planes and other luxuries. Woods and then his wife Sean Young become druggies and their life continually spirals down until it reaches rock bottom with disillusion, no future, and no life beyond the drugs. They are left with nothing, but each other, except Woods always knew she was too good for him, so she is the final domino in his now sad life that's left to fall. Woods is the best at making you think he could crack at any moment. He's always trying to get ahead, but at the same time you know he's always on the verge of snapping and totally screwing his life up. The portrayal of Woods & Young's drug addiction is dark and unsettling, but that makes it so much more convincing.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This movie is based on a book by Ben Stein of La Folle Journée de Ferris Bueller (1986) fame. The book, published in 1983, is titled "'Ludes: A Ballad of the Drug and the Dream" and is about the abuse of Quaaludes (methaqualone) rather than cocaine as in the movie. Supposedly based on a friend of Stein's who met his ruin through the abuse of Quaaludes in the 70's and 80's, the action in the movie follows almost exactly the action of the book, even down to some of the dialogue.
    • Gaffes
      When Lenny and Linda are in the pool, we see Linda from behind, and her wet hair is completely swept back behind her right ear, but as the camera angle changes to a front view, her right ear is now half-covered with wet hair.
    • Citations

      Max: [Max has discovered that Lenny put a check in Max's safety-deposit box, after "borrowing" $20,000 from the Century West Maintenance account, so that Lenny could treat Linda to a night in Las Vegas] A worthless goddamn CHECK?

      Lenny: What are you getting hysterical about? It was just a LOAN.

      Max: In all my life, I never treated ANYONE like I treated you! You were POOR; I made you RICH. You were DROWNING; I gave you a YACHT! And then you STOLE from me. After I treated you like a son. TWENTY THOUSAND DOLLARS!

      Lenny: You want another check? I'll write you another check right now.

      Max: A check is no damn good. You want to be a liar as well as a thief?

      Lenny: Then tell me what to do. Just tell me, Max.

      Max: [hugs Lenny, then speaks softly] You gotta go. I can't have you around here anymore.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Talk Radio/Hellbound: Hellraiser II/The Accidental Tourist/The Boost/Pelle the Conqueror (1988)

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    FAQ

    • How long is The Boost?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 juillet 1989 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Boost
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis
    • Société de production
      • Hemdale
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 8 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 784 990 $US
    • Montant brut mondial
      • 784 990 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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    James Woods and Sean Young in État de choc (1988)
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