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Big

  • 1988
  • Tous publics
  • 1h 44min
NOTE IMDb
7,3/10
252 k
MA NOTE
POPULARITÉ
1 802
130
Big (1988)
Regarder Official Trailer
Lire trailer2:25
4 Videos
57 photos
Body Swap ComedyComing-of-AgeHigh-Concept ComedyComedyDramaFantasyRomance

Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.Après avoir émis le souhait de devenir grand, un adolescent se réveille dès le lendemain matin dans le corps d'un adulte.

  • Réalisation
    • Penny Marshall
  • Scénario
    • Gary Ross
    • Anne Spielberg
  • Casting principal
    • Tom Hanks
    • Elizabeth Perkins
    • Robert Loggia
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    252 k
    MA NOTE
    POPULARITÉ
    1 802
    130
    • Réalisation
      • Penny Marshall
    • Scénario
      • Gary Ross
      • Anne Spielberg
    • Casting principal
      • Tom Hanks
      • Elizabeth Perkins
      • Robert Loggia
    • 303avis d'utilisateurs
    • 107avis des critiques
    • 73Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Oscars
      • 11 victoires et 14 nominations au total

    Vidéos4

    Official Trailer
    Trailer 2:25
    Official Trailer
    Big
    Trailer 1:16
    Big
    Big
    Trailer 1:16
    Big
    'Big' 30th Anniversary Mashup
    Clip 1:01
    'Big' 30th Anniversary Mashup
    What Roles Has Tom Hanks Turned Down?
    Video 3:22
    What Roles Has Tom Hanks Turned Down?

    Photos57

    Voir l'affiche
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    + 51
    Voir l'affiche

    Rôles principaux67

    Modifier
    Tom Hanks
    Tom Hanks
    • Josh
    Elizabeth Perkins
    Elizabeth Perkins
    • Susan
    Robert Loggia
    Robert Loggia
    • MacMillan
    John Heard
    John Heard
    • Paul
    Jared Rushton
    Jared Rushton
    • Billy
    David Moscow
    David Moscow
    • Young Josh
    Jon Lovitz
    Jon Lovitz
    • Scotty Brennen
    Mercedes Ruehl
    Mercedes Ruehl
    • Mrs. Baskin
    Josh Clark
    Josh Clark
    • Mr. Baskin
    Kimberlee M. Davis
    • Cynthia Benson
    Oliver Block
    • Freddie Benson
    Erika Katz
    Erika Katz
    • Cynthia's Friend
    Allan Wasserman
    • Gym Teacher
    Mark Ballou
    Mark Ballou
    • Derek
    Gary Howard Klar
    Gary Howard Klar
    • Ticket Taker
    • (as Gary Klar)
    Alec Von Sommer
    • First Brother
    Chris Dowden
    • Second Brother
    Rockets Redglare
    Rockets Redglare
    • Motel Clerk
    • Réalisation
      • Penny Marshall
    • Scénario
      • Gary Ross
      • Anne Spielberg
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs303

    7,3251.7K
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    Avis à la une

    Angel-77

    In "Big", it's the little things that count

    "Big" is a magnificent movie. Tom Hanks portrays a young boy trapped in the body of a grown man. Imagine one morning, to find yourself trapped in an unfamiliar body. Mr. Hanks creates a vivid character and plays a convincing role as a 13 year old boy who has to deal with the confusion of this sudden change. The child shines through the grown man throughout the movie, in classic scenes such as his first day on the job at the MacMillan Toy Company when he curls his legs underneath him to sit at his desk, and at the company cocktail party when the entire staff chuckles at his choice in tuxedo and his first reaction is to check the fly on his white-sequined pants. Also his nervousness and restlessness during a marketing meeting, and the way he holds up his hand and waits to be called on before making a comment, are all childlike actions. Such small details are what make the character so convincing and Tom Hanks pulls it off brilliantly.
    10toffeefan

    This movie captures the innocence of youth beautifully

    I saw this film again yesterday for what must now be the tenth or so time and it's a film that makes me stop whatever I'm doing and immerse myself in the unfolding story. Never mind the fact that I am by now familiar with the premise, which incidentally far exceeds similar ones of the genre released at this time - Vice Versa and 18 Again (the latter being truly dire).

    I think this is one of Hanks' finest hours and see it as the pinnacle of his early pre-90's career. His later performance in Philadelphia would eclipse this role, although this was obviously more serious in its message.

    It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.

    Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.

    I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.

    As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.
    mermatt

    Keeping Your Inner-Child

    This charming, sweet, hilarious gem of a film works because Tom Hanks makes you believe he actually is a small boy in the body of an adult.

    The interesting trick of what makes the story appealing is not so much the magic that the boy gets his wish to be "big." It's that once he is in an adult, he has to navigate the adult world with the mind of a child -- and ultimately realizes that he is missing something if he makes the leap from boy to man without going through all the fun and the struggle in between. There are several other films that have the boy-to-man switch, but none of them have the depth of understanding about human nature that this film portrays.

    The story is wonderfully written and directed, and Tom Hanks is a star. The film made me laugh, and it made me cry. What more can you ask of one movie?
    8Andreas_N

    Growing up as a lesson of life

    This movie is great. I mean, really. That's what every boy dreams of - becoming an adult overnight! It's absolutely gorgeous to see Tom Hanks' performance - that's real acting, it requires a lot to play this part as genuinely and cordial as he did. The message is so clear and so honest. The nostalgic edge is of such profound significance to the story. It's about the differences between being a kid and being an adult. It's about two very different perceptions of the same world that surrounds us. It's just us and how we make the best out of every day of our lives, and all it needs is to see the world through the eyes of a kid. A kid perceives all the things differently, with much more native and modest simplicity - the keystone to imagination and magic, the keystone to cherish the daily miracles in our lives. This movie has a deep and very pervasive message. It has so much charm and vitality mingled with nostalgia and witchcraft. One of those movies I enjoyed watching when I was a kid. Recommended.
    9PredragReviews

    The best Elizabeth Perkins performance from the 80's!

    "Big" instantly became one of my favorite films. 20 years later, I can still say the same thing. This film not only "holds up" well, it is still a timeless classic. Hanks & Perkins give outstanding performances; instead of "playing" a 12 year old, Hanks actually becomes one. His innocence is totally believable. Perkins plays the part of the ambitious Susan to perfection, and she is the perfect love interest for Hanks. Talk about chemistry here! The acting was great and the entire cast did an superb job. The movie is definitely a feel-good piece, but it's more than just fluff. If you think about some of the messages, it's telling us just to take things at face value and enjoy life. Josh succeeds because he has no ulterior motives. We are regularly reminded about the importance of friendship, and how events in our lives can sometimes threaten our relationships with established friends when we find something or someone new that we think deserves our full attention. Of course, a good friend will forgive you for such indulgences.

    Overall, the movie deserves more stars for it's clever laughs, amazing acting, magnitude of imagination and nostalgia. Nonetheless, when the ending came along, I was left in shock wondering what just happened. Is that it? What happens next? There has to be additional footage. It cannot end like this. It called for a sequel perhaps, but I don't know if it ever came out. If you never watched this movie and would like to experience 80's nostalgia, it is highly recommended! My Ratings: 9 out of 10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      According to Robert Loggia, on the day they filmed the famous Walking Piano scene at FAO Schwarz, he and Tom Hanks noticed that doubles dressed like them were on hand just in case they could not do the dance moves correctly. It became their goal to do the entire number without the aid of the doubles. They succeeded.
    • Gaffes
      Before Josh and MacMillan play the Walking Piano at FAO Schwarz, Josh throws a bag down on the ground. When they leave he leaves it there and doesn't take it with him.
    • Citations

      Josh: Will you please leave? I got a deadline to meet. Gosh.

      Billy: Who the fuck do you think you are ?

      Josh: *Hey*!

      Billy: You're Josh Baskin, remember? You broke your arm on my roof! You hid in *my* basement when Robert Dyson was about to rip your head off!

      Josh: You don't get it, do you? This is important!

      Billy: I'm your best friend. What's more important than that, huh?

      [Turns to leave]

      Billy: And I'm three months older than you are, *asshole*!

    • Versions alternatives
      The Extended Edition is 130 minutes. It was released in 2007, and contains 26 minutes of previously deleted scenes, including Frances Fisher's role as Mrs. Kopecki.
    • Connexions
      Edited into 5 Second Movies: Big (2008)
    • Bandes originales
      The Way We Were
      Written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch

    Meilleurs choix

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    FAQ

    • How long is Big?
      Alimenté par Alexa
    • Why is Josh acting like an 'idiot'?
    • Does this film really depict an incident of statutory rape in a lighthearted way?
    • What is 'Big' about?

    Détails

    Modifier
    • Date de sortie
      • 10 août 1988 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Facebook
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Quisiera ser grande
    • Lieux de tournage
      • Rye Playland, Rye, New York, États-Unis(where Josh finds Zoltar at the end of the film)
    • Sociétés de production
      • Twentieth Century Fox
      • Gracie Films
      • American Entertainment Partners II L.P.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 18 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 115 227 281 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 8 216 190 $US
      • 5 juin 1988
    • Montant brut mondial
      • 151 927 281 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 44 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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