Street Generation

I think it's the sort of film you either love or hate and I'm really not the type to go in for arty movies. My mother rented "mullhuland DR" the other night and I nearly ran from the room, ha. But I love this film.

We recorded "The Beat" one night when we had just let the tape run and got a great film that way by accident. Saved that tape and watched it a lot. I eventually got the VHS to add to my collection. I've watched it many times and at one point copied down the poems. I even tried to preform one scene for my high school drama class. She had said we could do any scene we wanted and just cut out the bad words. She refused to let me do it. If it could upset my drama teacher that much it has to be good :) Honest she never treated me the same after that.

I liked the acting it came off very true and honest. It wasn't clean and polished but it was better than that. It was true to life, how anyone would truly behave and display emotions not how Hollywood does. It was great acting especially by the one playing Rex.

The story was original. Not only do the characters get drawn into his world but you do too. Not your typical person meets inner city kids and saves them through knowledge film at all. Simply caring and friendship make things a bit better.

The only thing is that even in the 80's there was more gun violence and less simple stuff like rock throwing but that little bit of innocence didn't hurt this film.

I think it's a must see. you will either love or hate it but either way it makes an impact and that makes a good film that you will remember and talk about later.

I must say, this film, really disappointed me. The best thing about it was the presence of some actors I like. John Savage was just wasted as a professor, while I've always found William Mcnamara interesting to watch, especially as the nutso in Copycat. And weirdly it was directed by a guy who really didn't go anywhere as an actor, but made such an impact as a brutal gang leader in Tuff Turf. I actually found this movie pretty dull and boring. The new kid in school, is a few stamps short of full postage, a weirdo, who I must admit is fun to watch. He's a poet, out to teach a dangerous community of kids, how to express themselves, and not be afraid. This film lacks any kind of punch, and there's no real spark, and the lead weirdo tends to get on your nerves. A little bit of brutal violence is on offer too, where not much else is in this film, that really disappointed the crap out of me.

My first review at IMDB, after a few years of using this site constantly...

Anyways, saw this on the tube the other night, loved it. It's in the mindset of a Dangerous Minds or a Substitute, but much better. Was sure for a moment that Rex was Speedy Levitch, in Waking Life, but after checking, it doesn't seem so.

I can see why many have problems with this plot and its poetry, but I also think these people are close-minded. Admittedly the ending wasn't quite what I was hoping for, but overall it was so unique and well-acted, I can't complain. I wouldn't call this cheesy, as one reviewer did, it pulled off the scene better than most films of the 80's did. And they refrained from playing any really dateable 80's music.

Can't remember everything that made me smile when I saw this, but basically it realistically showed very creative individuals surrounded by mediocrity, and whether I share Rex's beliefs or not, I love original attempts to describe the meaning of life. And his Mutant theory is, to my knowledge, original. He rambled a lot as well, but they showed how confused he was at times, and why he might have some psychological issues. And then in his moments of clarity he was a philosopher extraordinaire, a person who noticed the little details in life and tried to give expression to them.

Also I was very impressed with John Savage as the teacher. Usually actors fail at that role. He pulled it off brilliantly.

If you enjoyed Waking Life, I say watch this movie if you get a chance.

9.5/10

pk

Along with the other comment here, I've heard another bad comment on this movie -from a member of the rock band featured in the film. I guess everyone is entitled to their opinion.

My problem is that I have a more or less good memory of that movie. I mean, I remember that I was very interested in it, I thought it was a good movie and spend years trying to find out some more about it.

Well, I was a kid when I saw it and that may have something to do with my positive evaluation of the film. Plus, the Cro Mags played there and that is definitively a plus! Anyway, I wouldn't go so far as to recommend it, but if you find it some late night in some cable station, give it a try. I want to see it again myself and see if I'm so wrong.

"... the beat is too strong ... we're deaf mutants now--like them", Rex Voorhas Ormine

I am surprised that this movie has been uniformly bashed. Let me be the first to actually discuss the virtues of "The Beat" and why YOU MUST SEE THIS FILM NOW.

Make no mistake, this movie is cheesy and "bad" in the conventional sense: the story is preposterous, the poetry is silly, and the acting is inconsistent.

But these are the film's CHARMS--all of these ingredients form the recipe for one of the most UNDERAPPRECIATED CHEEZY FILMS of the 80's.

If the reference to "deaf mutants" didn't pique your interest, then perhaps this will: What kind of name is "Rex Voorhas Ormine", anyway? It is such an unusual name (for North American audiences) that I said to myself, "even the names of the characters in this friggin' movie are firggin' silly."

Well, "The Beat" is so fabulously cheezy that the "meaning" and "symbolism" behind "Rex Voorhas Ormine" is revealed not-too-subtly by Bart Waxman (the misguided guidance counselor you love to hate). I won't spoil the revelation behind Rex's name, but please don't get too excited, O.K.?

Overall, the acting is inconsistent (John Savage--who plays the "concerned teacher" Mr. Ellsworth is pretty good, as is the fellow playing Bart Waxman, but the rest of the cast are unconvincing). That said, the acting does NOT detract from the film. Why? There is a SINCERITY in each of the actors' performances that makes the characters they play endearing. So although the performances may suck, you are still left with the impression that the actors are really trying to do their best. As a result, the actors' sincerity succeeds where their acting fails (which is quite often).

The homage to "beat poetry" in this film is bad, bad, bad. But this is a good, good, good thing when it comes to entertainment. Would you actually enjoy "better quality" or "more respectable" poetry--especially in a film like this?

Folks, that would be BORING (think about the droll they made us read in high school--sanitized to avoid "corrupting the youth", politically conservative and devoid of any critical analysis, etc.) Even if you don't like poetry or "arty" movies (with all of the "intellectual" posturing that implies), you most certainly can (and should) appreciate LUDICROUS POETRY in a WANNABE ART FILM!!!! How could you not enjoy the following?

"do you remember the roar of the dinosaur? a woman's scotty craps on the floor bad scotty bad, oh the woman's so sad she washes her hands and then waits by the door today, yeah--today!"

Yes, that is an example of some of the remarkable poetry liberally sprinkled throughout "The Beat." But what about the story, you ask?

Well, the story is preposterous. But then again, that is the beauty of this film. Apart from some cliches, stereotypes, and predictable plot points, there are enough genuinely unique elements to the plot/story to keep things interesting. Who is Rex? Where did he come from? What the heck is he talking about? Deaf mutants? Illiterate angels? Do Billy and Kate REALLY understand what Rex is saying? Is the audience supposed to understand Rex and his poetry posse? (I've seen the movie several times and I still haven't figured everything out.)

Will bad poetry and high school talent shows really END GANG VIOLENCE?

I guarantee that you have never seen anything quite like "The Beat"--a perfect combination of brilliantly bad poetry, mediocre-yet-sincere acting, and a "mythopoetics conquers gang violence" storyline that has YET TO BE RIVALLED BY ANY FILM EVER MADE.

Bonus for fans of classic NYC hardcore: The Cro-Mags make a rare film appearance as the "Iron Skulls" and it's a hoot to see them perform several songs. I wish they included more concert footage, but maybe that will be an "extra" included on the "collector's edition" DVD I fantasize about.