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5,6/10
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Ajouter une intrigue dans votre langueLone survivor Cynthia Weston of the Unity Fields cult's mass suicide wakes from a thirteen-year coma in a psychiatric ward, where other patients suddenly start dying under mysterious and gru... Tout lireLone survivor Cynthia Weston of the Unity Fields cult's mass suicide wakes from a thirteen-year coma in a psychiatric ward, where other patients suddenly start dying under mysterious and gruesome circumstances.Lone survivor Cynthia Weston of the Unity Fields cult's mass suicide wakes from a thirteen-year coma in a psychiatric ward, where other patients suddenly start dying under mysterious and gruesome circumstances.
- Réalisation
- Scénario
- Casting principal
Elizabeth Daily
- Lana
- (as E.G. Daily)
Melissa Francis
- Young Cynthia
- (as Missy Francis)
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This film definitely had the 1980's vibe going strong in it's look and feel. Usually, if you are one to like the 'Classic' Slasher films of that time period, you pretty much know what to expect. Unfortunately, although there ARE some scattered good moments in the film, overall I honestly got the impression that overall it just didn't hold together terribly well. The IDEA was pretty good, and for me anyway, ANY film that starts with almost a full rendition of The Electric Prunes 'I Had too Much to Dream Last Night' is pretty damn awesome.
Some of the soundtrack choices were effective too. And, at times the director did create a nice mood. But, I don't know exactly what it was, probably the direction since the director usually has final control of how the movie comes across, flows, and ties together. You kind of got the feeling that the actors were just not quite really into it and I feel that that comes across in the performances. Also, there are many awkward moments where the patients would be acting odd or doing their thing, but to me, it didn't come across as believable. To me, many times it seemed like a number of odd, sub-par performances roughly strung together.
Most decent Slashers usually keep a good pace and keep the action going so that the story moves quickly for the audience. I didn't get that here... I think that perhaps if it could have be tightened up a bit and if the performances elicited by the director and maybe the specific shots used had been done better, than the movie would have been much more involving and more entertaining. The only way I can think of to put it, to explain the overall feel that it gave me, is that it just didn't seem to 'Flow' quite right. But, like I said, it definitely had it's moments. But, I think just too many scenes were weak. For example, not giving anything away, but one scene with the hyper patient towards the end when he took Jennifer Rubin with him down into the basement or somewhere, the scene where he was throwing a fit dragged on and on and on and just really seemed like padding and was pretty stupid. Unfortunately, there were just too many weak moments, maybe not QUITE as bad as that scene, but weak all the same.
Also, without saying too much, the 'twist' towards the end was an excellent idea and gave a nice added punch to the story. But again, it was almost too little too late... I really like the guy playing the young doctor (wasn't he the romantic lead in 'REANIMATOR') but even he seemed like he was trying REALLY hard not to sleepwalk through the film. Jennifer Rubin didn't impress very much; she just looked kind of stoned the whole time. She was a HELL of a lot better in 'NIGHTMARE ON ELM STREET 3' Also, it would have been nice to see E.G. Daily do a bit more too.
So... just rating this against other Slashers, I really can't get too worked up by it. I felt that even though the premise was very good and even though there WERE some good moments in it, overall compared to most other average to decent Slashers, I just found this one a bit limp, mainly because it just didn't seem that sharply put together. The current rating of '5.5' is about right; I gave it a '5' because I couldn't quite give it a '6' In my honest, lowly and wretched opinion, I truly think that there are a LOT better Slasher films out there...
Some of the soundtrack choices were effective too. And, at times the director did create a nice mood. But, I don't know exactly what it was, probably the direction since the director usually has final control of how the movie comes across, flows, and ties together. You kind of got the feeling that the actors were just not quite really into it and I feel that that comes across in the performances. Also, there are many awkward moments where the patients would be acting odd or doing their thing, but to me, it didn't come across as believable. To me, many times it seemed like a number of odd, sub-par performances roughly strung together.
Most decent Slashers usually keep a good pace and keep the action going so that the story moves quickly for the audience. I didn't get that here... I think that perhaps if it could have be tightened up a bit and if the performances elicited by the director and maybe the specific shots used had been done better, than the movie would have been much more involving and more entertaining. The only way I can think of to put it, to explain the overall feel that it gave me, is that it just didn't seem to 'Flow' quite right. But, like I said, it definitely had it's moments. But, I think just too many scenes were weak. For example, not giving anything away, but one scene with the hyper patient towards the end when he took Jennifer Rubin with him down into the basement or somewhere, the scene where he was throwing a fit dragged on and on and on and just really seemed like padding and was pretty stupid. Unfortunately, there were just too many weak moments, maybe not QUITE as bad as that scene, but weak all the same.
Also, without saying too much, the 'twist' towards the end was an excellent idea and gave a nice added punch to the story. But again, it was almost too little too late... I really like the guy playing the young doctor (wasn't he the romantic lead in 'REANIMATOR') but even he seemed like he was trying REALLY hard not to sleepwalk through the film. Jennifer Rubin didn't impress very much; she just looked kind of stoned the whole time. She was a HELL of a lot better in 'NIGHTMARE ON ELM STREET 3' Also, it would have been nice to see E.G. Daily do a bit more too.
So... just rating this against other Slashers, I really can't get too worked up by it. I felt that even though the premise was very good and even though there WERE some good moments in it, overall compared to most other average to decent Slashers, I just found this one a bit limp, mainly because it just didn't seem that sharply put together. The current rating of '5.5' is about right; I gave it a '5' because I couldn't quite give it a '6' In my honest, lowly and wretched opinion, I truly think that there are a LOT better Slasher films out there...
I first saw this in the early 90s on a vhs.
Revisited it recently.
When my 7 year ol nephew asked me the plot, he being a small kid, he excitedly said that its a Nightmare on Elm Street copy aft hearing the plot.
I made him see Nightmare... but used to move away the screen during gory sequences.
This movie is very slow n not at all scary.
I dont kno what the makers were trying to achieve cos even one of the cop's name is Freddy and the lead actress Jennifer Rubin was a supporting actress in A Nightmare on Elm Street 3: Dream Warriors.
Coming back to this movie, they shud have focused more on the cult group but alas.
The settings of the cultist's house is good but the movie terrible.
Revisited it recently.
When my 7 year ol nephew asked me the plot, he being a small kid, he excitedly said that its a Nightmare on Elm Street copy aft hearing the plot.
I made him see Nightmare... but used to move away the screen during gory sequences.
This movie is very slow n not at all scary.
I dont kno what the makers were trying to achieve cos even one of the cop's name is Freddy and the lead actress Jennifer Rubin was a supporting actress in A Nightmare on Elm Street 3: Dream Warriors.
Coming back to this movie, they shud have focused more on the cult group but alas.
The settings of the cultist's house is good but the movie terrible.
Cynthia (Jennifer Rubin) is been in coma for over 13 years. She's the only survivor from the "Unity Field". It's a cult group that committed suicide, when they set on fire by the leader Harris (Richard Lynch). Once she wakes up from her coma, she's been seeing visions and having strange nightmare. Which it seems that Harris is trying to speak to her from the dead. Dr. Berrisford (Harris Yulin) thinks its best for Cynthia if she placed in a group session with Dr. Alex Karmen (Bruce Abbott). When Cynthia slowly starts remembering with the incident, now the patients are dying one by one. Now Cynthia is trying to stop the madness with the help of her psychologist. It seems that the evil spirit of Harris wants her dead. Which Alex knows that Cynthia isn't crazy and tries to end her bad memories.
Directed by Andrew Fleming (The Craft, Dick, The In-Laws "2003") made an intriguing hallucinogenic horror film that has some effective horror moments and good performances by the cast. The premise seems a bit familiar to "A Nightmare on Elm Street 3:Dream Warriors" at times. Especially when Rubin had a supporting role in the "Nightmare" franchise. Dean Cameron (Best known from "Men at Work" and "Summer School") and E.G. Daily (Who's known as the voice of Tommy Pickles in the TV "Rugrats") are also in the movie. "Bad Dreams" is quite impressive for two-thirds of the way but the last act feels rushed and out of touch with the rest of the picture. Fleming, who directed his first film handles like a pro on his first feature. The main problem, the screenplay by the director and Steven E. de Souza (Commando, Die Hard, 48 Hrs) could have been much stronger at times, especially towards the last act. But still, it's well made and horror fans will enjoy it. It's worth a look, despite some flaws. From a story by the director, Michael Dick, P.J. Pettiette and Yuri Zeltser. Gale Anne Hurd also produced it. She's best known for producing movies like "Aliens", "The Hulk" and "The Terminator". (*** ½/*****).
Directed by Andrew Fleming (The Craft, Dick, The In-Laws "2003") made an intriguing hallucinogenic horror film that has some effective horror moments and good performances by the cast. The premise seems a bit familiar to "A Nightmare on Elm Street 3:Dream Warriors" at times. Especially when Rubin had a supporting role in the "Nightmare" franchise. Dean Cameron (Best known from "Men at Work" and "Summer School") and E.G. Daily (Who's known as the voice of Tommy Pickles in the TV "Rugrats") are also in the movie. "Bad Dreams" is quite impressive for two-thirds of the way but the last act feels rushed and out of touch with the rest of the picture. Fleming, who directed his first film handles like a pro on his first feature. The main problem, the screenplay by the director and Steven E. de Souza (Commando, Die Hard, 48 Hrs) could have been much stronger at times, especially towards the last act. But still, it's well made and horror fans will enjoy it. It's worth a look, despite some flaws. From a story by the director, Michael Dick, P.J. Pettiette and Yuri Zeltser. Gale Anne Hurd also produced it. She's best known for producing movies like "Aliens", "The Hulk" and "The Terminator". (*** ½/*****).
I'm kind of caught here. I somewhat liked it, but came away rather under-whelmed because it was all too familiar and there was something more interesting within this strange horror/thriller premise than what was chalked up. Even with some creative cracks, it should've been better. The story's direction seems a little uneven if it wants to go out to shock (a good amount of blood splatter is spilt), or play its cards for psychological torment. Something about it never entirely fulfils. The performances are the main reason this one doesn't slip off the mind too quick. The beautiful Jennifer Rubin is exceptional in brining out a vulnerable side, which is counter-punched by determination. Alongside her are a very good Bruce Abbott and a towering Richard Lynch brings an uneasy subtly to his menacing character. Harris Yulin, Sy Richardson, Susan Ruttan and an amusingly batty Dean Cameron chip in with durable support. Andrew Fleming's leisured direction is stylish, but has that breakable quality to it. Good use of lighting, colouring and composition in pockets drips of atmosphere. The material is enjoyable (if minimal), as the protagonist tries to overcome the hallucinations that might be because of her unstable state of mind or the simple reality of being haunted by a restless spirit. There's some black humour evident, but the by-the-numbers script goes about things rather seriously. As well it has a fine and compelling soundtrack to boot. The special effects and make-up FX stands-up well enough. A decent little film.
For some odd reason I was the hugest fan of this film when it first came out. I made my father take me to see it over and over again. And to this say I still watch it every once in a while.I guess the main appeal of it when I was younger is that the villain somewhat resembled Freddy Krueger and the lead actress Jenifer Rubin was from A Nightmare on Elm st. 3. The film doesn't offer much in the way of truly effective horror. But it makes up for it in creativity. It veers from the typical horror route going into a slightly more intellectual one and trying to induce psychological scares. Sometime they work and sometimes they won't. But at any rate the film is quite enjoyable with one hell of a twist ending. Maybe it's the nostalgia I feel towards it or maybe it's still because it has such a kick ass poster.
Le saviez-vous
- AnecdotesDirector Andrew Fleming said on the Blu-Ray audio commentary that he fought a losing battle to feature rock band X's "Burning House of Love" on the closing credits. A studio executive named Ralph Saul fought against Fleming and insisted on Guns N' Roses' "Sweet Child O' Mine," which later became a hit. The band had originally planned to make a music video which featured clips from the film.
- GaffesWhen Harris is seen burned sitting at the chair next to the window , area around his eyes still has normal skin, possibly because it was too uncomfortable or not possible to put makeup there.
- Versions alternativesThe 18-rated UK video release of this film was cut by 22 seconds by the BBFC to remove closeup shots of self-mutilation with a knife and a scalpel, and to reduce a scene where a man is repeatedly hit by a car. The cuts were waived by the BBFC in 2018 for DVD/Blu-ray.
- Bandes originalesSweet Child O' Mine
Written by Axl Rose, Slash, Izzy Stradlin, Duff McKagan and Steven Adler
Performed by Guns N' Roses
Published by Guns N' Roses Music
Courtesy of Geffen Records by arrangement with Warner Special Products
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- How long is Bad Dreams?Alimenté par Alexa
Détails
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 797 098 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 008 870 $US
- 10 avr. 1988
- Montant brut mondial
- 9 797 098 $US
- Durée
- 1h 24min(84 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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