L'apprenti criminel

An interestingly odd, if not too successful little folktale curio set in Pennsylvania (although it was shot in Norway) in the 1920s as a teenage boy Billy comes under the influence of a backwoods faith healer Dr. Reese who begins to educate him as he becomes drawn to his mystical charms. But Billy finds himself dragged into strange events which end in terrifying results as they believe the local hermit has the motive and power to cause the devastating blight affecting the small village.

Sometimes being unique and incredibly offbeat just doesn't cut it, if it doesn't entirely deliver the goods. I wanted to like "Apprentice to Murder" a lot more than I did, but I felt like it came up short by not completely coming to life with its dangerous predicament. It never really balances its sensationalised mystic concepts, tending to rely on its character relationships (especially the complicated connection between the boy and the faith healer), humdrum dramatic weight and slow- winding story build-up (some episodic filler) where it can have its flat spells. The most fascinating façade I thought was that of the hermit, which comes across very secondary to everything else, but is the main piece that holds everything together. Still its premise is innovative with a lyrical script that for most part engages with its busy themes.

It's low-key in its approach, which is not a problem but it never really delves into the strange happenings and vivid special effects that seem to torture the faith healer. We get the usual supernatural occurrences, that in the end all of this magic might just be that of a disillusion. But this is supposedly inspired by true events involving a pow-pow preacher and his faith in George Hohmann's "Long Lost Friend" that eventually led to murder. The performances stand up very well with Chad Lowe's responsible turn holding his own alongside a charismatically believable Donald Sutherland as the unorthodox faith healer. He does command the screen in a subtle manner emitting somewhat a creepy undertone. The gorgeous Mia Sara doesn't get all that much to do and Eddie Jones also shows up.

Director R. L Thomas does a sensational job presenting strikingly authentic period details, but also the moody score along with the elegant cinematography are instrumental in crafting enticingly symbolic imagery and an effective atmosphere of a god fearing time engulfing rural communities.

Just want to ad that much of the movie is filmed at the west coast of Norway and in the city Bergen.

I probably liked the movie because of that... The buildings and landscape fits the movie well. Based on how religious some people were in some areas at the west coast (maybe still are), and how strong some believe in the super-natural, the story gets a good framing from the Norwegian nature.

Some of the landscapes are probably gone to day, farming areas are becoming suburbs, and the cities are growing. But you may still find some buildings, and the scenes from the center of Bergen are almost identical to day.

This direct to video film has a strange pedigree. It's supposed to be set in a Pennsylvania Dutch town and is made by a Canadian production company...and it was filmed in Norway!! To make it even more confusing, the term 'Pennsylvania Dutch' is an erroneous one, as the settlers were Germans, not Dutch...and the word 'Deutsch' (meaning German) was somehow bastardized into Dutch. I mention this because my family is originally from that part of the country and my relatives HATE folks thinking when they are Dutch when they are usually German or French-German. Now that I've given you a bit of a history lesson, on to the film!

The film claims to be based on a true story. It stars Donald Sutherland as an odd preacher/medicine man/exorcist as well as Chad Lowe (Rob's brother) as a young man working in a tannery (a really awful job). Over time, the young man becomes the assistant to the odd preacher and ultimately they get in trouble when an exorcism goes wrong.

This is a weird film. It tells the story from the point of view of the preacher and his assistant. In their eyes, they did nothing wrong exactly....but the law saw it differently and you'll just have to see it to understand more about this.

The acting is pretty good and the production values aren't bad. But the story itself is a bit nonsensical and weird...and not in good ways. I really am not completely sure why they even made this strange movie...suffice to say many people watching it will likely not be all that impressed with it.

If you're planning to watch this simply because you're a Donald Sutherland fan, don't bother. He isn't likely to impress you with his mediocre performance here. As the for the film itself, it's watchable but very minor. It manages to remain reasonably interesting most of the way, but it doesn't have many surprises to offer and it MOVES LIKE MOLASSES!

This film was based loosely on a bizarre murder investigation and subsequent trial in Pennsylvania. At the time, in the 1920s, backwoods Pennsylvania had folk-medicine healers called Pow-Wows, and the film involves one. These healers relied on a book, "Long Lost Friend," written by a George Hohmann, that was full of prayers and folk remedies based on a form of sympathetic magic, that were supposed to cure ailments and the like.

The Sutherland character is a Pow-Wow, and a youngster, played by Lucas Haas, becomes his apprentice. A series of bad events takes place in the community, and the Pow-Wow suspects a neighboring farmer, culminating in the murder.

Significant Spoiler: The film is ambivalent on the nature of the Pow-Wow's power, and leads the viewer in one direction, and then suddenly reverses itself. This weakness could have been sidestepped easily. It would have been a better film if it had.