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Une autre femme

Titre original : Another Woman
  • 1988
  • Tous publics
  • 1h 21min
NOTE IMDb
7,2/10
16 k
MA NOTE
Mia Farrow and Gena Rowlands in Une autre femme (1988)
Facing a mid-life crisis, a woman rents an apartment next to a psychiatrist's office to write a new book, only to become drawn to the plight of a pregnant woman seeking that doctor's help.
Lire trailer1:31
1 Video
50 photos
Psychological DramaDrama

Une femme loue un appartement et se retrouve impliquée dans la situation d'une femme enceinte qui demande l'aide de son voisin psychiatre.Une femme loue un appartement et se retrouve impliquée dans la situation d'une femme enceinte qui demande l'aide de son voisin psychiatre.Une femme loue un appartement et se retrouve impliquée dans la situation d'une femme enceinte qui demande l'aide de son voisin psychiatre.

  • Réalisation
    • Woody Allen
  • Scénario
    • Woody Allen
  • Casting principal
    • Gena Rowlands
    • Mia Farrow
    • Ian Holm
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    16 k
    MA NOTE
    • Réalisation
      • Woody Allen
    • Scénario
      • Woody Allen
    • Casting principal
      • Gena Rowlands
      • Mia Farrow
      • Ian Holm
    • 93avis d'utilisateurs
    • 63avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 3 nominations au total

    Vidéos1

    Trailer
    Trailer 1:31
    Trailer

    Photos50

    Voir l'affiche
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    + 44
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    Rôles principaux44

    Modifier
    Gena Rowlands
    Gena Rowlands
    • Marion
    Mia Farrow
    Mia Farrow
    • Hope
    Ian Holm
    Ian Holm
    • Ken
    Blythe Danner
    Blythe Danner
    • Lydia
    Gene Hackman
    Gene Hackman
    • Larry
    Betty Buckley
    Betty Buckley
    • Kathy
    Martha Plimpton
    Martha Plimpton
    • Laura
    John Houseman
    John Houseman
    • Marion's Father
    Sandy Dennis
    Sandy Dennis
    • Claire
    David Ogden Stiers
    David Ogden Stiers
    • Young Marion's Father
    Philip Bosco
    Philip Bosco
    • Sam
    Harris Yulin
    Harris Yulin
    • Paul
    Frances Conroy
    Frances Conroy
    • Lynn
    Fred Melamed
    Fred Melamed
    • Patient's Voice…
    Kenneth Welsh
    Kenneth Welsh
    • Donald
    Bruce Jay Friedman
    • Mark
    Bernie Leighton
    • Piano Player
    Jack Gelber
    • Birthday Party Guest
    • Réalisation
      • Woody Allen
    • Scénario
      • Woody Allen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs93

    7,215.7K
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    Avis à la une

    8Mort-31

    Another Woody

    The melancholic mood and Gena Rowland's impressing acting are the most important elements of this movie. It's the Ingmar-Bergman type of film, like „Interiors`, much more serious and thoughtful than all of Woody Allen's other movies, not at all typical for him. In my opinion, it's even more vivid than „Interiors` because there are less people involved and – something that happens less and less in Woody Allen's movies – there is only one main character. This time, it's the character herself who tells the story which is really unusual for Allen.

    By leaving every other trade mark in plot and topics away, Allen concentrates on the intellectual dialogues and the analyses people make about each other. It's characteristic that Marion Post is a professor for philosophy. She automatically analyzes everybody around her, which leads to the fact that they start analyzing her. Her crisis begins, when she learns that people talk about her – which, of course, is something completely natural – and therefore starts analyzing herself. Her character really impressed me because I know people myself who are exactly like Marion Post. Woody Allen is a brilliant psychologist who watches people precisely and that's why he is able to create such believable characters.
    8sol-

    My brief review of the film

    Bergmanesque territory for Allen again, this is an intriguing and well directed film in Bergman's style, however unlike in some of Allen's earlier Bergman ventures this one feels like less of a copy and more so just a unique drama. The film is philosophical without the ideas seeming intangible, and some of the points are very interesting, like how the pain of others can cause one to realise one's own, and how fascinating it is to hear someone else's revelations. It is not a minute too long, and the dialogue is great, but if one was to flaw it, Allen's choice of music seems a little off-balance, the narration is a touch cold, and whilst not bad, the performances are generally rather ordinary. But all these problems are very slight, as the overall production is fascinating and thought-provoking stuff about how one reflects on oneself.
    8Greensleeves

    Another great Woody Allen drama

    This is a wonderful movie but not an easy one. It mixes the present with the past and dreams with real life. You will need to see it three or four times at least to get the best out of it but it's well worth doing. Every performance is spot on, every scene has a purpose, there is no padding here. It comes as a shock to Gena Rowlands character that she is not what she thought she was, that people do not view her in the way she thought they did.She takes a journey through her life to see what went wrong with the unwitting aid of a psychiatrist and patient in the apartment next door. The film ends abruptly without a proper resolution just as life can and does. The final line of Gena Rowlands beautiful narration will haunt you. A masterpiece of writing and direction to say nothing of superb acting and masterful cinematography.
    drosse67

    Woody's delicate drama

    This is by far my favorite Woody Allen straight drama (most of his other "serious" films, like Crimes and Misdemeanors and Husbands & Wives, have comedic moments). His third "heavy film" (after Interiors and September) is chamber drama, beautifully acted and directed. Most of the elements found in Allen's other post "Annie Hall" films are here (the upper crust Manhattan intellectuals, dysfunctional relationships), but what's missing are the laughs. The film is very serious stuff, involving repressed emotions and alienation. There is simply no place for Woody's usually nervous character in Another Woman. You can still tell that this is one of his films because of the characterizations. Gena Rowlands is in nearly every scene and is classy, as usual, and the rest of the ensemble cast is just as good. My favorites were Gene Hackman and Ian Holm. The title is fairly clever as well; it doesn't refer to what you might think.
    8andrew7

    This film blew me away

    I just watched this last night, and I've been thinking about it all day. What an amazing film! So poignant, so subtle. A woman re-evaluates her life and begins to lament the choices she made years ago. Such a simple premise, such immense possibilities.

    This film demands a lot of its audience. There is no humor, no action, and very little plot. Most people won't be into this at all, I imagine, which is a shame. This film offers a really wonderful perspective on a subject that is so very rarely addressed in films today: aging. This film is about a woman taking stock of her life at the age of fifty. She looks back, she sees the choices she made and how they turned out. She sees the compromises she made to get where she is today (very successful, head of a philosophy department, about to write another book), and she begins to appreciate, for the first time, what those compromises cost.

    This is, in my opinion, the central tragedy of human existence. You only get one shot at life, and no one ever tells you how to manage it. So, you make mistakes, and one day, when you're fifty, you've finally learned enough to start making the right choices. But, by that time, is it too late? This film doesn't answer that question, at least not for its central character. But it does offer hope.

    The film is propelled by several dynamite performances. But, even in such a crowded field of great performances, it is not difficult to pick out Gena Rowlands, who gives an unforgettably nuanced performance as Marion, the film's central character.

    You may notice that this film is propelled by a number of coincidences. Every chance encounter, however, has an eerie relevance to Marion's soul-searching. It may look contrived, but it isn't. These aren't coincidences at all. The pregnant woman, played by Mia Farrow, is instrumental in setting up each of these 'coincidences', and that character's name is Hope. I was half-expecting a "Fight Club" revelation at the end, but it never came, which is good. This film could stand both ways, and it's better for the director to leave the audience to consider the relationship between Hope and Marion on their own. Like I said, I've been thinking about it all day.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Woody Allen is not known for complimenting his actors, saying that the fact that he casts them is proof that he considers them great. However, he has said that the scenes between Gena Rowlands and Gene Hackman, particularly in the flashback of the party, were "electrifying."
    • Gaffes
      Whilst it is true that the tune of Gymnopédie No. 1 is played at the beginning of the film, it is not the piano version but rather the orchestral version orchestrated by Debussy. For some unknown reason, Debussy changed the numbers of the Gymnopédies: thus the orchestral version of Gymnopédie No. 3 bears the tune of Gymnopédie No. 1!
    • Citations

      [last lines]

      Marion: [voiceover] I closed the book, and felt this strange mixture of wistfulness and hope, and I wondered if a memory is something you have or something you've lost. For the first time in a long time, I felt at peace.

    • Connexions
      Featured in Siskel & Ebert & the Movies: The Accused/Another Woman/Madame Sousatzka/Hotel Terminus/Clara's Heart (1988)
    • Bandes originales
      Gymnopédie No 1
      Music by Erik Satie

      Performed by Orchestre de la Société des Concerts du Conservatoire

      Conducted by Louis Auriacombe

      Courtesy of EMI Pathé-Marconi/Capitol Records Special Markets

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    FAQ17

    • How long is Another Woman?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 mars 1989 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Otra mujer
    • Lieux de tournage
      • Alpine, New Jersey, États-Unis
    • Société de production
      • Jack Rollins & Charles H. Joffe Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 562 749 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 75 196 $US
      • 16 oct. 1988
    • Montant brut mondial
      • 1 562 749 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 21 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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    Mia Farrow and Gena Rowlands in Une autre femme (1988)
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    By what name was Une autre femme (1988) officially released in India in English?
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