Une affaire de famille

When you have the talents of an Academy Award winning Actor (Rod Steiger) and a classic, beloved sitcom star (YVonne DeCarlo), and an Academy Award nominated star of Bonnie and Clyde, (Michael J. Pollard) you have to expect a good movie, as one would think that established actors such as these would be wise in their script choices. While American Gothic certainly isn't Bonnie & Clyde or In The Heat of the Night, for an 80's horror film it isn't bad. In fact, it sticks out among the countless teeny slasher flicks that dominated the decade for several reasons, least of which is the plot, which has been used in some shape or form in countless slasher flicks released before and after American Gothic.

A group of six vacationing friends, including, Cynthia (Sarah Torgov), a woman who has been traumatized by the accidental drowning of her baby , land their small plane on a seemingly deserted island after some engine problems with the craft. After some exploring, they find an old house occupied by an odd, extremely religious family who seem to be stuck living in the 1890's, headed by Ma DeCarlo and Pa Steiger. Their "children" are in their thirties and forties, yet still act like they are little kids. The daughter plays with her dolly and the two sons entertain themselves by playing on a swing and playing hide and go seek. This would be enough to make me find ANYWAY I could off the island, but the group sticks around to eventually tick the family off by going against the strict "morals." Well not a lot of guess work to what transcends, but there is a twist at the end of the film that is refreshing to see and to mention anymore would spoil the plot. But let's just say things get bloody and characters are disposed of in variety of creative and disturbing ways. Along the way, the film does provide a few memorable, downright creepy scenes, including the "swing" and Fannie's (one of the "children") baby, as well as things that are not blatantly stated, but hinted at (infantcide, incest, necrophilia) What sets this film apart from other slasher flicks of the time period is that it does make an attempt at some character development., particularly for the character of Cynthia, whose troubled past explains her behavior toward the end of the film. There is also the sense that this filmed was geared toward a more mature horror audience, as many of the clichés that are steeped in most 80's slashers are not utilized here, which is refreshing. The characters themselves are not teens, and for the most part, behave realistically. The theme of isolation and uncertainty also works extremely well here, as the island presents a challenge not often found in horror films. It offers opportunity for crisp cinematography Still, not all is perfect, as the performance are a mixed bag, ranging from typical slasher film cheese to Steiger's over the top performance (did he think he was going to win a second Oscar for this??) to the very reserved and pitch-perfect De Carlo, who really outshines the rest of the cast. And while most of the deaths are creative and effectively done, one involving a jump rope was somewhat cheesy and had me cringing for all the wrong reasons.

Overall, this is one of the better entries into the genre to come out of the late 80's and really is a must see for horror fans. Younger viewers may be turned off at how dated the films looks (even though it was released in 1988), but there is enough creepiness and disturbing things here to feast upon.

My Grade: B

Yvonne DeCarlo's death a few days ago brings to mind her varied career. She may be best known for playing Lily on the comic-horror TV series "The Munsters", but in the movie "American Gothic", she went for straight horror. The movie portrays some young people flying out over the Puget Sound - on either a sunny or overcast day; the setting kept changing - and having to land on an island when their plane conks out. The island turns out to be inhabited by a family. Ma (DeCarlo) and Pa (Rod Steiger) are practically Amish, their daughter Fanny looks only a little younger, and sons Woody (Michael J. Pollard) and Teddy don't do much. But this family isn't what they seem. Every member seems like s/he has some nasty plans, and the outsiders had better not trespass.

There were some pretty gross scenes here, but I liked how they played everything out. Especially what Cynthia did at the end. I couldn't have predicted that even if I'd tried! So, it's mostly your average slasher flick, but still quite enjoyable. I wonder what Grant Wood would have thought had he known that the name of his famous painting would one day get used for this sort of movie.

I couldn't sleep the night I watched "American Gothic" for the first time. (I've seen it twice more since.) Unlike "Nightmare on Elm Street" which could only happen in a nightmare, this movie was so real...highly unusual, but real.

It's possible to be stranded on an island and meet strange seemingly "backwards" people who seem innocent enough, but have a twisted view of what's right and wrong, and an insane idea that they are in charge of other people's actions. I've known people like Ma and Pa, who you wouldn't want to mess with if you pulled off the faux sheep cover.

Every inch of this movie could have happened to any one of us, the insanity, the self-righteousness, the hideousness, the out-of-this world notions--well maybe not every piece. I mean, what parents would allow their adult children to behave that way?

The most amazing way that this movie affected me, was that I cheered Cynthia on in the end---and that scares me, because, like I said-- "It could have happened to me....or you!!"

If you want to be baffled and scared to death, watch "American Gothic". It will make you think twice about the people you come in contact with.

AMERICAN GOTHIC is a bit of a surprise, especially if you're expecting just another movie about inbred hillbillies on a rampage. The main antagonists, Ma and Pa (Yvonne De Carlo and Rod Steiger) are an interesting pair of hyper-religious maniacs. Their brood of homicidal offspring add even more madness to the proceedings.

A group of young people arrive in order to be terrorized and killed. These unfortunate visitors, while fairly dumb, aren't as annoying as most such human prey.

There are some cool twists and disturbing circumstances throughout. This all leads up to a scorched-earth finale with a big surprise for Ma and Pa.

Recommended for those looking for something off-the-wall and refreshing in the genre...

A group of twentysomethings are stranded on an island off the coast of Washington and find refuge with an odd couple named Ma and Pa (Yvonne De Carlo and Rod Steiger). Things get odd quickly as the family introduces a trio of infantile adult offspring (Janet Wright, Michael J. Pollard and William Hootkins) that like to play and kill. With a cover riffing on the famous Grant Wood painting, you can pretty much expect this one to be tongue-in-cheek. And while the story isn't anything beyond cliché, it is worth seeing for the performances of Steiger and his demented family. I mean, how can you not appreciate a film that casts Michael J. Pollard and William Hootkins as retarded brothers? Or features Steiger whipping Hootkins with a switch; not because he killed a girl but because he killed her and then had sex with her. Wright is the stand out as the creepy Fanny, who is in her forties but thinks she is Shirley Temple and dresses accordingly. Gross. Director John Hough gets good use out of the forest (British Columbia) location. Like I said, worth seeing for all of the actors as the villains.