18 Again!

This is the best movie of all the switched personality movies. It's so funny because its true! The funniest part was when that old guy did the dance at the party and all the girls wanted to go out with him. I hope I can do that when I'm 81! This is the best thing Charlie Schlater has done since "Fish Police". I think everyone should go out and see "18 Again!", again!

"David Watson" (Charlie Schlatter) is an 18-year-old college freshman who is in the process of attempting to pledge to a fraternity. His worst antagonist is a senior in that same fraternity named "Russ" (Anthony Starke) who just so happens to have a girlfriend by the name of "Robin Morrison" (Jennifer Runyon) who David is also quite smitten with. In any case, one night while out with his grandfather, "Jack Watson" (George Burns) an auto accident creates a situation in which the soul of Jack is transplanted into David-and vice versa. So now, rather than being 81 years old, Jack is now 18. And being extremely outgoing, Jack becomes quite determined to make the most of the situation. Now rather than reveal any more I will just say that I thought that this was a pretty good comedy all around with both George Burns and Charlie Schlatter performing in a fine manner. Likewise, having an attractive actress like Jennifer Runyon certainly helped to improve the scenery as well. Be that as it may, I enjoyed this movie and I have rated it accordingly. Above average.

18 Again is another one of those 80s role reversals, which for the decade, seemed to always involved young men and their fathers or grandfathers. Here, a young man switches bodies with his grandfather, and both see what it's like to live young and old.

Charlie Schlatter is David Watson, a college kid who's quiet, and far too held back in saying what he wants to say, especially around girls. But all that changes when he switches bodies with his grandfather Jack (George Burns), a charismatic, funny old guy with a whole lot of energy who, in switching bodies with his grandson, gives David a lot of appeal. Suddenly, he does the 180 from quiet to cool. It's your typical story about learning about self-confidence aside from sharing experiences about being that age these days in the same that Vice Versa, Dream a Little Dream, and Like Father Like Son did when they were released.

But this one is much more appealing than those previously mentioned, particularly driven by George Burn's great sense of humor and universal ability to charm, and also with Charlie Schlatter doing a pretty good job trying to act like George Burns would. Schlatter is hardly an annoying or selfish teenager, and neither is Burns, and I think that's what sets this movie apart from the others as well, despite being one of many using that plot. It's well worth the time. Plus, Pauley Shore has a small part as David's cooky friend.

I must have a thing for body swap stories because I've liked nearly every film with this premise. 1987-88 was the peak year for this type of flick and you had a bunch of good ones: Like Father, Like Son, Vice Versa, and Big all came out that fall, spring, and summer. 18 Again is the one that came and went. It lasted about three weeks in theatres and then disappeared. The thing is, I think I like this one more than the others that I've mentioned. Maybe it's because George Burns is in it, maybe it's because of the gorgeous Anita Morris, or maybe it's the idea of being an older man getting a second chance at youth. It's possible that all of the above contribute to the appeal. Regardless, when I want to watch a movie in this genre, 9 times out of 10, I stick in 18 Again and enjoy it every time. It's not the best of the genre but it's probably the most fun.

The '80s was a good time for this kind of movie. Obviously.

Not only was there "18 Again!", but there was "Big", "Like Father, Like Son" and "Vice Versa", all with the same basic idea - regaining lost youth. And in comparison with the others, this falls sorta mid-way.

Burns, as always, is great and in fine form. Schlatter does a great Burns imitation in his early scenes especially. Runyon plays basically the same character she did in "Up the Creek" an just about every other part she'd played in movies before this. But she does okay. Morris, slinky and sultry as ever, doesn't disappoint. Everyone else just kind of hangs back and lets the story take care of itself. But that's okay; it does.

Let's face it: you can only say good in a movie where Pauly Shore play a halfway tolerable person.

Seven stars. Watch "18 Again!" and if you have before, do it "Again!"!