Le retour du sitcom 'Roseanne' des années 1990, centrée sur la vie quotidienne d'une famille de la classe ouvrière américaine.Le retour du sitcom 'Roseanne' des années 1990, centrée sur la vie quotidienne d'une famille de la classe ouvrière américaine.Le retour du sitcom 'Roseanne' des années 1990, centrée sur la vie quotidienne d'une famille de la classe ouvrière américaine.
- Récompensé par 4 Primetime Emmys
- 50 victoires et 116 nominations au total
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Roseanne reminds me of simpler times. I miss her. I'm sorry things didn't work out with her and the reboot. I didn't approve of the Tweet (and I do believe her remorse was sincere), but I also stopped watching the show when they kicked her off.
When this show first debuted in 1988, I thought it was one of the worst shows to debut on TV back then. The kids were bratty, Roseanne's voice was aggravating-the list seemed to go on. A few years later, when the reruns started airing in the late afternoon, I really started appreciating the show for what it was: A family just trying to get by, and solve the problems that come up in everyday life. Along with this, Roseanne's witty "one-liners", and "off-the-cuff" humour, really made this show special. This show dissappeared for a couple of years here in Toronto, but it has been picked up again and is still as funny as it was when it first aired.
Seasons 1 - 7: 9/10
Seasons 8 - 9: 4/10
The attempted reboot: 1/10
The first handful of seasons of this show are truly classic television. This was probably the first show I ever watched that could be construed as a "Dramedy" show. Sure, there are laughs around every corner, but the Conner family is very obviously lower-class and we get a lot of realistic insight into their struggles. People who've been poor will relate to some of the storylines in this show A LOT.
John Goodman and Laurie Metcalf are the true stars here, as is the case with a lot of sitcoms. Roseanne is the main character, yes; she's the rock, the glue, but she isn't the funniest or most interesting of the bunch. Without her, though, it wouldn't be the same (the reboot makes this painfully obvious, but any seasoned viewer of television can tell you with from the start).
I wish there were shows like this around today. There are still a lot of poor folks out there struggling to get by, and today's television shows aren't providing the same kind of relatable escapism that Roseanne did.
Seasons 8 - 9: 4/10
The attempted reboot: 1/10
The first handful of seasons of this show are truly classic television. This was probably the first show I ever watched that could be construed as a "Dramedy" show. Sure, there are laughs around every corner, but the Conner family is very obviously lower-class and we get a lot of realistic insight into their struggles. People who've been poor will relate to some of the storylines in this show A LOT.
John Goodman and Laurie Metcalf are the true stars here, as is the case with a lot of sitcoms. Roseanne is the main character, yes; she's the rock, the glue, but she isn't the funniest or most interesting of the bunch. Without her, though, it wouldn't be the same (the reboot makes this painfully obvious, but any seasoned viewer of television can tell you with from the start).
I wish there were shows like this around today. There are still a lot of poor folks out there struggling to get by, and today's television shows aren't providing the same kind of relatable escapism that Roseanne did.
A terrifically intense dramedy which features possibly the most realistic familial unit in TV sitcoms, not to mention a marriage between Roseanne and Dan Connor (Roseanne Barr and John Goodman) which is pin-point exact, warm and right--and feels lived in. All non-believers have to do is watch a few episodes: the timing is deceptively shaggy yet perfect, the characters believable, their predicaments immediate. Fully realized by Roseanne herself, who never let her real-life chronicles get in the way of the show. The writing is continually sharp, with dialogue that frequently evokes whole lives, such as in the episode where Roseanne sits in a coffee house after hours talking to a tired waitress who confides about her late husband, "I miss him. It's so quiet. Sometimes I'll turn a football game on, turn it up real loud...and I hate sports. But what'ya gonna do?" Tender moments like this, seemingly throwaway bits, elude some viewers looking for a fast laughter fix; "Roseanne" was always something more, and it aches in laughter and in life's woes.
Roseanne is the most dramatic comedy, without the bugging educating stuff. All the actors are great. Dialogues are real. Sure, the first seasons are better than the newer ones, but you still should see every episode with this fab family who likes to win first prize as "white trash". One of the only shows with the woman-wife at the center, Roseanne portrays one of the best and true mothers in tv- ever. Ever-changing, always in control Roseanne the woman has a great deal to be proud of this 9 seasons running wonderful tv sitcom.
Le saviez-vous
- AnecdotesAlicia Goranson's request to wear her hair shorter as Becky was originally turned down by the producers. Goranson took her case to Roseanne, who solved the issue by taking up a pair of scissors and hacking Goranson's hair short then and there.
- GaffesThroughout the series, primarily the latter seasons, the boom frequently drops into the shots.
- Crédits fousFinal Episode - Final Scene "Those who dream by night, in the dusty recesses of their minds wake in the day to find that all was vanity; but the dreamers of the day are dangerous men, for they may act their dream with open eyes, and make it possible." T.E. Lawrence (Lawrence of Arabia)
- ConnexionsFeatured in The 41st Annual Primetime Emmy Awards (1989)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Life and Stuff
- Lieux de tournage
- 619 South Runnymeade Avenue, Evansville, Indiana, États-Unis(establishing shots of Roseanne's House)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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