Le syndicat du crime 2

The first 'A Better Tomorrow' was a stunning, kinetic and emotional roller-coaster that changed the face of HK cinema. The success of ABT meant a sequel and some bright spark decided that Chow Yun Fat (whose character was definitely quite dead at ABT's finale) should make a return.

A prequel would have made more sense, but instead Chow yun Fat returns as dead Mark's identical twin Ken. Holy plot contrivances Batman! After reformed gangster Ho is sent to prison at the end of ABT, his brother Kit has gone undercover to investigate a suspected counterfeiter. Given the chance to join the investigation, Ho is released to act as an informer, if only so he can protect Kit.

All good so far right? The film does well to pick up from where last time left off, thankfully bringing back Ti Lung and Leslie Cheung... but then totally takes the wrong direction. To me, Chow Yun Fat may have been the charismatic centre of ABT but it was always about the brothers Ho and Kit. In ABT2, the film spends way too much time on two NEW characters - the twin brother Ken and framed gangster Si Lung, who is gradually going insane after falling foul of Hong Kong's triads. For every tense sequence of Ho and Kit's investigation, there's two or more scenes or Si Lung's shaking and shuddering and Ken's attempts to snap him out of it.

As far as the action goes, there are no complaints here. The finale is top-drawer chaos on behalf of John Woo and at least gets a great build up sequence to lead into it. But the story focuses on characters and subplots that, to be frank, are mostly irrelevant. Before you criticise me, I love Woo's other work. But saying 'this is a John Woo film' and that 'action is the priority' would do a disservice to the original, which may have changed action cinema, but always kept in mind the story and characters at hand.

After the movie 'A Better Tomorrow' became a big success around Hong Kong, a sequel was inevitable to happen. Most of the original cast return, including Chow Yun-Fat as Mark Lee's twin brother Ken.

Taking place a few years after the events of the first film, we see how things are finally starting to look up. Ho is in prison but he's finally re concealed his relationship with his brother Kit, who has become a loving husband and soon to be father. But like the first film, things get bad real quick. Ho's former master Lung has been framed for murder and even loses his mind as his life gets worse. He's sent over to New York to keep a low profile and to be looked after by Ken who owns a restaurant and lives there. Meanwhile Ho and Kit are working together to end the triad gangs.

This is where the problem starts. The first film revolved around Ho and the people around him, but this film spends way too much time with Ken trying to get Lung back to normal. Ho and Kit's plot seems to delve deeper into the main story ark, yet they never seem to get enough scenes. Ken is pretty much similar to Mark although he may be a little darker and you can tell he's only in the film because of Chow Yun-Fat's character was so popular in the last film.

The film doesn't seem to make a huge continuation onto the first film either. Instead of being it's own story, it seems to just be an expansion of the first film, but not in a good way. We don't delve too much into the characters and they seem underused. The film is also known for having a sillier feel in a few scenes(Famous Rice Scene), but it didn't ruin the experience for me. These flaws are apparently due to disagreement between John Woo and producer/second writer Tsui Hark about the tone of the film, causing Woo to disown most of the film, except the end shootout. John Woo's original cut was around 3 hours and is rumoured to improve on some of the flawed moments. A version I hope will appear in some future release of the film.

Now for the goods. The film seems to get noticeable better during the second half, beginning with the amazing hotel shootout. The film is well known for it's exaggerated violence and blood and the film doesn't disappoint. The action is a big step up from the first and some of the best ever filmed for its time. Chow Yun-Fat is once again cooler than ice, with his trademark sunglasses, trench coat, matchstick and dual pistols and may be one of the main appeals of the film. The Climatic assault on the triad mansion is one of the greatest shootouts and one of the greatest ending ever filmed. It's no wonder that it's the only thing Woo likes about the film. The amazing soundtrack returns and their are a few emotional scenes that actually work well.

With many iconic scenes (The stairs scene being one), the film is a lot better than it gets credit for. The film is no masterpiece and doesn't compare to the first but it has its moments. Silly and flawed moments aside the film is actually quite enjoyable and as long as you keep an open mind, I think you'll enjoy this conclusion to the Better Tomorrow saga. Part 3 doesn't count!

A BETTER TOMORROW II is the superior follow-up to the John Woo original. This time around, both Tsui Hark and Woo share directorial duties in a typical tale of gangsters. Betrayal, violent shoot-outs and madness are the order of the day, and for the most part you'll be watching for the exemplary action.

Be warned: this is a film that requires you to suspend your disbelief. Chow Yun Fat's character doesn't return from the original - for obvious reasons - so instead his 'twin brother' makes an appearance here. Still, it gives Woo the chance to feature his favourite actor in more outrageous set-pieces, with the stair-sliding scene being a real highlight here.

The storyline involves a couple of ex-cons given the task of going undercover to take down a suspected smuggler (Dean Shek, of DRUNKEN MASTER fame). They soon find themselves embroiled in a murky world where a crime boss is planning a massive takeover and murder is the order of the day. As in GOD OF GAMBLERS, one character's madness takes up a big part of the running time.

What you get here are a number of Hong Kong megastars (alongside Yun Fat, Ti Lung has a welcome role, plus A Chinese GHOST STORY's Leslie Cheung) indulging themselves in some frenetically exciting shoot-outs. Woo's action choreography is superb, with hard-hitting bullets flying around the screen, slow motion blood sprays, and all manner of outrageousness. The ending, which is impossibly violent and over the top, proves a neat precursor to the later madness of THE KILLER and HARD-BOILED.

Even though "A Better Tomorrow II" is a pretty good sequel to its great predecessor, it is no masterpiece like "The Killer", but still much better than Woo´s awful Hollywood-garbage "MI:2"!!! Once more Chow Yun Fat´s giving an over the top performance, the gunfights are well choreographed and the score of Joseph Koo and Lowell Lo are real adrenalizers! This film doesn´t deserve the predicate "cult movie" and it will never reach the status of it, but nevertheless it´s a fine Hong Kong-actioner that lovers of Asian cinema should check out!

This sequel to the 1986 predecessor is fantastic. Although Woo wasn't too happy about making a sequel and he didn't really care much about the film whilst making it, I think it totally worked and I think it's a lot better than the original. This time, the twin brother of Mark, (a character played by Chow Yun-Fat from the first A BETTER TOMORROW) Ken (Chow Yun Fat), must team up with undercover cop, Kit (Leslie Cheung), and his brother Ho (Ti Lung) and a good friend named Lung (Dean Shek) to avenge the death of Lung's daughter who was murdered by a Triads. Like the first film, it's got a hard storyline to follow, however, it has some fine acting that makes you care for the characters and it has some awesome action scenes (most notably, the final shootout). But if you liked the first A BETTER TOMORROW, then you'll enjoy this one even more.