3 heures, l'heure du crime

You sense you're in for something a bit different when you hear the ticking of the clock in the first few seconds of the movie - a countdown to a personal doomsday for Jerry Mitchell (Siemaszko), in charge of the high school bookstore and a writer for the school paper. He's assigned to write an article on the new kid, Buddy Revell (Tyson). Only Revell is no kid; he's a hulking mass of unstoppable destruction and patently psychotic. As mentioned beforehand in the picture, he's also a 'touch-freak' so when Mitchell makes the fatal error in the bathroom, it's so foolish of him, you might think he deserves his fate. But no one deserves the amount of psychological torture he endures for the next few hours. Does all this sound like a comedy? Probably not, but it is - a dark satire on high school comedies. And it works like crazy.

As you watch Mitchell spiral downward further and further into an abyss, you begin to wonder where he'll end up. His many efforts to free himself, involving school security, robbery, pay-offs, and teacher seduction, only further entangle him in a nightmarish situation, heightened by various hints of how bloody his beating will be. You slowly realize, as the clock ticks towards an inevitable showdown, that Mitchell will get no sympathy, even from his friends; it's a stunning depiction of how necessary is an individual's self-reliance and self-direction of their own destiny. The whole thing would've fallen apart if there hadn't been a showdown, if Mitchell managed to avoid the confrontation. But there is a Showdown, with all the spectacle of a Roman coliseum and the roar of crowds - it's an exciting climax. The funniest scene for me was Mitchell in the office of 'Voytek Dolinsky', the school's gestapo disciplinarian.

Another little known, rarely mentioned film that for unknown reasons fell between the cracks. When atrocities like The Wild Wild West and Men In Black I & II make hundreds of millions, it is an enigma that great films such as Three O'clock High languish in obscurity. I am an avid film buff but have no recollection of this movie ever being released. It only made 3.7 mil. at the box office, I wonder if the director stepped on the wrong toes and someone intentionally tanked the project? IMDb trivia says Stephen Spielberg executive produced it, but had his name removed from the credits. That is always a negative thing in Hollywood, something done in protest. Joanou's trivia says he once punched out a studio executive on the set, could this be that set? Very strange, and what a pity, because this is a very good film. I gave it a 10 to up it's IMDb rating, though it is probably more like an 8. It has it's moments, however, that are well worth checking out, that occasionally make it worthy of a 10.

One of the more enjoyable elements of this film is the photography. Director Joanou, who started in music videos, teams up with Barry Sonnenfeld, of Coen brothers fame, and makes for some highly stylized cinematography. Though some of it might seem passé today, keep in mind at the time it was made (1987) nobody was doing anything like it. Guy Ritchie seems to have been influenced by it... 13 years later.

Superb performances by the two leads, Casey Siemaszko and especially Richard Tyson as the bully. The only time I have seen Tyson match his caliber here was in, of all things, Something About Mary, but I still think he has it in him. He plays a great heavy. The film is a bit slow now and then. Certain bits could be completely removed and the film would be better off without it. Overall it is a good film and, save a little language, safe for kids. Also, great soundtrack by Tangerine Dream. Check it out.

Three O' Clock High Suburban High School Masterpiece - 10 (classic)

At age thirteen, I was beginning to question my place in the flux of society. Did I belong to that group or that group? Little did I know that I was to hit puberty soon, whereupon a new cocktail of hormones would knock my brain out of childhood and into the world of minimum wages, TV, and weapons of mass destruction.

No other movie I can think of captures that sense of stark naked individuality as poignantly as THREE O'CLOCK HIGH. This brilliant film features a hero and a villain, both of whom are loners. The hero, played by Casey Siemaszko, is a born loser, the one who realizes that his fly is open during public speaking class and faces the laughter of all the normal kids. The villain, a young and fresh Richard Tyson, who was born to play this role, is the psychotic biker thug who never says a word and never allows anyone to touch him. The two loners have an unlucky encounter one morning, and as Jerry Mitchell apologizes he accidentally touches Buddy Revell's jacket. That's where the shat goes down, and soon the whole school is abuzz with the latest news: fight at three o' clock. Buddy Revell vs. Jerry Mitchell.

THREE O' CLOCK HIGH is directed and edited with supreme wit. Every second of the day is stretched to darkly humorous extremes. Each tick of the clock brings the audience closer to doom and a zoom closer into Jerry's sweaty forehead. Anyone who's set foot in an American school will be up in stitches suffering from that kind of uncontrollable laughter that bubbles up from the sternum. As he over-interprets the things he sees around him, Jerry Mitchell's fear reaches out through the screen and tickles your stomach. No other pathetic loser role has been played as well ever or since in my opinion.

I don't think that any of the cast & crew of this classic film have had the industry standard "illustrious" career, but who cares? They all came together in 1987 to make a movie that changed the course of my life. Stephen Spielberg was involved in THREE 'O CLOCK HIGH's production, but I don't know exactly where. Anne Ryan did a stellar job as Jerry's proto-goth girlfriend. Who knows what she's doing now? By now the children of 1987 are all grown up and running the rat race in a gerbil wheel.

THREE O' CLOCK HIGH will resurface all of the high school emotions that you want to forget. Do you remember wetting your pants, the puppy dog love, or being abandoned by your close friends? One thing is for sure. Watching this movie will evoke those emotions, including the deepest of thrills - overcoming the odds and getting that half-assed paper in on time.

Jimboduck.

When I think of the eighties teen genre, I think about John Hughes and John Cusack...and a little movie called Three O'Clock High. Three O'Clock High is the greatest eighties movie that no one knows about. It does, in fact, blow The Breakfast Club out of the water. Casey Siemaszko is perfect in the lead as Jerry Mitchell and he is the ultimate underdog. You can't help but love his character. He definitely has a large degree of untapped talent. The most unforgettable character however, is Richard Tyson's infamous Buddy Revell. I won't say that he completely steals the show, but he does come close to it. Revell has many a one-liner and I quote him on a weekly basis. And who could forget Tangerine Dream's score. They are also an integral ingredient of the eighties flick. This is a truly brilliant piece of comedy. Three O'Clock High is a comic gem as well as a must see.

"You and me, we're gonna have a fight-today-after school-3 O'Clock-in the parking lot. You try and run, I'm gonna track you down. You go to a teacher, it's only gonna get worse. You sneak home, I'll be under your bed. You and me...3 O'Clock."

This is a consistently overlooked and under-rated film. Fans of movies like Rushmore and Election may be surprised to learn that even during the John Hughes (Pretty in Pink, Sixteen Candles, etc.) era there were still hip, funny movies being made about the high school experience.

The movie is shot in a mildly surreal "Coen brothers-esque" fashion that makes it a joy to look at, while the script is sharp and inventive. Despite its abstract nature, the script is very true to the realism of adolescent intimidation. Also not to be overlooked are some very clever performances by some lesser known performers which come off as very convincing.

Don't get me wrong, this is not a great film, very few are. If you consider Rushmore a 10 in this genre than Three O'clock High is about a 6 1/2 or a seven, but still well worth viewing.