Un justicier pas comme les autres

I enjoyed this adaptation of The Spirit comics, and in many ways it caught the flavor and humor of the original stories. It had a nice cast of virtual unknowns, and hit all the marks for fun and adventure. Sam J. Jones did a creditable job, and Laura (McKinley) Robinson had P'Gell down cold, and was a gorgeous femme fatal. It had a low budget look, tho, for much of its length, and not enough of the wonderful camera angles The Spirit comic practically cried out for. That said, Will Eisner told me himself, at a ComicCon, that he would rather I never mentioned it again. He wanted a darker, more noir look to it, with a better cast. As for the re-make from 2008, which reeked, the less said the better - I'm sure Mr. Eisner would have plenty of negatives to talk about for that film; many, many more than for this one.

I saw this pilot when it was first shown, and I'm sure countless "Spirit" fans hate it, because, like Batman, the Green Hornet etc., it took the character in the direction of "camp". But I evidently never got enough of Batman, because I thought it was entertaining, in some of the same ways as that show. There are two parts that stay with me. First, when Denny's partner has been fatally wounded, and he makes a dramatic speech about how he always stood for the law, and obeying the exact letter of it. Then, he says something like, "Boy, was I stupid!" Which is his way of telling Denny to become a vigilante instead, which he does (though the TV Batman kind). Then, there's the scene where he tries to seduce the villainess into letting him go by kissing her, but she isn't fooled, because he's too honest to kiss her convincingly ! This was a great example of "camp", that was also "underplayed", by both the actor and actress.

This is an origin story, but does not dwell much on the character's origins. You get to see the moment he decides to become The Spirit, but not much of his story before that. The case he's trying to solve involves the curator of a museum being involved in criminal activity. The character himself is dumb, clumsy, and at times quite rude. It's hard to see why one should sympathize much with him.

The best thing with this movie (TV pilot) is also one of the things that makes it hard to take it seriously: it looks more like a music video then an action story. A bit similar to the Schumacher Batman-movies at times, while at other times it looks like any 80s TV-series. Especially the graveyard set reminds me of something like Michael Jackson's Thriller.

So is it worth a watch? Maybe if you have some sort of relationship with The Spirit, or if you like movies based on comic books. It's typical for its era, but that's about the only interesting thing about it.

I just saw this unsold pilot for the first time since it aired in 1987, and I was pleasantly surprised to find out that it was much better than I remembered. Sam Jones looked great as the Spirit and he played the part in a tongue-in-cheek manner that was just right. Nana Visitor (STAR TREK: DEEP SPACE 9) was also very good as Ellen Dolan and showed some real chemistry with Jones, as well as a gift for physical comedy (she did start out as a dancer, after all). The fellow who played Commissioner Dolan suited his part very well. The woman who played P'Gell was okay, but she didn't have quite the spark the role needed. A sultry young Joan Collins type would've been better. Eubie (formerly Ebony) White didn't have much to contribute to the plot and consequently didn't make much of an impression. The movie's plot (about some art forgeries at a Central City museum) is more of a straightforward adventure story than anything Will Eisner ever did, which does take away from some of the Spirit's uniqueness. There are a couple of plot holes here and there (why do they have a gravestone for Denny Colt in a Central City cemetery when he was just visiting?), but nothing too heinous. And, if you have more than a passing familiarity with the Spirit, it's all too easy to figure out who the mystery villain is. The movie takes place in 1987 instead the 1940s (with plenty of contemporary references to remind you of that fact). It was too expensive to do it as period piece, I'd imagine. Sometimes the budget limitations are all too evident (Wildwood Cemetery looks like nothing so much as a studio set). And a few too many scenes are daytime ones. But there are a few shots here and there which positively REEK of the right sort of film noir atmosphere. You can definitely tell the creators of the movie had a genuine affection for the Spirit. It would've been very interesting to see where this show would've gone if it had become a series. If you come across a copy somewhere (I was told it originally ran 90 minutes long but it was edited down to 70 before air), check it out, it's worth a look. For another cool movie with a Spirit reference, see THE IRON GIANT.

Based upon Will Eisner's comic book character, the movie manages to capture the essence of the hero while sacrificing the film noir elements of the original comic book. Here are all the trademarks of the original character: the torn shirt, the beautiful femme fatale, the cemetery, the rain storms. However, the film never looks "right" - the film appears low budget despite some very good actors and actresses. Part of the problem is the translation of the Spirit to the 1980's. Two scenes in the film stand out as classic Esiner: the scene in the foundry and the final fight in the museum. Not a great film but a fun way to spend an afternoon.