Firefox : L'Arme absolue

Suppose a specially trained Soviet pilot sneaked into this country illegally during the Cold War and, with the help of Communist spy rings, managed to impersonate an American officer, insinuate his way into Edwards AFB or Area 51, was responsible for the deaths of several American enlisted men, stole a top-secret American fighter which topped anything the Soviets could put in the air, and flew it to the USSR.

That's the plot, only vice versa. If you enjoyed the old black-and-white propaganda films about the success of the underground resistance in Nazi-occupied Europe, you'll probably like this one. Instead of Nazis we have the Russians. Instead of the Gestapo we have Soviet officers but the only difference is the uniform. The Soviets are grim, beady-eyed, humorless, and ruthless. They torture prisoners and are annoyed when the prisoner happens to die. They sacrifice their own people without blinking an eye.

Instead of the heroic French or Norwegian or Czech resistance fighters we have Jewish dissidents who help the hero. They sacrifice their lives for the cause. When trapped, they shoot themselves rather than take a chance of being beaten into giving away secret information.

Instead of Errol Flynn we have -- well -- we have Clint Eastwood in one of his lesser efforts. (Flynn would have been an improvement in the role.) Clint is a top ex-pilot suffering from PTS syndrome but projecting fear is not his forte. He projects it by closing his eyes and breathing a little harder than usual. When he's shocked at something, he registers the emotion by raising his brows and opening his eyes a little wider without changing his grim, determined expression.

Nobody else in the movie really counts, but I loved Freddie Jones in the part of the British operative who explains the plan to Clint. Jones is a burly, florid man with a bush of frizzly hair like the older Dylan Thomas (a fellow Welshman) crowning his occiput. He overacts outrageously, not only chewing the furniture, but ravishing it before swallowing it. He makes Charles Laughton look like the Sphynx. His bobbing head and mellifluous irony make up for what Clint forgot to bring to the party.

The arctic scenes are nice, but the special effects are pretty clumsy. They're so bad that whenever you try to get into the plot while the plane is airborn, the cheesiness jolts you back into the realization that you're just watching a movie.

The airplane, by the way, is SO advanced that it reads minds when it carries out orders. You want it to fire a missile? Just think, "Fire a missile." But -- get this -- the equipment can only read minds that THINK IN Russian. This raises a number of interesting questions about the equipment. How about if you have a Muscovite accent? Suppose you think more like a Ukrainean than an ethnic Russian? If you simply visualize the missile being fired (or whatever) in your right cerebral hemisphere, will the thing still go? Will it go if you think in the conditional -- "If I were to think that the missile should go, then it will go"? If a missile is fired and you think, "Go, Missile, Go!", does it fire a second missile? Suppose you happen to be fixing your makeup in the rear-view mirror when you think the missile should fire -- does it blow you up? Would it fly backwards for a dyslexic pilot? If you think, "Hey, I was only kidding!", does the missile abort?

This film certainly does.

Major Mitchell Gant an ex-Vietnam pilot who suffers from mentally scarred flashbacks and lives a life in solitary in the woods. He's asked back onto a mission, which involves sneaking into the USSR in many disguises. So that he can steal the Russia's new high-tech MIG-31 fighter plane called the "Firefox", which its weaponry works on mind control. Since his America's best pilot, naturally his their first choice to get the plane and fly it back to western soil.

I read a lot complaints against Eastwood's pacing being quite sluggish and can't help but agree. Although the final half of the film might get all the applause with its visual effects and fast-paced action thrills. But actually, I got more out of the atmospherically brooding old hat spy set-up involving Eastwood's character travelling around Vienna (masquerading very effectively as Moscow) to get to the MIG-31. After getting to the jet, it simply falls into the unremarkable bracket and the visual gimmicks come off junky looking and lack any real spark despite the rapid build-up. When it comes to the end, it feels sudden and unfulfilling. Eastwood is pretty dry, but convincing nonetheless as Major Mitchell Gant (since he can get along alone by his magnetic screen presence) and he tackles the director's chair with sharply tight, but practically no-frills direction. The pacing throughout does seem to flounder, but Eastwood creates some moody scenes with gloomy lighting (plenty of nocturnal shots) and Bruce Surtees' burnished photography is splendidly framed to achieve an atmospheric air of growing paranoia. Maurice Jarre's vividly classy music score is titillatingly on the spot. Eastwood deliberately soaks up the bleakly audacious cold war story (adapted off Craig Thomas' 1977 novel) with an array of twists, alienation and minor suspense chipped out of Alex Lasker's hauntingly calculated, but choppy screenplay. Two weak points though, would be there's not much focus and some coincidences are hard to digest. Why I say minor in the tension, is because the suspense doesn't last real long and by being overlong it becomes too relaxed in its own high-strung set-up. The productive script is highly talkative and filled with political jargon, but settles in with some warm moments to share a bit light on the characters. The supporting cast are all capably solid with the likes of Freddie Jones, David Huffman, Warren Clarke, Kenneth Colley and Stefan Schnabel. The glazed up special effects by John Dykstra (who won an Oscar for his work on "Star Wars (1977)") might be mesmerizing and refreshing, but they are far from impressive with one or two arresting sequences executed in between many clumsy takes.

"Firefox" is nothing particularly exciting and far from a success, but I found it strangely captivating and a handsome looking feature. The idea just doesn't entirely translate on this occasion.

... and by my count this line was spoken at least seven times here.

This is a cold war thriller from Clint Eastwood about a Vietnam vet fighter pilot sent undercover and across the iron curtain to steal a new Soviet super-plane. The first two-thirds of the film are a treat, with a lot of tense scenes of Clint and his sympathetic Russian contacts narrowly escaping capture. The last section is where the film loses steam, with a lot of repetitious, dated fx shots of the jet in action.

Warren Clarke is memorable as Clint's chief contact. Also featured are Freddie Jones, Ronald Lacey, Nigel Hawthorne, and Kenneth Colley. As you may have noticed, there are no women listed; this is the rare film with no substantial female presence at all. The real star, though, other than Clint, is the fictional MiG31 "Firefox" fighter jet, invisible to radar, capable of Mach 6 speeds as well as full nuclear armament. The film also borders on science fiction with the jet's thought-controlled weapon systems.

It is a 50/50 proposition as to whether you will like this one. For me it was fun to see Eastwood stretch his directorial skills in a different direction, and even more fun if you actually remember the cold war...or were even alive during the cold war for that matter.

The only reason I bought this movie is it related to the USSR. It's quite explicit on the image my country had out there. I can only guess why Soviet propaganda ignored it's existence giving enough attention same time to Rambo, Rocki IV and Red Dawn. Most of the above mentioned movies makes you rather laugh on the "accuracy" of Russian characters and soldiers in particular. Firefox is outstanding in this respect. All uniforms, guns and insignias are just OK if not to say perfect! Living not far from one of the metro stations (Kolomenskaya) adds certain thrill while watching it. Otherwise nothing special. Checking the E-bay for this DVD you get quite a low price which speaks for itself.

This thrilling and intriguing movie is set during Cold War , the URSS has developed a high-tech jet called MiG-31 that can be partially controlled by a neuralink . The Soviets have made a sophisticated aircraft , the latest aeronautic marvel that flies at 6 times the speed of sound, is invulnerable to radar, and worst of all it has a lethal technological weapons system that the pilot can control through cerebral waves and thought . As soon as the pilot detects a threat - either visually or a scope - his brain impulses will direct a missile to that threat , without so much as pushing a button . The American fighter pilot assigned by Secret Service (Freddie Jones) is the Vietnam veteran named Mitchell Gant (Clint Eastwood), a burned-out USAF ace pilot, is smuggled into the USSR to infiltrate the Russian airbase at Bilyarsk, where the supersonic fighting plane Firefox/MiG-31 is being terminated , he must rob it and avoid the mass production that would give the Russians a huge advance . Officer Mitchell Gant goes behind Russian lines and faces a dangerous assignment . In Russia is helped by various secret agents (Warren Clarke, Nigel Hawthorne , Ronald Lacey) against KGB (Hugh Frazer , David Gant) and Soviet officials ( Kenneth Colley ,Oliver Cotton , Klaus Lowitsch ) .

Eastwood directs , produces and plays this exciting film about a pilot sent into the Soviet Union on a mission to steal a prototype jet fighter . This overlong picture takes a while to take off , but when it does , it's cool film . It contains suspense , thrills , intrigue , action-packed and is pretty entertaining . Spectacular aerial pursuits and dogfighting in ¨Star Wars¨ style created by FX expert John Dykstra who made special visual effects in several films such as ¨Galactica , Star Trek ,Batman , Spiderman , X men and Hanckock ¨. Ample support cast full of prestigious British actors who make good performances as as Freddie Young , Kenneth Colley , Stefan Schnabel , David Huffman , Nigel Hawthorne , Warren Clarke and Ronal Lacey , among them . Colorful and appropriate cinematography by Bruce Surtees ,son of great cameraman Robert Surtess and Eastwood's usual . Thrilling and suspenseful score by the maestro Maurice Jarre . Rating : Acceptable and passable but slow-moving and over lengthy .