L'ancien béret vert John Rambo est poursuivi dans les montagnes entourant une petite ville par un shérif tyrannique et ses adjoints, le forçant à survivre en utilisant à ses compétences de c... Tout lireL'ancien béret vert John Rambo est poursuivi dans les montagnes entourant une petite ville par un shérif tyrannique et ses adjoints, le forçant à survivre en utilisant à ses compétences de combat.L'ancien béret vert John Rambo est poursuivi dans les montagnes entourant une petite ville par un shérif tyrannique et ses adjoints, le forçant à survivre en utilisant à ses compétences de combat.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
- Shingleton
- (as David Crowley)
- Preston
- (as Don Mackay)
- Pilot
- (as Chuck Tamburro)
- Radio Operator
- (as Craig Wright Huston)
Avis à la une
Finally, pushed too far by a small town sheriff, Rambo returns to the only thing he can relate to. War. Yet it is a war he almost mercifully wages on the macho egotistical deputies and week end warriors that pursue. To potentially misquote Rambo :
"I coulda killed them all, I could have killed you. In town you're the law, out here it's me. Let it go..."
Final rating: 9/10
Probably the best Stallone movie behind the first Rocky. Great action, yes, but also a terrific script and some really good performances that elevate this above so many other action movies. I've read David Morrell's original novel and I have to say this is a case where the movie adaptation is just superior in every way. In the book, the Teasle character is more of the good guy and Rambo is a psycho killer that has to be put down like a dog. So kudos to Michael Kozoll, William Sackheim, and Sylvester Stallone for making the changes they did to the plot and for all the quotable lines their script gives us. As for the acting, there isn't a bad note anywhere in this. Even the supporting players are excellent. Stallone and Dennehy knock it out of the park. Richard Crenna has arguably his most famous role here as Colonel Trautman. He gets many of the best lines.
Great score from Jerry Goldsmith with a memorable theme song. Ted Kotcheff's direction is solid. The action is fantastic but, as I said, it's so much more than just a popcorn movie. It has something to say about the Vietnam war and how the soldiers were treated when they returned home. This won't sit well with all types but I appreciate what they were going for here and thought they did very well with it. Had there never been another Rambo movie, this one would still be a classic. But there were more sequels to come, all action movies of varying degrees of quality but none quite as good as this one.
In Ted Kotcheff's "First Blood," John Rambo (Stallone) is a highly decorated Vietnam veteran who was trained specifically as a killing machine He has come to a quite little town in Oregon, only to visit one of his platoon buddies He was told that his friend has died, last summer, of cancer
Disheartened, Rambo continues to walk the streets of Hope when he is annoyed by the local Sheriff (Brian Dennehy), and booked for vagrancy and resisting arrest
Beaten, kicked all over, treated like trash, and pushed too far by the other cops in the Sheriff's office, Rambo is taking back to traumatic flashbacks, to the enduring torture in POW camp Rambo, by that point, fights his way out and wages a one-man war against the police force that escalates out of control... Rambo is seen as a one man army overpowering all the sheriff's deputies and escaping into the surrounding woods
"First Blood" communicates the rage, the depression, the frustration and the psychological wounds of one Vietnam soldier that fought for his country and was then hassled by it upon his return
But what makes Rambo such a dangerous hero is Brian Dennehy being incredibly efficient as the cruel officer who doesn't like the looks of Stallone... Sure he's the abusive sheriff who is the victim of his environment, but he's also arrogant and incessantly underestimating a man who was 'the best, with guns, with knives, with his bare hands '
Dennehy got a presence of his own pushing an 'expert in guerrilla warfare' at the breaking point
Le saviez-vous
- AnecdotesMany of the extras who appeared throughout the film were local townsfolk who were recently left unemployed when a nearby mill had ceased operations, and they were more than happy to have the cast and crew of the film there to provide them work opportunities.
- GaffesGalt and the pilot speak on-board the helicopter without radio headsets. This would be impossible over the sound of the chopper.
- Citations
Trautman: [1:24:53] You did everything to make this private war happen. You've done enough damage. This mission is over, Rambo. Do you understand me? This mission is over! Look at them out there! Look at them! If you won't end this now, they will kill you. Is that what you want? It's over Johnny. It's over!
Rambo: Nothing is over! Nothing! You just don't turn it off! It wasn't my war! You asked me, I didn't ask you! And I did what I had to do to win! But somebody wouldn't let us win! And I come back to the world and I see all those maggots at the airport, protesting me, spitting. Calling me baby killer and all kinds of vile crap! Who are they to protest me, huh? Who are they? Unless they've been me and been there and know what the hell they're yelling about!
Trautman: It was a bad time for everyone, Rambo. It's all in the past now.
Rambo: For *you*! For me civilian life is nothing! In the field we had a code of honor, you watch my back, I watch yours. Back here there's nothing!
Trautman: You're the last of an elite group, don't end it like this.
Rambo: Back there I could fly a gunship, I could drive a tank, I was in charge of million dollar equipment, back here I can't even hold a job *parking cars*!
- Versions alternativesNBC edited 3 minutes from this film for its 1985 network television premiere.
- ConnexionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- Bandes originalesIt's a Long Road
Music by Jerry Goldsmith
Lyrics by Hal Shaper
Arranged by David Paich and Marty Paich
Produced by Bruce Botnick
Sung by Dan Hill
Meilleurs choix
Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 47 212 904 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 642 005 $US
- 24 oct. 1982
- Montant brut mondial
- 125 212 904 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1