L'ancien béret vert John Rambo est poursuivi dans les montagnes entourant une petite ville par un shérif tyrannique et ses adjoints, le forçant à survivre en utilisant à ses compétences de c... Tout lireL'ancien béret vert John Rambo est poursuivi dans les montagnes entourant une petite ville par un shérif tyrannique et ses adjoints, le forçant à survivre en utilisant à ses compétences de combat.L'ancien béret vert John Rambo est poursuivi dans les montagnes entourant une petite ville par un shérif tyrannique et ses adjoints, le forçant à survivre en utilisant à ses compétences de combat.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
- Shingleton
- (as David Crowley)
- Preston
- (as Don Mackay)
- Pilot
- (as Chuck Tamburro)
- Radio Operator
- (as Craig Wright Huston)
Avis à la une
In Ted Kotcheff's "First Blood," John Rambo (Stallone) is a highly decorated Vietnam veteran who was trained specifically as a killing machine He has come to a quite little town in Oregon, only to visit one of his platoon buddies He was told that his friend has died, last summer, of cancer
Disheartened, Rambo continues to walk the streets of Hope when he is annoyed by the local Sheriff (Brian Dennehy), and booked for vagrancy and resisting arrest
Beaten, kicked all over, treated like trash, and pushed too far by the other cops in the Sheriff's office, Rambo is taking back to traumatic flashbacks, to the enduring torture in POW camp Rambo, by that point, fights his way out and wages a one-man war against the police force that escalates out of control... Rambo is seen as a one man army overpowering all the sheriff's deputies and escaping into the surrounding woods
"First Blood" communicates the rage, the depression, the frustration and the psychological wounds of one Vietnam soldier that fought for his country and was then hassled by it upon his return
But what makes Rambo such a dangerous hero is Brian Dennehy being incredibly efficient as the cruel officer who doesn't like the looks of Stallone... Sure he's the abusive sheriff who is the victim of his environment, but he's also arrogant and incessantly underestimating a man who was 'the best, with guns, with knives, with his bare hands '
Dennehy got a presence of his own pushing an 'expert in guerrilla warfare' at the breaking point
having said that, this is a film that is often dismissed as a macho action flick with no redeeming feature. these are opinions i would defy.
while the only imagination put into the film seems to be the various ways in which John Rambo can kill people, the basic theme is nevertheless a pretty strong one. this is not meant to be a Fellini-esque commentary on life, the universe, and everything.
the three most important characters in the film are all played by pros. you have Stallone's John Rambo, Dennehy's Sheriff Teasle, and Richard Crenna's Colonal Trautman.
Brian Dennehy hasn't missed a beat in his entire career; he's been a superb character actor since i've been watching movies, and - like Michael Caine - he always puts everything into each performance. his Sheriff Teasle is menacing, bigoted, and protective. he comes across like a man who's marked his territory and won't permit intrusions. i won't say he's brilliant, but he is absolutely believable as a small-town sheriff faced with a situation so far out of his own experience that he cannot figure out why he can't solve the problem.
Crenna is a patriarchial character, such as he often seems to play. he gives the Spec Ops Colonal Trautman enough soul to make him seem human, and enough blood and guts to make him seem like a veteran soldier.
of course, the centrepiece to the film is Sylvester Stallone. Stallone always suffers from the perception engendered by his appearance. he is a somewhat short fellow with a body of bulging unpronoucable muscles, and a sad bassett-hound face that looks like it was designed by someone out of "Oliver Twist."
but the man can flat-out act. he gives John Rambo depth and reality. he comes across as far too fit and far too silent because Rambo is far too fit and far too silent. like his character in "Copland," Stallone is playing a guy who pretty much wants to be left alone and is caught up by a bunch of people around him who are overly enthused by their own status.
while i can understand the dismissal of this film as just a patriotic action sop, i cannot also accept that Stallone does not give a good performance. the man has been characatured; he's an easy target. he's a really built short-guy. but Stallone's intelligence and creativity drove his first film, "Rocky," and neither quality has deserted him since. like Michael Caine, he does seem to take any old lame role offered to him. but he always gets paid, and he always puts everything into his performances.
i'll never campaign for this film to be considered a "great" film, but i think i'll always defend it's star as a guy who works too hard too often to get the such little credit.
i guess the best way i can put it is, i watched "First Blood," and i believed him. i believed Stallone.
last time i checked, that is what an actor is supposed to do.
In retrospect, unfortunately the sequels turned John J Rambo into 'Rambo' the icon who relies more on an M-16 to get him out of trouble. In First Blood Rambo utilises the teachings from Col. Trautman (Richard Crenna) his war training and combat skills to stay alive and outwit his pursuers.
With less guns and explosions director Ted Kotcheff competently builds the tension and suspense and you get the feeling Rambo may not make it till the end. The locations are wonderfully atmospheric - foggy, earthly capturing the true outdoors. Stallone, Crenna and Dennehy are on form and the movie has a strong supporting cast that includes David Caruso in an early role as Deputy Mitch. Underpinning all this is Jerry Goldsmith's memorable score.
Rambo First Blood is a grounded drama and action must see.
Final rating: 9/10
Le saviez-vous
- AnecdotesMany of the extras who appeared throughout the film were local townsfolk who were recently left unemployed when a nearby mill had ceased operations, and they were more than happy to have the cast and crew of the film there to provide them work opportunities.
- GaffesGalt and the pilot speak on-board the helicopter without radio headsets. This would be impossible over the sound of the chopper.
- Citations
Trautman: [1:24:53] You did everything to make this private war happen. You've done enough damage. This mission is over, Rambo. Do you understand me? This mission is over! Look at them out there! Look at them! If you won't end this now, they will kill you. Is that what you want? It's over Johnny. It's over!
Rambo: Nothing is over! Nothing! You just don't turn it off! It wasn't my war! You asked me, I didn't ask you! And I did what I had to do to win! But somebody wouldn't let us win! And I come back to the world and I see all those maggots at the airport, protesting me, spitting. Calling me baby killer and all kinds of vile crap! Who are they to protest me, huh? Who are they? Unless they've been me and been there and know what the hell they're yelling about!
Trautman: It was a bad time for everyone, Rambo. It's all in the past now.
Rambo: For *you*! For me civilian life is nothing! In the field we had a code of honor, you watch my back, I watch yours. Back here there's nothing!
Trautman: You're the last of an elite group, don't end it like this.
Rambo: Back there I could fly a gunship, I could drive a tank, I was in charge of million dollar equipment, back here I can't even hold a job *parking cars*!
- Versions alternativesNBC edited 3 minutes from this film for its 1985 network television premiere.
- ConnexionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- Bandes originalesIt's a Long Road
Music by Jerry Goldsmith
Lyrics by Hal Shaper
Arranged by David Paich and Marty Paich
Produced by Bruce Botnick
Sung by Dan Hill
Meilleurs choix
Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 47 212 904 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 642 005 $US
- 24 oct. 1982
- Montant brut mondial
- 125 212 904 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1