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Ajouter une intrigue dans votre langueIn this dreamlike Hungarian folk myth, a horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim the... Tout lireIn this dreamlike Hungarian folk myth, a horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.In this dreamlike Hungarian folk myth, a horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
- Réalisation
- Scénario
- Casting principal
György Cserhalmi
- Fanyüvö
- (voix)
- …
Vera Pap
- Aranyhajú Nyárszépe
- (voix)
- …
Mari Szemes
- Fehérló
- (voix)
- …
Szabolcs Tóth
- Háromfejü sárkány
- (voix)
- (as Dr. Szabolcs Tóth)
- …
Ottó Ulmann
- Fiatal Fanyüvö
- (voix)
- (non crédité)
Avis à la une
My Hungarian friend recommended me to watch this and I'm so grateful I found out this movie exists. It's a masterpiece. The visuals were simply stunning, the animation phenomenal. Such a mastery of motion, color, perspective, framing, flow... Every frame was without a doubt perfectly though out. Experimentation in almost every panel, everything in fluid motion, behind every shot an original thought. The voice acting was so melodical and fitting along with the music. Hungarian is simply a beautiful language.
Then obviously the story, symbolising the cyclical passage of time, sexuality, humanity... Along with subtle nods to the demons of the 20th century.
Then obviously the story, symbolising the cyclical passage of time, sexuality, humanity... Along with subtle nods to the demons of the 20th century.
My first impression is I really wish I had had this blu ray back in college when I would hang out with my favorite film school friend who was into super surrealist/abstract art (and his cool roommates) for many stoned hours with watch like Hawking and David Gilmour present: Fractals and the 2001 Jupiter sequence synced to Echoes. Clearly, Marcel Jankovics and his crew pool through fluid, Slippery, angular and playfully metaphorical animation (notice the Dragon looks more like a city or many steel buildings in one) a monumental synthesis of myths we may not be familiar with but absolutely are familiar with is a peak of those kinds of times.
Second impression: Jankovics isn't creating a terribly complex story, and I get if that doesn't draw some into this, but to put it bluntly I don't mind. I don't need this to give me the Feels ala Pixar, I wanted something going in that could challenge how the medium of animation could be challenged and transformed and even transcended, and he and his crew did that and then some. I'm not even sure how many in the world of more modern animation have seen it, but it's hard not to see its influence on like 85% of Adult Swim and even some Anime. But it doesn't need to be remarked upon as influential to be something so compelling; it's through how it makes Myths feel vital that counts, how Shapes and color and the movement of forms is one thing, and finding new ways to create and make new forms is another.
It reminds me of how when one learns about old myths in school, even back to foundational ones like Gilgamesh, that it can sometimes take a little time (maybe too much depending on the teacher) to get into what makes them work. Jankovics doesn't have that problem because he has the propulsion of immersing us in the experience of... wherever this is supposed to be in these kingdoms and forests and what seems like a far out cosmos, places where a Gnome with a Beard can be congruous with a woman who has many tears to shed because of all the time with that seven headed dragon.
It's trippy, maybe the trippiest/trance-inducing movie ever made (a friend I watched it with remarked that this could very well be what we could've gotten with Jodorowsky's Dune), but it doesn't lose sight, at least to me, of the heroes journey and making it a feast for the senses. If they had only managed to snag a Prog-Rock group to do the soundtrack, I guarantee it would have been a Midnight Movie with success on par with the rest of them.
Second impression: Jankovics isn't creating a terribly complex story, and I get if that doesn't draw some into this, but to put it bluntly I don't mind. I don't need this to give me the Feels ala Pixar, I wanted something going in that could challenge how the medium of animation could be challenged and transformed and even transcended, and he and his crew did that and then some. I'm not even sure how many in the world of more modern animation have seen it, but it's hard not to see its influence on like 85% of Adult Swim and even some Anime. But it doesn't need to be remarked upon as influential to be something so compelling; it's through how it makes Myths feel vital that counts, how Shapes and color and the movement of forms is one thing, and finding new ways to create and make new forms is another.
It reminds me of how when one learns about old myths in school, even back to foundational ones like Gilgamesh, that it can sometimes take a little time (maybe too much depending on the teacher) to get into what makes them work. Jankovics doesn't have that problem because he has the propulsion of immersing us in the experience of... wherever this is supposed to be in these kingdoms and forests and what seems like a far out cosmos, places where a Gnome with a Beard can be congruous with a woman who has many tears to shed because of all the time with that seven headed dragon.
It's trippy, maybe the trippiest/trance-inducing movie ever made (a friend I watched it with remarked that this could very well be what we could've gotten with Jodorowsky's Dune), but it doesn't lose sight, at least to me, of the heroes journey and making it a feast for the senses. If they had only managed to snag a Prog-Rock group to do the soundtrack, I guarantee it would have been a Midnight Movie with success on par with the rest of them.
Mind-blowing animation experience!!!
The level of artistry is unbelievable. Marcell Jankovics uses every millisecond to add something new and fascinating. So if possible, do not blink while watching this film.
I had no idea what to expect while starting but in the first 3 minutes it took me to a new, symbol filled, psychedelic new dimension. Maybe the best thing about the movie is, even though it's a heavy art bombardment with non-stop transitions between symbols, you never lose the story. Somehow, you can understand every little detail (most of the time unconsciously). I believe it's a great achievement.
It also manages to talk to your primitive side. Since it's a mix of ancient tales, you somehow feel a connection to what's told in an instinctive way. You may get this kind of feeling in Tom Moore's flicks like "Song of The Sea" and "The Secret of Kells". But in "Son of the White Mare" it's so raw and different like it was made by our ancestors, thousands of years ago.
In an age where they use same well-researched story structures over and over, seeing something this uniquely told and majestic makes you feel renewed. It's a must-see for everyone. And the best news is, you can watch it on Youtube!!!
The level of artistry is unbelievable. Marcell Jankovics uses every millisecond to add something new and fascinating. So if possible, do not blink while watching this film.
I had no idea what to expect while starting but in the first 3 minutes it took me to a new, symbol filled, psychedelic new dimension. Maybe the best thing about the movie is, even though it's a heavy art bombardment with non-stop transitions between symbols, you never lose the story. Somehow, you can understand every little detail (most of the time unconsciously). I believe it's a great achievement.
It also manages to talk to your primitive side. Since it's a mix of ancient tales, you somehow feel a connection to what's told in an instinctive way. You may get this kind of feeling in Tom Moore's flicks like "Song of The Sea" and "The Secret of Kells". But in "Son of the White Mare" it's so raw and different like it was made by our ancestors, thousands of years ago.
In an age where they use same well-researched story structures over and over, seeing something this uniquely told and majestic makes you feel renewed. It's a must-see for everyone. And the best news is, you can watch it on Youtube!!!
Marcell Jankovics claimed he never used drugs but the entire movie is exactly like a psychedelic LSD trip. The story is full of symbols, but these somehow come from the common heritage and can be understood by instinct. Just like a dream. It is not a piece of art what can be digested easily but those who has sense of psychedelism will love and never forget this movie. I don't want to advise directly how a person can enhance further the effect of the movie but it is not hard to find out what I mean.
It was a pleasant surprise seeing folk tales I grew up with come to life. I guess Hungarian folk tales influenced Romanian folk tales, or maybe they share the same source. It's not just the same numerology symbolism, storytelling and dialogues; the Romanian folk tales I used to read when I was a kid are virtually identical with everything depicted in this animation.
Brilliant psychedelic imagery (nice experiments with shapes and colors), brilliant storytelling and even some subtle humor moments.
This animation should be sent in space as radio signals or something, because I pretty much consider it the essence of the human spirit, an excellent depiction of primordial human philosophy.
Le saviez-vous
- AnecdotesThe movie caught the attention of American animation historian Charles Solomon, who convinced Disney to hire director Marcell Jankovics for their proposed animated musical epic "Kingdom of the Sun". Due to numerous production hurdles this project was abandoned, and the comedy Kuzco, l'empereur mégalo (2000) was made instead. Though he was not involved with the finished work, Jankovics still received a production credit. He claims he absolutely hated the film because it had nothing to do with the original idea of a serious mythological epic, calling it a "horrendous, Las Vegas-style comedy show". He accepted the offer to work on the project mainly to fund his own film, La Tragédie de l'Homme (2011), though he claimed to have made a couple friends at Disney and stole some of their colored pencils when no one was looking.
- GaffesThe official English subtitles mistranslate one of the dragons' lines. When the White Mare gets pregnant with her third son, the dragons threaten the giant snake holding the Mare prisoner by saying "If you cannot deal with this, her third son, your life will be over." The subtitles have the dragons threaten the Mare instead of the snake, saying "You cannot provide milk for a third son, and so your life ends here." The translator probably misheard the outdated phrase "ha te evvel" (if you with this) as "a tejeddel" (with your milk).
- Crédits fousBefore the credits begin scrolling, a looped animation of Treeshaker walking amidst a smoggy, polluted cityscape is played accompanied by eerie "technological" noises play. As he walks, the smog slowly engulfs him until he is gone. According to the director, this short segment is the most important part of the movie because it encapsulates his core messages. Treeshaker is a traditional hero of old and the city around him references the 12-headed city dragon that he had fought in the film. The scene means that the destructive urbanization and pollution of modernity causes humans to forget about their values. The stars on the sky remind us of the old traditions but the rising buildings and smog make them vanish from view. In the end, although Treeshaker defeated the dragons, the darkness represented by the dragons might win out.
- Versions alternativesThe film's Hungarian and Russian home video releases were incorrectly color-graded. The 1983 Soviet VHS release was entirely green toned, while the 2005 Hungarian DVD (the most commonly watched version prior to the 2019 remaster) had an overly high saturation and was tinted pink and blue, muddying the reds and yellows. Neither of these accurately represented the film's original colors and both got entirely rid of grays, which can be best seen on the originally gray Three-Headed Dragon. The 2019 4K high-def remaster by Arbelos Films and the Hungarian Filmlab finally restored the film's original colors and revealed finer shading details that have been previously hidden by incorrect color-grading.
- ConnexionsFeatured in MsMojo: Top 10 Weirdest Animated Movies (2019)
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Détails
Box-office
- Montant brut mondial
- 9 $US
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