Le chant du bourreau

There seems to be a little confusion regarding the various versions of The Executioner's Song. I read the book written by Norman Mailer in 1980 and looked forward to seeing the film. The original film version was a made for TV mini series which aired in 1982. That version was much longer and also had numerous period songs included. Those songs were listed in the credits at the end. The TV mini-series version did not contain any profanity or full nudity. Some scenes were darkened and some were eliminated while extra scenes with additional dialogue were included. The second version was aired on cable television. It was the same version that was released in Europe in 1985. It was also released on "USA Home Video" on VHS tape. That version was much shorter; however it contained profanity, more violence and several nude scenes of Rosanna Arquette and Tommy Lee Jones. Those scenes seemed a little bit dark however. Also, several period songs were removed from the film even though they are still listed in the credits. The newest version of the film which I watched on Net Flix recently is also referred to as "The Director's Cut". I own the original 1985 "Big Box" VHS tape of the European version and compared those two versions scene by scene. The newest version includes all of the profanity, violence and all of the nude scenes from the European version. The content is exactly the same. The main difference in the two versions is that the newer DVD is much brighter, has more clarity and the colors are superior by far. The nude scenes are not darkened at all. The sound is a bit louder on the old VHS version though. The period songs that were taken out of the film are no longer listed in the end credits with the exception of one Neil Young song only. Waylon Jennings is given credit for all of the original songs he wrote for the film. I do not own the original TV mini-series version from 1982 and have to rely upon my memory to compare it to the newer versions. With that said, I prefer the new high quality version to the older, longer made for TV mini-series and also to the inferior quality European VHS release. Basically what you get with the newest release is a much higher quality European version. Did I mention that a much younger Rosanna Arquette is nude in several scenes?

For a long "television film," I thought this story moved along well, even with the main characters being so sleazy the story gets a little unappealing at times. Of course, when has Rosanna Arquette ever played anything else in her younger days? Also, when did she not show off her big breasts? However, I usually find her playing interesting characters and she looked young and pretty in this early career (for her) TV-movie.

As for Tommy Lee Jones, who plays the main character "Gary Gilmore," I've always found him interesting, too. In this, Jones plays the famous real-life killer while Arquette is "Nicole Baker," his teenage girlfriend. Jones does a nice job showing how mentally messed up Gilmore was back then.

I surprised at the language in here for a television movie, but then again, I saw the "European version" of this movie. The longer American version, I assume, cut out some that language and perhaps some of Arquette's "skin."

I rarely comment about anybody else's review but I recommend reading the comments by "noelani" here since this woman lived in Gilmore's backyard, so to speak, during this period and has some interesting things to say.

you may also be interested in the Mikhal Gilmore biography about his brother, Gary, and how they grew up in Oregon, being brutally abused by their father. Apparently, Gary Gilmore spent more time in juvenile detention homes than could be counted, and these institutions promoted the violent and hostile behavior which came to be seen by Gilmore as normal, even acceptable.

This film is primarily a documentary; look for Eli Wallach as Gilmore's Uncle Vern, trying to help his nephew function in the world. In Salt Lake City, Utah, where most of the film takes place, there is a cold unforgiving environment, similar to the environment Gilmore grew up in. As he grew up during the depression, options were scarce. Hostility, anger and frustration led to physical abuse, acting out, and eventually, murder. Rosanna Arquette is believable as the long-suffering girlfriend of Gilmore, who refuses to face reality.

This is an excellent film, due for a remake; perhaps Mikhal Gilmore could translate his book version into film. In real life, Gilmore's mother was devastated and traumatized, living in a trailer, mourning the horrible life her son had endured, a child who had no options, who grew up as an armed robber, and who finally demanded the state of Utah execute him in Draconian fashion. 9/10.

In the summer of 1976, my husband was a 25 year old full-time student at Brigham Young University, and we were renting a tiny house in Orem, Utah. Orem was generally a quiet town, where one could lie in bed on a summer night, with windows wide open, and hear only the noise of a few crickets chirping and dogs barking, and the occasional buzz of a car driven by someone who was working a night shift.

In the middle of the night of 19 July, I awoke to the sounds of sirens...lots of them. I knew there must have been some very significant event, for there to be multiple sirens blaring, and wondered if it might possibly have been a house fire. I didn't find out what those sirens we all about until two days later, when a neighbor commented that there had been another murder the night before. That was when I learned that the sirens I had heard were because of a murder at a gas station just a few blocks away. Soon after, the name of the victim became known. He was a 25 year old BYU student, who had actually served in the mission field with my husband, in Brazil. The young man also had a wife and a new baby, and had been working the night shift at the gas station to support his family, while attending college full-time. The victim of the second murder was another 25 year old BYU student, who was working nights to support a pregnant wife and baby, while attending the university.

I will refrain from using the names of the two fine young men whose lives were ended in such a brutal and senseless manner, out of respect for the privacy of their families. But their names remain, in my mind, and I have often thought of them, over the years, and wondered how they were doing; the wives, now in their fifties, as I am, and also the children, now around 30 years old, who were deprived of their fathers by Gary Gilmore's senseless rampage.

I will never forget the first images I ever saw of Gary Gilmore, taken when he was very first apprehended. He looked like a wild man, with an unkempt beard and long hair flying everywhere, with a crazed look in his eyes. Soon after, however, he took on a clean cut look, which certainly would have increased the general public's sympathy. That started America's interest in Gary Gilmore. In the weeks that followed, it seemed that many Americans couldn't get enough of the story of the ex-con and his little girlfriend, Nicole. The media turned it into a Romeo and Juliette story, about the young man from a tough background, down on his luck, and his beautiful young sweetheart. I'll never forget the time that television programming was interrupted for a special report, stating that Gilmore and Nichol had both been found unconscious, following a suicide attempt, with pictures of the two, side by side. It made me ill to see the way the story was romanticized, while two young widows grieved the loss of their husbands.

When Gilmore was finally executed, I was relieved. There had been local talk of him possibly being released from prison on a technicality, if the sentence of execution was not carried out soon, and I was terrified that he might set out to murder another young BYU student. After the news from the execution finally died down, I did my best to avoid thinking of anything to do with Gary Gilmore.

When I heard about the made-for-TV movie, The Executioner's Song, I was appalled that someone would give Gilmore MORE attention. It took me nearly 20 years to finally watch the film. I will say that Tommy Lee Jones and Rosanna Arquette were brilliant in their roles, and the supporting roles were also well portrayed. I think it did a fair job of presenting the story with a minimum of glorification of Gilmore, while calling attention to the victims of his crimes, at least to some extent. I only hope that Gilmore's victims' wives and children benefited from any money made from the film.

Norman Mailer's book about Gary Gilmore was compelling in the first half, but the second half was a limp, uphill struggle. There's no such problem in the TV adaptation, which is tighter and absorbing all the way through, with both Tommy Lee Jones and Rosanna Arquette giving two of the best performances of their careers... you now know why it's easy for us to forgive him for "Batman Forever" and her for "Off The Wall" (which she made the following year, and oh dear me that was BAD).

This is available in both miniseries form and a shortened cable/theatrical version (to quote Buffy Summers, "We're talking violence, strong language, adult themes..."), but I actually prefer the TV version because while you get more nudity - female AND male - and more graphic scenes in the cable cut (not to mention lines like Rosanna's "Yeah, you and seven other motherf***ers"), it's at the expense of a little story coherence; you lose some seaminess in the miniseries version, but the tale is ultimately stronger, clearer and not so rushed. But either version is a must.