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Caligula et Messaline

  • 1981
  • 16
  • 1h 49min
NOTE IMDb
3,6/10
818
MA NOTE
Caligula et Messaline (1981)
Seductive Messalina will stop at nothing to become the most powerful woman in Rome.
Lire trailer1:21
1 Video
51 photos
ActionBiographieDrameHorreurL'histoireDrame psychologiqueDrames historiques

La séduisante Messaline ne recule devant rien pour devenir la femme la plus puissante de Rome.La séduisante Messaline ne recule devant rien pour devenir la femme la plus puissante de Rome.La séduisante Messaline ne recule devant rien pour devenir la femme la plus puissante de Rome.

  • Réalisation
    • Bruno Mattei
    • Antonio Passalia
    • Jean-Jacques Renon
  • Scénario
    • Antonio Passalia
  • Casting principal
    • Vladimir Brajovic
    • Betty Roland
    • Françoise Blanchard
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    3,6/10
    818
    MA NOTE
    • Réalisation
      • Bruno Mattei
      • Antonio Passalia
      • Jean-Jacques Renon
    • Scénario
      • Antonio Passalia
    • Casting principal
      • Vladimir Brajovic
      • Betty Roland
      • Françoise Blanchard
    • 17avis d'utilisateurs
    • 14avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 1:21
    Official Trailer

    Photos51

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 47
    Voir l'affiche

    Rôles principaux28

    Modifier
    Vladimir Brajovic
    • Caligula
    Betty Roland
    • Messalina
    Françoise Blanchard
    Françoise Blanchard
    • Agrippina
    Raul Cabrera
    • Silius
    Gino Turini
      Angelo Arquilla
      Piotr Stanislas
      • Caliste
      Vincent Lo Monaco
      Fanny Magier
      • Messalina's Mother
      Laurence Lovall
      Antonio Passalia
      Antonio Passalia
      • Claudius
      Dominique Irissou
      • Blonde Girl
      Marie-Noëlle Arnoult
        Silvie Dezabauneix
        • Drusilla
        Kathy Sadik
        • Merope
        Zibi Polac
        • Nero (French version)
        Fernando Arcangeli
        • Orgy Participant
        • (non crédité)
        Salvatore Baccaro
        Salvatore Baccaro
        • Brutish Man with Messalina
        • (non crédité)
        • Réalisation
          • Bruno Mattei
          • Antonio Passalia
          • Jean-Jacques Renon
        • Scénario
          • Antonio Passalia
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs17

        3,6818
        1
        2
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        9
        10

        Avis à la une

        4RatedVforVinny

        A hopeful but poor cash-in, on 'Caligula'.

        A laughable Italian exploitation, that uses stock footage from old sword and sandal epics. Certainly not the best example in the genre. Bruno Mattei, was indeed a prolific B-movie director (of 55 titles) and was working right up to his death until 2007.
        4selfdestructo

        Were there G-strings in 00-41?

        I was interested in these cheap Italian exploitation knockoffs for one reason -- well, that would be Caligula's debaucherous life, but more specifically because I'm such a fan of Tinto Brass' unpleasant trash epic. This movie adds very little to the mystique, (redundantly) rehashing some of Caligula's exploits, then they off him about 40 minutes in. So, really, this is more of a story about his (second) cousin Messalina, who, let me tell ya, is a bigger slut than Caligula ever hoped to be.

        One thing I found misleading, was that the Caligula and Messalina Blu-ray included an X-rated cut, just like Brass' did. So, 6 extra minutes of, uh, I dunno, God-knows-what. They ramp up the incest. The vast majority of the sex is simulated, and the countless orgy sequences are done in this super wide screen. One thing I did notice on screen, were a whole lot of shots with, well, an unpleasant part of the male anatomy. Which no one wants to see! Worse still, what IS graphic is not one, but TWO scenes of animals mating. Yikes.

        Messalina's portion of the story is one of betrayal, uprising, sleeping with anything with a pulse, so much distant nudity that you become immune to it, and who's going to outstab everyone else to become empress. If you're expecting anything on par with Brass' film (real sex, outrageous performances, elaborate sets, elaborate medieval decapitating devices, distasteful violence, etc. Etc.), I think "sorely disappointed" is all you'll be left with.
        3Groverdox

        Not as bad as "Caligula", but still best avoided

        "Caligula and Messalina", obviously made to cash in on the dispiriting success of the notorious "Caligula", is not quite as bad as that movie, which is faint praise indeed. It is, however, almost painfully boring: proof, if any were required, that wall-to-wall sex and nudity can't prevent a movie from becoming soporific.

        The plot is, allegedly, about the Roman emperor Caligula, Messalina (the most notorious woman in Roman history), Agrippina (her rival), and the emperor Claudius. The movie has very little dialogue, and practically no exposition, so if you don't go in knowing a fair bit about these classical figures, you'll be left in the dark for much of the movie's run-time.

        Though, of course, "Caligula and Messalina" isn't a historical picture. It's an exploitation movie. So, there are a lot of ridiculous added details, such as Messalina first getting Caligula's attention by fighting in the colosseum. Women didn't fight in the colosseum anyway, but even if they had, I'm pretty sure a blood-relative of the current emperor would never have found her way there. The movie ignores the fact that Messalina was related to Caligula and just gives you this lame introduction for her character, which could have worked a bit better if it had been directed with some kind of skill.

        This is a motif throughout the whole film, in fact, and is part of the reason why it's so boring. Capable filmmakers shoot establishing shots of scenes that are framed so that we can see everything we need to see. The camera then provides close-ups of actors or action or significant details to make us feel involved in the action. "Caligula and Messalina" does the first part of this, and just seems to leave it at that. The camera is always too far away. If the director can't get us involved in the story, he could at least give us a good look at the sex and nudity the movie is chock full of, but alas, we don't get that either. The distance between the camera and the actors, and the generally poor camera angles, leaves most of the nudity hard to make out.

        I'm pretty sure that if you are unfortunate enough to watch this movie, there's only one thing about it you will remember, and that is the two scenes of horses mating. One was more than enough, but "Caligula and Messalina" inexplicably includes two such scenes. Was Bruno Mattei, the filmmaker, actually trying to cause harm to his audience by making us watch this?
        3kosmasp

        Messy

        No pun intended - this is the third Caligula movie I have seen. All are about excesses ... about mad men in power of sorts. And have obviously the main character in common - although this revolves around a few more people than just him - the title already suggests that, so no brownie points for seeing through this (or any pieces of clothes that will allow that too).

        Acting is all over the place, but I was only able to watch the English dubbed version. Not that what they filmed was one language - back then they used to film movies in many different languages in Italy that is. Anyhow the emotions are a bit lost - even those in the quite explicit scenes. But you probably will not watch it because of that. Many versions exist of the movie - and the movie is a quite the mess ... makes almost no sense, but tries to shock you.

        Does not succeed in the way the other two movies were able to. This apparently builds upon other movies (there is one where Messaline is the main character), which I have not seen ... I doubt this would have fared better in my mind if I had though .. just saying.
        2IamKno

        No, we have Caligula at home. Caligula at home = (This)

        This film does a terrible job of introducing you to the characters. Unless you've watched previous related media or know your history, you wouldn't have much of a clue who anyone is and how they relate to each other.

        Locations are not clearly defined and you can't tell if characters that are seen to be travelling are either coming or going.

        The nudity was satisfactory when combined with what should have been a plot but the sex scenes were disappointing when comparing it to the 1979 version.

        To me, a lot of it seemed irrelevant to the story until I realised that the film was basically showing us that Messalina likes to increase her mileage no matter what.

        When the pool scene took place I assumed they would be caught and someone would be killed... no, next bedfellow please!

        There is a scene with two donkeys and then another with two horses soon afterwards. Both scenes are real thus more x-rated than anything that the humans do in this.

        The simulated sex is everywhere in this and rather boring. They couldn't quite find a balance between genitals being far apart during the act or touching but not actually doing the act. Either way, it wasn't appealing.

        The only thing that really interested me was one of the actresses that is always at Caligula's or Messalina's side. The woman with the tanned skin who was clearly a dancer by profession. She looked familiar as though I have seen her in modern films; although in reality she would be about 60 years old by now.

        Overall, not really worth watching unless you are like me and you can't help but keep going down 'rabbit holes'.

        Histoire

        Modifier

        Le saviez-vous

        Modifier
        • Anecdotes
          Part of a wave of movies produced in the late 70s-early 80s to capitalize on the scandal surrounding the production and release of Bob Guccione and Tinto Brass' Caligula, along with "Messalina, Messalina," "Caligula... The Untold Story," and others.
        • Versions alternatives
          This co-production has two different language versions, with some scenes shot differently but with basically the same cast. The Italian version runs 111 minutes, and has less nudity; the French version runs 96 minutes, and has more nudity. The film has known a number of different cuts in various countries.
        • Connexions
          Edited from Le colosse de Rhodes (1961)
        • Bandes originales
          Caligula et Messaline
          Written by Albert Minski and Ted Scotto

          Performed by Barbara Davidson

          Published by Toy Musique, Paris

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        FAQ14

        • How long is Caligula and Messalina?Alimenté par Alexa

        Détails

        Modifier
        • Date de sortie
          • 21 juillet 1982 (France)
        • Pays d’origine
          • Italie
          • France
        • Site officiel
          • LCJ Editions
        • Langues
          • Français
          • Latin
        • Aussi connu sous le nom de
          • Les aventures sexuelles de Neron et Poppee
        • Lieux de tournage
          • Studios De Paolis, Rome, Lazio, Italie(Studio)
        • Société de production
          • Italfrance Films
        • Voir plus de crédits d'entreprise sur IMDbPro

        Spécifications techniques

        Modifier
        • Durée
          • 1h 49min(109 min)
        • Couleur
          • Color
        • Mixage
          • Mono
        • Rapport de forme
          • 2.35 : 1

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