Britannia Hospital

If you like films that leave an impression on you - then you'll like this. I saw this for the first time when I was quite young, I think my dad wished he'd known how weird it would get, or he probably wouldn't have let me watch it with him.

Whilst there is a riotous strike going on outside the hospital there is weirdness going on inside, as an eccentric doctor performs some truly sadistic acts on his patients to fulfill his own ambitions.

Its full of faces any 30-plus British audience will recognise, and if you're an Orbital fan you'll love the speech at the end which they sampled for Snivilisation.

A cult black comedy, with some quite horrific bits in, its quintessentially British, but definitely not in the vain the Full Monty or Four Wedding (thank god!).

This film completes the Mick Travis trilogy, of which the first two installments are if… (1968) and O Lucky Man (1973). You could say either that Britannia Hospital has little to do with the other two films or a lot. It depends on how you look at it. The political viewpoints are similar, but the style is much different. The three movies remind me much of Tati's first three Hulot films in the way they differ between each other while having interconnected themes. This would be Anderson's Playtime, in that, much like Hulot in Playtime, Mick Travis (Malcolm McDowell) becomes just one of a million different characters. Calling Britannia Hospital Anderson's Playtime oversells the film, unfortunately. The film does not work quite as well as if… and O Lucky Man, both of which are masterpieces, in my estimation. Britannia Hospital feels like it ought to be a masterpiece. There are just so many flashes of genius. You see images and scenes that Federico Fellini or Luis Buñuel would have killed to come up with, and the film's liberal politics, while definitely somewhat confusing, are far more potent than anything Godard ever put forward. It also contains one moment of gorgeous eroticism, when Malcolm McDowell is changing clothes and a nurse gently cups both of his buttocks from behind. By the end, though, instead of being moved I was rather scratching my head. The film would probably benefit if I were to watch all three installments in a row, because there are apparently a lot of characters that are shared between them (I only recognized Mick Travis and Professor Millar; it's been over two years since I've seen the other films). But, then again, seeing how this film has been completely tossed aside by so many people, I'm hardly the only one who is confused. On the other hand, a film with so much ambition and power ought never to be shoved aside. Its dismissal is more than a little unjustified.

Firstly i must note that If.... is one of my favourite films and within that film Malcolm McDowell is Mick Travis, as good a character as Alex De Large (Clockwork Orange) and one which he makes his own. I found that film to be beautifully shot, excellently acted and the satire to be pinpoint accurate. It was a very important British film and is one of a few classics from the sixties (Saturday Night Sunday Morning, Loneliness of the long distance Runner, Billy Liar etc).

Next came O Lucky Man, with Travis out of school and working as a coffee salesman. We see his rise and fall and eventual rise again as a accidental film star. I also think this film is very important with a extremely gifted cast including Arthur Lowe in several roles and Graham Crowden as a mad experimenting doctor. The music by Alan Price greatly contributes to the film (lesser so Price's attempt to act!).

Finally, the 80's and Britannia Hospital. A great cast, an interesting premise but alas a flawed film. The major characters, bar Graham Crowden have little to do (McDowell, Rossiter, Hamill,) and i found myself feeling no empathy for anyone. The pickets and protesters were annoying but were outdone by the upper class visitors to the hospital and as for Mick Travis, an ignoble end. It is never explained why McDowell is there (why isn't he investigating the luxury treatment of the African Dictator which is causing everyone else so much grief!.....why does the nurse decide to continue his work/was she an insider who gave him info on Crowdens project??). The idea that the Queen would be allowed to visit the hospital in such inhospitable(pardon the pun) times is ludicrous etc etc.

But perhaps i am being to empirical about the film, what of the satire? About as subtle as a punch in the face! The upper classes are still treated differently to the working/middle classes be it in the workplace or in health care....wow, what a revelation!! Anyway, there is some joy in watching it unfold if you disengage from the satire element and enjoy the face spotting (John Gorden Sinclar, Robbie Coultrane, Robert Pugh, Richard Griffiths, Brian Glover, Arthur Lowe, Alan Bates, Roland Culver, Jill Bennett etc) and general mayhem of it all. I suppose Travis had to go somehow but why like this? My recommendation is to watch If.... and O Lucky Man and if you are satisfied with the ending to the latter film, leave it at that.

"The absurdities of human behaviour as we move into the Twenty-first Century are too extreme - and too dangerous - to permit us the luxury of sentimentalism or tears. But by looking at humanity objectively and without indulgence, we may hope to save it. Laughter can help." Lindsay Anderson

Britannia Hospital, an allegory for what was transpiring in England at the time, was released in 1982, and is the final part of Lindsay Anderson's brilliant lose trilogy of films that follow the adventures of Mick Travis as he travels through a strange and sometimes surreal Britain. From his days at boarding school in If.... (1968) to his journey from coffee salesman to film star in O Lucky Man (1972), Travis' adventures finally come to an end in Britannia Hospital which sees Mick as an investigative reporter investigating the bizarre activities of Professor Miller, played by the always interesting Graham Crowden, whom he had had a run in with in O Lucky Man. Checkout the Pig Man scene (This is well before Seinfeld.)

As is usual with an Anderson film the acting, by a top notch cast, most of whom had been in the previous two, is uniformly good. It is professionally shot by Mike Fash, although his work doesn't have the same feel to it that Miroslav Ondricek brought to the proceeding instalments, and is well produced. All three films have recurring characters from each. Some of the characters from If...., that didn't turn up in O Lucky Man, returned for Britannia Hospital. The film was lambasted by the English critics on release, although Dilys Powell listed it as one of the films of the year.

From its opening scene where an elderly patient is left to die on a gurney to its final revelatory scene of Miller unveiling his greatest scientific achievement, the film is choc full of surprises. One character is played by a dwarf and another by a man in drag. Yet one of the more pleasant surprises is the performance of Robin Askwith as Ben Keating, the school bully from If...., Askwith's film debut. Keating has organised a strike by the kitchen staff in retaliation for Potter ordering sixty-five ambassador class lunches from Furtnums. Askwith handles his role with skill, making Keating quite a likable character.

Over the years Britannia Hospital, as with the other two, has been revaluated and is now considered another classic from the Anderson stable. I, as did Dilys Powell, could have told them this when I first saw it back in '82.

Lindsay Anderson was several years ago one of my favourite directors and then, 5 years ago, I thought that this film is possible his best. Since then I saw again Britannia Hospital at least five times - and it didn't worked always - in contrast Anderson's If..., which is better and better with every watching. However, Britannia Hospital is still a very good film, but its content maybe too disturbing for a lot of viewers. I mean, not only its details (for example, eating pieces of brain, by the way, didn't Hannibal - the movie - discover it), but the consequences of the whole film. This film's dark and painful thoughts about mankind and our future are very frightening, because they - if we can face it - almost (or entirely?) the reality. Although Lindsay Anderson's satire is focused on Britannia Hospital, where the most of the plot plays, this parabolic form is about the whole world: from the poor people to the rich, from the caretaker to the mad scientist. Britannia Hospital is full of moments of horror and black comedy (namely its subplot is parody/paraphraze of Frankenstein-story), but its strongest parts are when its laughing (or crying) on the figures of government and other leaders (the master of BH, the main strikers, even the Queen). The solution is Britannia Hospital - in a paradox way - there is no solution for mankind. Maybe the speech of the professor at the end is a little didactic, but at same time quite honest; but not he has the last world in the film. For those who have already seen this film, it is known, what I'm talking about; for those who are going to see BH, let it be a surprise. It's unforgettable, but extremely sad moment: a shocking last shot to Britannia Hospital.