Dar l'invincible

Too bad movies from this genre are now all but extinct.

Beastmaster was one of the best movies of the early 80's

Sword & Magic movies (along with Krull, Dragonslayer &

Conan), if not the best. I even believe it inspired He-Man

and the Masters of the Universe for those who as myself

were children of the 80's. Later in the 80's some flicks

came out, like Highlander and Willow, but couldn't help the

disappearance of the genre, which I feel very nostalgic

about. Please, please, please, I beg you: Ignore any sequel

of this movie. Remain with this, a true classic.

Following "Conan the Barbarian", there were a lot of Barbarian trash movies in the 1980s. The best of them all was "Beastmaster" because it had creative production design, colorful photography and even some ideas of its own. Dar, the Beastmaster (Marc Singer), can see through the eyes of animals and command them whenever he needs help. The evil priest Maax (Rip Torn) holds Dar's father, the king, prisoner as well as the slave girl Kiri (Tanya Roberts) whom Dar fell in love with. In this action-packed movie, we meet a lot of bizarre folks, like the scary batmen who can suck their victims dry if they catch them under their wings (and still these are some of the good guys!) or the berserkers who carry green worms in their brains to drive them crazy. Director/script writer Coscarelli was also in charge of the very successful horror movie "Phantasm", and that shows in the darker scenes. Tanya Roberts looked so good in rags she went on to make "Sheena" with equally little to wear. Marc Singer's muscles were memorable enough to get him signed many years later for 2 sequels which weren't half as good as the original, but still way better than the politically correct TV series 20 years later.

Comparing the 113 minutes "director's cut" (British DVD) to the old 91 minutes German video tape version, these are the most important scenes previously omitted: 1) 8 1/2 minutes of introduction, in which we learn how Maax was threatened by the king, hears the prophecy about the king's unborn son and asks a witch to abduct the baby (from his mother's womb!). Probably it was felt it takes too long until we see the grown-up hero. The disadvantage is that we know less in the short version about Maax and his motives. 2) Still in the first third of the movie, a funny scene was cut in which Dar falls into quicksand, needs help from the animals - and rescues one of them in return. This scene is a charming illustration of the beginning of his friendship with the animals, but not necessary to understand the story. 3) In the last third of the movie, 3 scenes were cut in which the injured young prince is carried into a house, gets better and receives a gift from the Beastmaster. It seems this was cut as it slows down the movie and gives information about the boy only - who is not one of the main characters, anyway. There are also smaller cuts along the way, sometimes due to violence. Anyhow, go get "The Beastmaster" in this longer version!

I don't care what people say, THE BEASTMASTER is a fun film. Thanks to my parents having cable in the 80s, I virtually grew up with it. I can still recall spending many days and nights watching it on television. I probably had no idea of what was going on, but I just loved watching this animal lover named Dar rescue the hot Tanya Roberts while fighting against an evil priest. Marc Singer is great in the title role. If he were to cure world hunger, create world peace, or even be elected president, he would still be known as The Beastmaster. Tanya Roberts doesn't really do much, but looks damn nice doing it, John Amos is also good as a traveler who befriends Dar, and Rip Torn is as over-the-top as he can get. Lee Holdridge's score, composed in a short amount of time, provides a bit more epicness than the film could have created on its own, with a heroic theme that is used throughout. I was also happy to learn recently that Anchor Bay Entertainment is working on a Special Edition DVD of THE BEASTMASTER. I'm, naturally, very excited about this, for no matter what people say, THE BEASTMASTER was, still is, and always will be a childhood favorite.

For one of the slew of quickly produced movies of the 80's this one is pretty good. You've got Marc Singer when he was young and fit (not leathery and ancient like in the later movies of this series) and Tanya Roberts who is hot in this film. You've got swordfights, sorcery, the whole works. That said, I did find the ferrets a little annoying, but that's just me.

On the whole the movie works well and there are some touches, like the flying humanoids that envelop and dissolve their prey, that just make the film.

SUMMARY: Hero who can talk to animals sets out to overthrow an evil warlord.

What struck me,after several viewings,is that not only does the viewer enjoy this movie,but the people doing are having a good time as well.It stays with the standard sword and sorcery/Arthurian motif of a dispossessed hero going on the quest,seeking to either establish his identity,or come into his inheritance.What adds to this particular movie are the following: 1.)Singer not only has the rugged good looks,and impressive physique,but he displays a vastly wider emotional range than did The Austrian Oak.His portrayal of Dar encompasses humor and craftiness as well as courage and determination.And it looks like he did quite a few of his own stunts. 2.)I'm not sure is Roberts is trying to do a caricature of a simpering,clinging heroine,or not.In any event,she does go WAY over the top,but seems to be enjoying doing it. 3.)Torn's villain not only chews the scenery,but spits it out,as well.Is there some kind of inside joke by making him up to look like Richard Nixon? 4.)Amos,as Seth,is every bit as much a loyal comrade as Sallah in the Indiana Jones flics.All he needs is to wear a neon sign flashing"FRIEND". 5.)Let's face it,they based the script on a classic piece of writing,but a famous authoress.If you start out with something good,it gives an extra advantage. 6.)And,the animals do a splendid job,and the ferrets are cute.