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6,5/10
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L'indicateur de la 13e Brigade a été tué. L'inspecteur Palouzi doit recruter une nouvelle "balance", et enquêter sur les agissements du caïd Massina. Dédé, ancien lieutenant du truand vivant... Tout lireL'indicateur de la 13e Brigade a été tué. L'inspecteur Palouzi doit recruter une nouvelle "balance", et enquêter sur les agissements du caïd Massina. Dédé, ancien lieutenant du truand vivant avec une prostituée, semble être le bon choix.L'indicateur de la 13e Brigade a été tué. L'inspecteur Palouzi doit recruter une nouvelle "balance", et enquêter sur les agissements du caïd Massina. Dédé, ancien lieutenant du truand vivant avec une prostituée, semble être le bon choix.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 6 nominations au total
Jean-Paul Comart
- Le Belge
- (as Jean-Paul Connart)
Tchéky Karyo
- Petrovic
- (as Tcheky Karyo)
Galia Salimo
- Sabrina - la prostituée
- (as Galia Dujardin)
Avis à la une
I can't believe that this movie has no comments and hardly any votes. It's a tough 1982 thriller set in Paris' Algerian sector. A specialist Police Unit pressurise a pimp and his hooker into becoming informants to enable them to bring down a local gangster. Although directed by an American (spot the U.S. film posters at the Police Station), the film is full of French style. The clothes, the food, the shades... The pacing is fast, the plot is good and the characters are fascinating. Baye is incredibly sexy as the 'tart with a heart' and Leotard looks suitably seedy as the pimp in love with her. It's a strange relationship, letting your lover have sex with strangers in order to put money in the joint account! I also like the way that the cops, who arrest and harass hookers, are shown to be willing to use their services on lonely nights. Pace, excitement, black humour and romance. What more can one ask from a thriller? 8/10
Set in the cobbled, mean streets of the Belleville quarter in París , it deals with a Police brigade led by Inspector Mathias : Richard Berry that compels a couple formed by a prostitute named Nicole : Natalie Baye and her pimp called Dede : Philippe Leotard . The latter on the outs with his gangster boss because of a quarrel over Nicole. The cops force to the crook to be an informer - or Balance in French language or Mule - by leaning on the prostitute he very much loves. As the police officers scramble for a substitute
deciding on Dede. As he must double-cross a dangerous gangster : Maurice Ronet and henchman : Tcheky Karyo.
A French thriller , nicknamed "Polar" , with all the usual requisites as betrayals , dispute , shootouts , car chases and lowlife infighting are delivered with great verbe , action-packed and well-paced . It results to be a decent thriller , but what really distinguishes this Polar is the enjoyable strength on the emotional front . Detailing equally a strong police corruption with cops scrambling for a replacement using nasty methods, as coercing and violence to put a heinous squeeze on the starring to be an informant. Develoving a complex intrigue in which loyalties become more and more crossed until treason is the only means to salvation . Main and support cast are pretty good . Philippe Leotard at last breaks his traditional acting to give us a superb interpretation as the racketeer pimp with a heart of glass , while Nathalie Baye is also top-notch as the Parisian streetwalker prostitute in distress. They are well accompanied by a fine French cast, such as : Richard Berry as tough police inspector, Maurice Ronet as mob boss , Tcheky Karyo as a ruthless hoodlum , Christopher Malavay, Francois Berleand, among others.
It contains an evocative and realist cinematogrphy of the French slums and police station by Bernard Zitzermann. The motion picture was well directed by a good craftsman called Bob Swain who has made a few agreeable films with nice casting as "Half Moon Street" with Michael Caine, Sigourney Weaver, "Masquerade" with Rob Lowe, Kim Cattrall , Atlantide, and "Climb" with John Hurt, Gregory Smith . Rating 6/10 . Acceptable and passable , it it will appeal to French thrillers aficionados .
A French thriller , nicknamed "Polar" , with all the usual requisites as betrayals , dispute , shootouts , car chases and lowlife infighting are delivered with great verbe , action-packed and well-paced . It results to be a decent thriller , but what really distinguishes this Polar is the enjoyable strength on the emotional front . Detailing equally a strong police corruption with cops scrambling for a replacement using nasty methods, as coercing and violence to put a heinous squeeze on the starring to be an informant. Develoving a complex intrigue in which loyalties become more and more crossed until treason is the only means to salvation . Main and support cast are pretty good . Philippe Leotard at last breaks his traditional acting to give us a superb interpretation as the racketeer pimp with a heart of glass , while Nathalie Baye is also top-notch as the Parisian streetwalker prostitute in distress. They are well accompanied by a fine French cast, such as : Richard Berry as tough police inspector, Maurice Ronet as mob boss , Tcheky Karyo as a ruthless hoodlum , Christopher Malavay, Francois Berleand, among others.
It contains an evocative and realist cinematogrphy of the French slums and police station by Bernard Zitzermann. The motion picture was well directed by a good craftsman called Bob Swain who has made a few agreeable films with nice casting as "Half Moon Street" with Michael Caine, Sigourney Weaver, "Masquerade" with Rob Lowe, Kim Cattrall , Atlantide, and "Climb" with John Hurt, Gregory Smith . Rating 6/10 . Acceptable and passable , it it will appeal to French thrillers aficionados .
...of a different Paris, different love story and images of cops. a precise and impressive film. for the portraits of characters. for the science to escape from cliches circle, for the inspired way to tell a dirty, insignificant, ordinary story, using each of its nuances in admirable manner. a woman. and her man. and the Police as the shark in the essence of relationship who could be normal. it is easy to define it as a film with a great cast , from Maurice Ronet and young Tcheky Karyo to Nathalie Baye. but the authentic star of film remains Phililipe Leotard, giving a dramatic performance. so, a revelation. at each new view. because it represents the realistic portrait of a world who seems, from so many (American) films, well known.
Watched this last night - a belting French Cops and Robbers drama set among the Paris version of the flying squad. It opens with their main informant being murdered and they need replacement to get Mr Big.
They lean on a Dede (Philippe Léotard) a small time crook and pimp and his whore/girlfriend(Nathalie Baye) to persuade them to snitch on Messina.
They use threats,beatings - in fact anything to get a result. The cops are played in a very unsympathetic light - the're really thugs who bend the law to suit their ends.
Interestingly both Dede and Nicole are are much more attractive characters - he's her pimp but he loves her as she loves him. You really care about them as they are exploited by the cops who don't care what happens to them as long as they get their villian. There are car chases and shoot-outs aplenty but its the central relationship that lifts this above your average cop movie.
All the leads are well played and you hope things will work out for Dede and Nicloe but you know life isn't like that.
Not an obvious ending either and directed with an intesity by Bob Swaim who films it almost as a documentry so real is the gritty feel of the Parisian undwerworld.
Highly reccomended.
They lean on a Dede (Philippe Léotard) a small time crook and pimp and his whore/girlfriend(Nathalie Baye) to persuade them to snitch on Messina.
They use threats,beatings - in fact anything to get a result. The cops are played in a very unsympathetic light - the're really thugs who bend the law to suit their ends.
Interestingly both Dede and Nicole are are much more attractive characters - he's her pimp but he loves her as she loves him. You really care about them as they are exploited by the cops who don't care what happens to them as long as they get their villian. There are car chases and shoot-outs aplenty but its the central relationship that lifts this above your average cop movie.
All the leads are well played and you hope things will work out for Dede and Nicloe but you know life isn't like that.
Not an obvious ending either and directed with an intesity by Bob Swaim who films it almost as a documentry so real is the gritty feel of the Parisian undwerworld.
Highly reccomended.
I knew I was in for a treat when the crunchy new wave title track for "La balance" started playing, and the next 100 minutes didn't disappoint. I'm accustomed to French crime movies with a bit of an arty or philosophical bent, but this one is all pulp, all action. Proudly wearing its influences on its sleeve with several references to Steve McQueen, this will greatly appeal to fans of movies like "Bullitt" and "The French Connection." It must be said that the cops here are seriously ethically dubious: they're misogynistic, xenophobic and constantly pushing the limits of legality to get their man, but these aspects are presented matter-of-factly rather than in a purely glamorizing light.
Nathalie Baye is superb as always as a kind-hearted but guarded sex worker pushed into an informant role, but her character leans too heavily on cliché. More interesting is the smaller role of Galia Salimo, a trans actress who makes a major impression in her scenes as a local wheeler and dealer trading in stolen goods. This is a punchy, well-constructed crime tale that warrants another look.
Nathalie Baye is superb as always as a kind-hearted but guarded sex worker pushed into an informant role, but her character leans too heavily on cliché. More interesting is the smaller role of Galia Salimo, a trans actress who makes a major impression in her scenes as a local wheeler and dealer trading in stolen goods. This is a punchy, well-constructed crime tale that warrants another look.
Le saviez-vous
- AnecdotesThis film is the second French crime movie made by an American director after RIFIFI, back in 1953, and directed by Jules Dassin.
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- How long is La balance?Alimenté par Alexa
Détails
- Durée1 heure 43 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was La balance (1982) officially released in India in English?
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