2020 Texas Gladiators

I find it very interesting that the at times Mega-Sleaze merchant like Aristide Massaccesi can knuckle down and make a pretty good action PA movie delivering tense atmosphere, well choreographed shoot-outs and some real forward-thinking between character relationships but all the while also keeping the sickening depravity (mostly) off the screen. For these reasons, if say you love Jesus Franco's latter movies that just seem to degenerate into pawn then you probably won't like 2020 Texas Gladiators that much. One of the interesting things about the movie is when one central character gets killed off and then the focus changes to another character then suddenly the situations tend to take on progressive changes in perspective, if that made any sense. The budget of the movie is obviously low, but the resourceful effects like the animated electricity on the futuristic riot-shields brandished by the enemy soldiers sometimes let you forget the shield frames are cardboard on close inspection. Because there are not many faces attached to the actors here at IMDb I forget the character name of the enemy boss, he was kind of a neo-Nazi type, not the best actor but he looks creepy and was funny at times. In conclusion, I liked this a lot more than any Mad Max film, it is definitely way better than Fury Road, so it is well worth seeking out.

I only write reviews of movies with low rating, which actually are not that bad. Give them a chance!

This is not something I would recommend to everyone, but if you like apocalypse and post-apocalyptic movies then you may enjoy this one too. Not great, bot not that bad either - solid movie. It is boring in some parts, but still watchable, but I repeat, only if you really like apocalypse. I watched German dub version and that was great because of Future-Nazi soldiers that are in movie, I wonder how it sounds in English...

5/10

Joe D'Amato, mostly known for his sleazy and downright nauseating horror flicks like "Buried Alive", "Anthropophagus" and "Emanuelle and the Last Cannibals", joins his contemporary Italian colleagues in making over- the-top cheesy and ridiculous post-nuclear Science Fiction movies! The trend started elsewhere, mostly with the Australian "Mad Max" and John Carpenter's "Escape from New York", but the Italians exploited the success of these films shamelessly and endlessly! Lucio Fulci had "The New Gladiators", Sergio Martino had "After the Fall of New York", Ruggero Deodato had "Atlantis Interceptors", Enzo G. Castellari had "The Bronx Warriors" and our good pal Joe D'Amato has both "Endgame" and this "2020 – The Texas Gladiators". It's a deliciously cheesy hodgepodge of semi-processed ideas and blatantly stolen sequences from other movies, and if you're a fan of this sort of trash, you're guaranteed to love it in spite of all the awfulness.

The movie starts, as to be expected, as a bunch of chaos! Texas is entirely destroyed by nuclear warfare and hoodlum gangs randomly run amok in the streets. Luckily there's a quintet of courageous beefcake warriors parading around to protect the weaklings. During a fight in a monastery (there's a nun who cuts her own throat … TWICE!), one of them is banished for trying to rape a girl and another one leaves voluntary to marry and live in a community that tries to rebuild civilization. The evil Nazi-inspired Black One violently invades this community, however, and makes a widow out of the warrior's wife. The tree remaining buddies pick up the girl in a sleazy bar and decide to help her in defeating Black One and his evil lieutenant, who's also an old acquaintance of them. Mind you, this is just a very brief and shortened plot description. There's a whole lot more going on in "2020 – Texas Gladiators". Too much to mention, actually, as there are authentic traditional Indians, enslaved mine workers, Russian roulette sequences that are stolen straight from "The Deer Hunter", Nazis with amours of steel and one tremendously cool Asian fighting expert!

Unless, of course, you have no idea what the early 80's Italian rip- off/exploitation business is all about, you simply cannot dislike "2020 – Texas Gladiators". Whilst slightly less outrageous and entertaining as "Endgame", this is another over-the-top flamboyant smörgåsbord of sleaze and violence. Donald O'Brien is fantastically stereotypical, in a totally deliberate fashion, and the battle sequences are hysterical. Imagine: hi-tech weapons can't perpetrate through the armor of the Nazi soldiers, but old-fashioned Indians with their primitive arrows and spears wipe them out in a matter of seconds! D'Amato's film is full of similar nonsense like this, and more. A real treat for demented exploitation dorks, like myself.

2020 Texas Gladiators (1982)

** (out of 4)

A post-apocalyptic Texas is the setting for this Joe D'Amato film, which has a group of good guys (led by Al Cliver) going through and cleaning up the rougher parts of the city. One of their members, a real nut case, decides to try and rape a woman so he is beaten and kicked out of the group. Sure enough, he forms his own bad guy group and soon he's attacking our good people.

I'm purposely using lame terms like "good guys" and "bad guys" because the film is pretty darn simple like that. There's really not too much of a plot but I'm sure you already know that and especially if you're familiar with these Italian MAD MAX wannabe films. This here is yet another film like that but I must say that I think John Carpenter's ESCAPE FROM NEW YORK had an influence on many films from this genre, including this one.

D'Amato, Cliver and several of the crew members also did ENDGAME, another post-apocalyptic film an that one there is slightly better but this one here has a few good things going for it. The highlight of the film are obviously the various action scenes, which certainly show their low-budget nature but at the same time the scenes are at least fun and there are a couple nice kills throughout including one man who gets his chest pretty much brutally attacked. There's even a scene where a nun cuts her throat (twice!?!) to try and avoid the bad guys attacking her.

Performances are pretty much what you'd expect out of a film like this but when is Cliver (ZOMBIE) not worth watching? He makes for a good lead and certainly helps keep you entertained in what you're watching. As you'd expect, all of the women are quite beautiful so that's always a major plus.

2020 Texas GLADIATORS isn't a film that's going to win any major awards but it's certainly entertaining enough to make it worth watching if you're a fan of D'Amato or the genre.

The year is 2020.

The place is Texas.

The setting is the aftermath of the great nuclear war that devastated everything. In this new environment, man has deteriorated to the level of beast.

The opening scene is the carnage at a "church" (which looks like a deserted warehouse with a cross, a statue, a priest dressed in all red and two nuns). Apparently these savage men (they look prehistoric) are attacking. The priest is being assaulted and nailed to a cross, while the nuns are being raped and ravaged. In the midst of this (after enough watching) our 5 Texas Gladiators appear and kill everyone who isn't a priest or nun. One of the Gladiators, Catch Dog, rapes(I'm not sure if he's successful. It looks like no to me, but the others are sure he has.) a young girl (Maida - Sabrina Siani) he's found. The other Gladiators take offense to this and dishonorably discharge him into the desert. Apparently they have a strict moral code and go around the wastelands enforcing their own brand of justice.

We are then thrust into the future, where one of the remaining four (Nisus - Al Cliver) has joined Maida at this research facility where they are developing their own power supply. Apparently they have a daughter as well. Not sure when this happened. Time sure flies in the future. No wonder that gold watch is so coveted. Catch Dog then shows up with a whole bunch of guys on motorcycle and they attack the compound. Think of the Road Warrior, except change from gas to nuclear, and make everything really crappy looking. This is then followed up by Catch Dog's ally showing up in an old, beat up truck all painted black. Of course I mean Donald O'Brien and his brown jumpsuit paratroopers (they all wear black motorcycle helmets and have these giant shields with holes in them). These guys have "modern" weapons and decimate the entire facility. After, Maida gets raped yet again, Nisus is killed and we are transported, without warning, into the future again.

The director, having stolen every cliché from every post-modern-cataclysm movie, begins to steal from other genres (a.k.a. - The Deer Hunter). We are now in a bar, playing Russian roulette. This is not a Christopher Walken moment. It is actually pretty dull and laughable by comparison. Anyway, it turns out Maida is now the property of this gambler. The remaining 3 Gladiators turn their attention to him, when they discover he has one of their "amulets" (its just a circular pendant with a 5 on it.... it could be a nickle with a hole in it for all we care). They win and get the girl, but two are sent off to a hard labor mine for causing so much trouble. The third rescues them and somehow Maida becomes the fourth honorary member of the group. She seeks revenge and the plan becomes to take down Catch Dog and the Black One (a.k.a - Donald's O'Brien's impersonation of a bald, crazy SS officer).

This movie is ridiculous on so many levels. Continuity, plot, transition, sets, props, costumes are all meaningless. This is an Italian rip off of something. This is like 2019 : After the Fall of New York, except that was actually not bad. Maybe this was the sequel to that ??

Anyway, this movie is horrible. Its so bad, one can't stop laughing. The sets consist of filming in rock quarries, mines, abandoned factories/warehouses and the woods. The props all look like something that was left behind in Italy after the Nazi's were defeated. Did anyone notice the Gradius video game in the bar ? All the actors and stunt people got their 2 day course diploma from the William Shatner School of Acting and Fighting. We also get a lot of travel time (think Manos : The Hands of Fate). We get to see a lot of going somewhere, either by walking, running or driving. What is nice is Sabrina Siani. She was very hot. She gets plenty of screen time (this includes her numerous rape scenes) and a lot of running is involved. If one was careful enough and seen many of these Italian knock-offs, one might notice the familiar breasts. Yes, thats right. She's the body of Ocran, from Lucio Fulci's Conquest.

The movie is not quite as smooth as 2019, but it has it's own moments. It is quite silly (especially at the end when it turns into a western) and definitely worth watching if you've got time and laughs to spare, or if you're looking for something to cheer you up. To sum it up in one idea : the director, Joe' D'Amato, is responsible for giving us Ator the Invincible (Miles O'Brien !!! NO! NO! NOOOOOO !!!!).