The Young Ones
- Série télévisée
- 1982–1984
- Tous publics
- 35min
Ajouter une intrigue dans votre langueThe crazy and sometimes surreal comedic adventures of four very different students in Thatcher's Britain.The crazy and sometimes surreal comedic adventures of four very different students in Thatcher's Britain.The crazy and sometimes surreal comedic adventures of four very different students in Thatcher's Britain.
- Victoire aux 1 BAFTA Award
- 1 victoire et 1 nomination au total
Parcourir les épisodes
Avis à la une
With few exceptions, today's comedy scene is abysmal. Canned laughter and absolutely nothing funny. No-one seems able to write a funny script now. The Young Ones didn't have to try too hard to be entertaining-it just was, period.
It was set in a student household and didn't really have plots-just craziness. Margaret Thatcher was UK Prime Minister at the time and the characters made frequent digs at her and her regime. Rik Mayall played Rick who was the craziest of the lot and always picking on Neil who was played by Niger Planer. Neil was the hippy who cared about everyone, man and beast but was bullied constantly. Adrian Edmondson played punkrocker Vivyan who was violent at times and simply didn't give a toss. Then there was Mike played by Christopher Ryan. It is hard to define Mike-I challenge anyone to give a character description to Mike. He wasn't as crazy as the rest of them but he was weird. And that is what I liked about The Young Ones.
As I said earlier, don't expect any plots because there are none. And as for them being students, well I never saw them revising in their spare time. There were some great scenes throughout the show and some very surreal scenes as well. Items of food in the fridge spoke on the state of things at times and there was the two speaking rats. Alexi Sayle as the landlord Balowski popped in from time to time.
Expect the crazy when you watch this. Great scenes throughout the show included a nuclear bomb landing in the kitchen, Vivyan eating the TV to escape prosecution by the TV Licence man, the students fighting and Neil being planted like a seed in the ground and spouting other Neils.
A fantastic cartoon-like comedy which had some impressive cameo appearances throughout it's run. If you're fed up with the boring tripe that tries to pass itself off as comedy nowadays, then check this out.
It was set in a student household and didn't really have plots-just craziness. Margaret Thatcher was UK Prime Minister at the time and the characters made frequent digs at her and her regime. Rik Mayall played Rick who was the craziest of the lot and always picking on Neil who was played by Niger Planer. Neil was the hippy who cared about everyone, man and beast but was bullied constantly. Adrian Edmondson played punkrocker Vivyan who was violent at times and simply didn't give a toss. Then there was Mike played by Christopher Ryan. It is hard to define Mike-I challenge anyone to give a character description to Mike. He wasn't as crazy as the rest of them but he was weird. And that is what I liked about The Young Ones.
As I said earlier, don't expect any plots because there are none. And as for them being students, well I never saw them revising in their spare time. There were some great scenes throughout the show and some very surreal scenes as well. Items of food in the fridge spoke on the state of things at times and there was the two speaking rats. Alexi Sayle as the landlord Balowski popped in from time to time.
Expect the crazy when you watch this. Great scenes throughout the show included a nuclear bomb landing in the kitchen, Vivyan eating the TV to escape prosecution by the TV Licence man, the students fighting and Neil being planted like a seed in the ground and spouting other Neils.
A fantastic cartoon-like comedy which had some impressive cameo appearances throughout it's run. If you're fed up with the boring tripe that tries to pass itself off as comedy nowadays, then check this out.
The definitive post-punk sitcom is a wild watch in these future times, it seems dingy, grotty and cheap but the sheer relentless energy of it is breathtaking. It respects nothing, not least the conventions of television sitcom, and takes no prisoners. Certainly the second series is a great deal more consistently funny (as consistent as the Young Ones could ever be at least) but the entire endeavour is foolish, otherworldy and extraordinary. During a recent rewatch I discovered the house where the exteriors were filmed was right around the corner from me, and I went there to look, but that made it seem all the distant and strange. Could this have ever really taken place? Was any of this madness ever real?
The Young Ones may be an obscurity in the USA, but here in Australia its fondly remembered. We first heard rumours of it back in about '82, then someone sneaked in a crappy tape of 'Bomb'. We sat and watched it in awe. This was The Great British Surrealist sitcom; the logical next step from The Goons and Monty Python. It was appallingly, daringly head and shoulders above everything else from the 80's (oh, alright, except Black Adder. Especially Black Adder II).
Four students: a hippy, a punk, a would-be anarchist who secretly loves Cliff Richard, and... Mike, 'the cool person' - who appears to be throughly normal. Except he isn't. In fact, when you really take a close look at him, Mike is actually stranger than all the others put together. Half of his lines make little or no sense. He said something once about a sheepdog, which struck me as one of the strangest lines I've ever heard on television. But anyway, he is still nominally the anchor of normality around which all the madness rotates.
Using Python's rapid-cut technique, and employing a similar lack of concern for continuity, a Young Ones episode is a rollercoaster of surrealism, violence and squalor (the latter two elements taken to even greater extremes by Mayall and Edmonson in 'Bottom'). Episodes are suddenly interrupted by the appearance of Benito Mussolini, singing a song called 'Stupid Noises', or by various other manifestations of Russian landlord Alexai Sayle, who is inclined to go into stand up comedy routines and address the audience, much to the confusion of everyone else on set. Images of garden taps or insects are flashed on screen for a fraction of a second, scenes cartwheel off in all directions: a family of peasants in the adjoining room sit huddled round a lamp, a wardrobe leads into the realms of Narnia, an unexploded atomic bomb lands in the middle of the kitchen, vegetables in the fridge talk to each other, and Motorhead just happen to be in the loungeroom, performing 'Ace of Spades'.
Someobody else said that this series hit Britain like bombshell. It's effect was similar in Australia. It never spawned any imitators - the rest of the 80's seemed to be given over to dreary political satire, but it is undeniably one of the great English sitcoms - even if, now and then, it drags its feet just a little.
Like Fawlty Towers, it ran for only two series, but when they were over, it had breached countless boundaries of bad taste and absurdity, introduced the writing talents of Ben Elton, the careers of Rik Mayall, Alexei Sayle, Nigel Planer, Dawn French and Adrian Edmonson, and made the godawful, bland, mid 80's bearable for a few people like me.
Four students: a hippy, a punk, a would-be anarchist who secretly loves Cliff Richard, and... Mike, 'the cool person' - who appears to be throughly normal. Except he isn't. In fact, when you really take a close look at him, Mike is actually stranger than all the others put together. Half of his lines make little or no sense. He said something once about a sheepdog, which struck me as one of the strangest lines I've ever heard on television. But anyway, he is still nominally the anchor of normality around which all the madness rotates.
Using Python's rapid-cut technique, and employing a similar lack of concern for continuity, a Young Ones episode is a rollercoaster of surrealism, violence and squalor (the latter two elements taken to even greater extremes by Mayall and Edmonson in 'Bottom'). Episodes are suddenly interrupted by the appearance of Benito Mussolini, singing a song called 'Stupid Noises', or by various other manifestations of Russian landlord Alexai Sayle, who is inclined to go into stand up comedy routines and address the audience, much to the confusion of everyone else on set. Images of garden taps or insects are flashed on screen for a fraction of a second, scenes cartwheel off in all directions: a family of peasants in the adjoining room sit huddled round a lamp, a wardrobe leads into the realms of Narnia, an unexploded atomic bomb lands in the middle of the kitchen, vegetables in the fridge talk to each other, and Motorhead just happen to be in the loungeroom, performing 'Ace of Spades'.
Someobody else said that this series hit Britain like bombshell. It's effect was similar in Australia. It never spawned any imitators - the rest of the 80's seemed to be given over to dreary political satire, but it is undeniably one of the great English sitcoms - even if, now and then, it drags its feet just a little.
Like Fawlty Towers, it ran for only two series, but when they were over, it had breached countless boundaries of bad taste and absurdity, introduced the writing talents of Ben Elton, the careers of Rik Mayall, Alexei Sayle, Nigel Planer, Dawn French and Adrian Edmonson, and made the godawful, bland, mid 80's bearable for a few people like me.
Absolutely brilliant describes this show. I have never laughed so hard in my entire life that was until I saw one episode of "The young ones" a while back. I couldn't stop laughing! Such funny characters like Rick, Vyvyien, Mike Thecoolguy, and Neil the hippie have never made me laugh until I cried. It has a lot of silly, and funny moments as well as some of the best memorable quotes ever to be written on a script. All I can say is to those who have never seen this show, and have a good opportunity to see it, CHECK IT OUT!!! 10/10.
This series can give you hysterics time and time again. Something freakish, surprising or brilliantly silly happens every minute, and the comical appeal never seems to fade. The scripts are loaded with some wonderful, hilarious dialogue, the visual gags are suitably campy and over-the-top, and the plots are filled with surreal and quirky bits of delightful nonsense. This is a treasure trove of unforgettable moments of hilarity, you are urged to seek this out and laugh your head off.
Le saviez-vous
- AnecdotesNone of the writers had ever done anything for television before and simply wrote what they thought would be funny, not giving any thought to how it would actually be filmed. When they arrived on set the first day they realized how much work the crew had gone to for what were, in a lot of cases, throw-away jokes with no real connection to the plot. They apologized and promised to write things that would be easier to film, but the crew told them they had enjoyed the challenge and to keep writing as they had and they would find a way to film it.
- Versions alternativesRepeats shown on the BBC and UK Gold since the late 1990s have been trimmed of some terminology that is now deemed racist.
- ConnexionsFeatured in Comedy Classics of the 80's (1991)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Les branchés débranchés
- Lieux de tournage
- Codrington Road, Bristol, Angleterre, Royaume-Uni(exterior shots of the Young Ones' road)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant