The Comic Strip Presents...

I only caught the odd episode of this show on it's initial run (and I was a little disappointed by what I saw), but years later a friend showed me the episode, "Mr. Jolly Lives Next Door" featuring Rik Mayall and Ade Edmondson as a couple of seedy alcoholic losers. About 8 years on from that first viewing I still rate it as one of the funniest things I've ever seen... TV show or movie. Although it's a fairly close comedic relative of this particular episode, I've never been a fan of Bottom. The characters are sleazy but too far removed from reality to be anything more than cartoonish, but in 'Mr. Jolly' their frightening alcohol consumption and heroically antisocial behaviour make for brilliant entertainment. Granted, they may not appeal to everyone. You could say it's a one-joke show but it works for me.

The story revolves around these two losers mistakenly accepting a job intended for the eponymous Jolly (Peter Cooke), a hit-man charged with 'taking out' Nicholas Parsons. Misunderstanding, they take Parsons (playing himself) out for the night. I don't want to bang on about it endlessly, I'm only writing this in the hope of bringing it to the attention of someone, hopefully spreading the word on it's originality and brilliance, even just a little!

Any fans of Rik Mayall, The Young Ones, Bottom etc. simply must track this priceless gem down (I eventually found an official VHS so it has been released at some point). Like I say I'm not even a particular fan of their previous work so anyone who is must go nuts for this.

Trust me, you have to love it!

"The Comic Strip presents . . ." introduced a new crowd of "'varsity comics" (Jennifer Saunders, Dawn French, Ade Edondson, Rick Mayall, Robbie Coltrane) to British commercial television, and a fresh approach to the half-hour comedy format. Led (as performer, writer, and director) by Peter Richardson, the Channel 4 series broke away from the crazy-sketch format which had dominated the years since the debut of Monty Python, instead focusing each episode on a playful exploration of a particular film or TV genre, some quintessentially British ("Five Go Mad in Dorset," with its deadpan tweaking of Enid Blyton's wartime children's adventure books) to presciently contemporary ("Bad News Tour," which beat "Spinal Tap" to the screen by almost two years). Richardson's penchant for genre critique above all sometimes led to stylishly inert outings like "Beat Generation," but also to wildly idiosyncratic and memorable excursions like "Summer School," "Bullsh*tters," and "A Fistful of Traveler's Cheques." Unfortunately only available on DVD as a nine-count'em nine disc set in PAL format, The Comic Strip deserves a two or three disc compilation of its most marvelous episodes: After 25 years, many play better than most contemporary comedy today.

Fun, but a lot of the humor is going to go over a lot of heads if you're not actually English.

It was great seeing the origins of three of the four / five Young Ones, and I was pretty well impressed by Nigel's breadth of character, and later Abe and Rik as Bottom (fart jokes and random violence are universal,) but yeah, I'm pretty sure I missed a lot as an American. You had Thatcher and the Falklands, we had Reagan and pretty much all of Central America. Also a great introduction to French and Saunders.

Many episodes of 'The Comic Strip Presents' were parodies of specific films or TV shows, or parodies of film/TV genres. The episode transmitted 3 November 1984 was titled 'The Bullsh**ters', and it's an hilarious parody of the ITV action series 'The Professionals' in particular and thick-ear matey action shows in general.

The crime-fighting partners in 'The Professionals' were named Bodie and Doyle, so here in 'The Bullsh**ters' we have Keith Allen and Peter Richardson (both of whom also wrote the script) as Bonehead and Foyle, taking orders from their commanding officer, hilariously played by Robbie Coltrane. Bodie and Doyle, of course, had an expensive car with all sorts of gizmos ... but Bonehead and Foyle have to make do with bus passes as they rush from headquarters to their deadly missions.

Coltrane has one very funny set-piece routine, in which he shows Bonehead and Foyle the proper way for a TV action hero to get into a car. Elvis Costello is also funny in a brief turn as a deaf man. Alana Pellay and Jimmy Fagg (don't ask) play themselves.

9 discs of the entire cast of The Young Ones and French and Saunders before they hit their stride. From the opening night of Channel 4 in 1982, to mid-nineties burnout. "Hit 'n miss" is the best description for this collection, but you will have to sit through every episode to find the few you agree with (keep in mind they are over an hour long each, with some at feature length). Each (with the exception of the Famous Five, Bad News and Bullshitters reprises) is completely different, and range from bold and original, to unfunny, or unbearable.

Personal favourites include:

Mr. Jolly Lives Next Door - resides somewhere between Rick and Viv, Bottom and the movie Guest House Paradiso. No-brow humor that will only appeal to those born with a penis. And depends on whether you find Rik Mayall and Adrian Edmondson screaming "Nicholas, Bloody, Parsons! You BASTARD!" funny. Most will.

Bad News / More Bad News - Predated Spinal Tap. As this is made by actual Brits, it gets right a lot of what Tap got wrong.

The Strike / GLC - Brilliant send-up of pretty much everything, the real highlight of the collection and espoused by all. You will never view a British film in quite the same way after seeing this.

Four Men in a Car/Plane - One-offs independent of the series, and the comedians at the height of their maturity. The best each has to offer.

Spaghetti Hoops - Not laugh-out-loud funny, but not meant to be. Toward the end they were finally able to make the art house short they were aiming for.

Private Enterprise and Gino don't have belly laughs, but they do have an enjoyable forward momentum. Whilst others will make you ask "what the hell were they thinking?" The entire series was timely and topical, which means that all the short films are incredibly dated. And most will no doubt play better in the mind's eye than actually watching them again. Making the first few discs write-offs on repeat viewing. Even at their worst, you have to admire their originality.