Chicanos Story

While I am willing to agree with the one reviewer here who takes Luis to task for staging a somewhat lopsided revision of history, I'm surprised at the 6.4 rating for this very artfully laid out rundown of the Sleepy Lagoon screwiness in wartime LA. My father was in fact one of the sheriff's deputies involved. His version was understandably authoritarian and legalistic. But all that aside...

This is the best examination I've ever seen or even heard of regarding the psyche of the Mexican-American gang bangers on the east side of that dry wash that separated the fix-is-in boys downtown from the second- and third-generation campesinos of mid-century SoCal. I went to Woodrow Wilson Junior & High School in El Sereno. There is nothing in Eddie James's =stunning= (to me, anyway) real-ization of "El Pachuco" that is off the mark. Nada. He had the peculiar, paranoid-delusional, narcissistic-machismo, defense mechanism menudo of the vato loco =down=, ese.

And anyone who understands even a =little= of what it really means to be =Hispanically= antisocial in hyper-starched khakis & Sir Guys =or= peg pants & porkpies -- and =dig= it -- ought to be fascinated. (Go see the outfits some of the guys in El Chicano, Tierra and Thee Midnighters are sporting to this day.)

Lalo Guerrero's "Marijuana Boogie" and the rest of the "bop" lend further flavor to this nifty little play-turned-film. Watch it =carefully=. Valdez's script is subtle. This is sophisticated trabajo.

I also saw the original stage production in LA in 1978/79. I was likely the only Anglo in the audience, which was itself an experience worth buying a ticket to. I would have gone back several times if I had had the money.

Olmos was featured in the local TV commercials for the play and was riveting to watch. That commercial could be re-released as a short. In the theater, you could NOT take your eyes off him.

I have seen the film several times and own a DVD copy. While there are some cringe-worthy moments and some obvious "staginess", the film does credit to the original vision and is worth watching.

One should never watch a work of art in an attempt to learn about history, or science, or anything else. Art is art.

I liked the film mainly because I love 40s kind of music

First off, Luis Valdez is a genius, he managed to take a real life story, and make it into a musical, not only was its the best kind of musical, with great acting and symbolism, but with meaning to the Chicano race.

This film is about Chicanos and their history during the 1940's, and even though it's about the gang, the actual Zoot Suit and the ending are all very symbolic, and this movie should be credited for all the creativity and work put into this brilliant masterpiece.

The songs were good, but what I really enjoyed was the acting, James Omos is talent behind measurement, yet he receives no credit for such a role. He doesn't play the role, he is the Zoot Suit. All around the acting from everyone was excellent, I wouldn't change a thing about the film.

This is one of the best statements, made musically, about anti-Mexican-American prejudice ever made. It is set in Los Angeles, during World War 2, when young 'chicanos' or 'pachucos' used the unique style of the zoot suit to set themselves off, and establish a florid machismo. Some of the plot is based on an actual incident. The movie is made as if showing a staged 'play,' in front of an 'audience,' in order to make particular statements about the way things appear to be. Edward James Olmos is the spirit of Pachuco, haunting Henry Reyna, the central character. We are brought to feel intensely both the striving for self-expression of the chicano youth, and the intense prejudice (based, as always, on ignorance) of the larger anglo society against them. Those of us who are anglos also come to identify with the anglos in the story who genuinely care for them and for justice. Four stars, especially for anyone from the southwest who is not a bigot.