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5,7/10
5,2 k
MA NOTE
Ajouter une intrigue dans votre langueA deranged, misogynistic killer assaults a journalist. When he discovers that she survived the attack, he follows her to the hospital to finish her off.A deranged, misogynistic killer assaults a journalist. When he discovers that she survived the attack, he follows her to the hospital to finish her off.A deranged, misogynistic killer assaults a journalist. When he discovers that she survived the attack, he follows her to the hospital to finish her off.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Kirsten Bishop
- Denise
- (as Kirsten Bishopric)
Deborah Kirshenbaum
- Connie Wexler
- (as Debra Kirschenbaum)
Avis à la une
This is yet another slasher that despite the negative reviews from rotten tomatoes more than doubled it's money at the box office. The story was good. the acting was decent. The kills were good and the killer was OK. Just another fun popcorn movie for a one time watch was good enough for me.
There's nothing spectacular about this Canadian-made slasher flick, but it still provides a few jolts, a bit of the creeps and a few unintentional laughs. Grant plays a strong-willed TV host who's crusading for the rights of a woman accused of murdering her husband (following years of abuse from him.) Unfortunately, this ticks off loose cannon Ironside and he decides to shut Grant up...permanently. His first try doesn't quite do the trick, so he has to infiltrate her hospital to finish her off, hence the title. Purl plays a Florence Nightingale in waiting who's devotion to Grant makes her another target of Ironside. Shatner has a thankless role as Grant's producer/lover. Grant turns in her usual committed, thought-out performance, but it's for naught in a routine thriller like this. Ironside is convincingly slimy and treacherous. His almost wordless performance is effectively creepy. Purl is likable and solid in an impossibly idealized role (the lady works overtime at the hospital and volunteers at the free clinic while trying to raise two kids all with a smile on her face!) Shatner fans will be pleased to see him looking rather handsome and tan, but he doesn't get to do very much. The film has a very unsettling tone throughout, aided by an eerie score and claustrophobic settings. It also features many cliches of the genre (absence of logic in the characters, unrealistically deserted settings, sluts being punished for their sexuality, etc...) Still, it's creative enough and occasionally unpredictable enough to hold interest. Some of the acting in minor roles (notably the nurses) is weak, but Zann does a pretty decent job as a slutty date of Ironside's and the leads hold the film together (as much as they can with the somewhat contrived script.) Grant's conviction to her role and Ironside's steely determination go a long way to saving the movie.
Visiting Hours is the film I saw, more than once in movie theater. Having opportunity to get it on DVD I didn't know what to expect. Very few films from my childhood "at the movies" stood the test of time, but the ones that made an impact then, are forever implanted in my film taste. Same thing happened with this film. It is untypical - typical horror film, that looks like traditional 80's slashers but different in all the key points. I never looked at any of Michael Ironside's roles without seeing the deranged psychopath he portrayed in this one.
It's qualities for me, are shortcomings for the majority of horror picture fans. It doesn't have new body spraying buckets of blood every two and a half seconds. It doesn't have freaks with masks and buzzin' chain saws, severed heads and body parts flying around. It has a story of deeply disturbed character, and his rampage through the world around him that he hates deeply and profoundly. Not just the women. He hates them all, and with passion. It has character actors, not bunch of nobodies that are only there to supply bodies for the count. They are not in their best dramatic roles, and the movie could have been better, but it's not half bad either, and it surely doesn't deserve such low rating.
This movie has something in it that's still there all these years. It aged well and you can't say that for many of them. It's different in it's usualness and that is the catch. Look for it, even if you don't like horrors. It won't give you nightmares, it will make an impression.
It's qualities for me, are shortcomings for the majority of horror picture fans. It doesn't have new body spraying buckets of blood every two and a half seconds. It doesn't have freaks with masks and buzzin' chain saws, severed heads and body parts flying around. It has a story of deeply disturbed character, and his rampage through the world around him that he hates deeply and profoundly. Not just the women. He hates them all, and with passion. It has character actors, not bunch of nobodies that are only there to supply bodies for the count. They are not in their best dramatic roles, and the movie could have been better, but it's not half bad either, and it surely doesn't deserve such low rating.
This movie has something in it that's still there all these years. It aged well and you can't say that for many of them. It's different in it's usualness and that is the catch. Look for it, even if you don't like horrors. It won't give you nightmares, it will make an impression.
A feminist angers a woman hating crew member on a TV talk show which triggers him to break into her house, attack her, and leave her for dead. She's transported to a local hospital, the creep gets wind of her recovery, and sets out to put an end to her once and for all. Lee Grant is the lead of the film, but doesn't get much to do for a majority of the film since she's either sedated, going in, or coming out of surgery, so most of the heavy lifting goes to Linda Purl as Grant's kind single mom nurse and Michael Ironside who has never been scarier as Grant's stalker/would be killer.
Some of the psychobabble about why Ironside is the way he is doesn't really work and feels a little cliched and the pacing of the film ebbs and flows with a lot of time given to a meaningless subplot between Grant and William Shatner. When the suspense and scares come, they deliver and the finale is very tense and satisfying.
Some of the psychobabble about why Ironside is the way he is doesn't really work and feels a little cliched and the pacing of the film ebbs and flows with a lot of time given to a meaningless subplot between Grant and William Shatner. When the suspense and scares come, they deliver and the finale is very tense and satisfying.
"Visiting Hours" is a forgotten slasher film which stars Michael Ironside as a murderer stalking TV journalist Lee Grant.The film is pretty slow,but there is enough violence to satisfy fans of horror cinema.Ironside is pretty believable as a misogynistic serial killer,the rest of the cast is also impressive.The film is pretty scary and suspenseful,so fans of slasher movies won't be disappointed.It was made the same year as similar "Halloween 2".Overall,I enjoyed this one and you should too,especially if you like slasher movies.My rating:8 out of 10.
Le saviez-vous
- AnecdotesWilliam Shatner really wanted to play the role of Colt Hawker. He nearly got the part but was told that before it could be offered to him, there was one more actor left to audition. The actor was Michael Ironside.
- Gaffes(at around 45 mins) Michael Ironside's character dashes through a bathroom door in the hospital, and the camera and 2-3 crew members are briefly reflected in the mirror above the sink, before he closes the door.
- Versions alternativesThe film was listed as one of the original DPP 74 UK video nasties. UK cinema and video versions were cut by the BBFC to edit a scene where Colt traces his knife across Lisa before slashing her clothing and shots of Colt kicking Sheila as he photographs her. The uncut version was shown on ITV in 1989 by mistake and the company was publicly rebuked by the Broadcasting Standards Council.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hospital del terror
- Lieux de tournage
- Senneville, Québec, Canada(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 500 000 $CA (estimé)
- Montant brut aux États-Unis et au Canada
- 13 258 670 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 250 157 $US
- 31 mai 1982
- Montant brut mondial
- 13 258 670 $US
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