Threshold, l'expérience finale

Amazingly to me, this film appeared on cable very often when my child was an infant with congenital heart defects. The makeup giving Mare Winningham the look of oxygen deprivation was very realistic and gives the viewer a picture of the "dusky" skin tone of some heart patients. The restraint of the Vrain/Carol relationship was right on, and the peripheral but agonized part of the parent was poignantly depicted by Carol's father. The film is almost a relief from the typical "dramatized" film about illness. Heart difficulties are inherently dramatic to the lay person (perhaps not to doctors, though) and need no melodramatic treatment. The understatement, the lack of statement all serve the subject well. The cold, orderly world of the (urban, state-of-the-art)hospital that contains so much extraordinary work comes across beautifully in this film. I'm glad others appreciate it.

I think the most attractive sci-fi movies are those that are closer to truth than fiction. I remember when Jurassic Park came out in 1993 (I see you Jeff Goldblum) it was such a hot topic. In fact, even though I was only a teenager, I don't think I'd ever heard the term DNA before. Jurassic Park popularized the three letter acronym and made us all believe that it may even be possible to revive a long dead species.

Threshold has a similar believability. Doctor Vrain (Donald Sutherland) is the world's preeminent heart surgeon. He has performed such cutting edge heart surgeries they could be considered miracles. But there are conditions he can't even fix.

Dr. Aldo Gehring (Jeff Goldblum) is a biologist that believes he can create an artificial heart. As he put it, man didn't fly by mimicking a bird, they flew by creating a machine different than a bird. So trying to mimic a heart is similarly futile. Dr. Aldo invented a heart with a tiny steam engine that uses just a drop of water that it constantly recycles to drive it. And instead of pumping blood as a normal heart would by contracting and expanding, it uses a vortex action to pump blood throughout the body.

Threshold gives us that perfectly believable blend of science and fiction. It gives us that with the drama of a hospital movie/show that so many of us love. In the end, we all want to see lives saved because it gives us hope. And maybe that's what the true appeal of Threshold is--that it instills hope.

For some reason, this very good movie only has a paltry overall score of 5.9 at this time. It's especially odd since all the reviewers (so far) score the film higher...often quite a bit higher.

"Threshold" is a great name for this movie. After all, it's about someone receiving the first artificial heart and only a year later, a primitive sort of artificial heart was implanted in a human. Because of this, I am not sure the term 'sci-fi' is appropriate. Instead, it's a film about what was about to become...though even to this day, such devices are only experimental.

Dr. Vrain (Donald Sutherland) is one of the foremost heart surgeons in the world. He's an expert at transplants, though he's interested in possibly implanting an artificial heart in the future. So, when he meets a weird biologist (Jeff Goldblum) it appears such an operation might be completed.

This film is not that farfetched and making such procedures seem possible is its great strength. Additionally, while I certainly am no surgeon, the surgeries you see look pretty realistic. However, some might balk at the path the film takes, as very soon after the surgery occurs, the story ends....and my wife hated this. She wanted to know more...though because this is unchartered territory I didn't mind the vague ending.

Overall, some excellent acting and an absorbing story make this worth seeing.

As near as I can tell, this movie is based directly on Dr. Denton Cooley's career. Dr. Cooley WAS the first doctor to use an artificial heart in a patient whose heart was unrepairable on the operating table. He was chastised for doing this at the time without approval and so he started his own hospital, The Texas Heart Institute. This movie closely follows the circumstance of that operation that transpired in the 1960's long before the first APPROVED artificial heart was used in Barney Clark in December of 1982. I remember the time well as I had to wait an extra day for Dr. Cooley to operate on me as he was delayed in getting back to Houston after Mr. Clarks operation. This is one movie based on closely related facts.

"Threshold" is a film with a very clear, heavy presence of reality. The trade-off of this, of course, is the same as all such realist films - pacing. This is not something you can watch for big thrills and the explosive energy of medical trauma. Richard Pearce, and his cinematographer, Michel Brault, create a world that looks and feels so human it's almost painful. Each successive scene is like a new revelation on light and colour and depth of field. Brault gets right into the action, the movement, the emotional expression. The most remarkable thing about James Salter's script is how it avoids all those common medical clichés and falsehoods so often employed in such stories. The three lead actors - Donald Sutherland, Jeff Goldblum, and Mare Winningham - are observed in an almost documentarian way. They are people of depth, but not in a way we commonly see in films. The characters in "Threshold" are not distant, no, but what we get from them depends on our power of perception. They are laid out in front of us in much the same way as each person we encounter in life. That's the great strength of Pearce's direction here (his next film, "Country", has a similar approach).

"Threshold" is mostly unknown, and not available on DVD. There is one main reason for this - it was a Canadian production, released at a time when such films weren't widely seen, and commonly forgotten soon after. I paid a significant amount to purchase the VHS online. I don't regret this, but the breathtaking cinematography deserves a modern format.