La Soupe aux choux

I remember being in France in 1981 and being taken to see this film which I found totally stupid as concerns the script. The years have passed and due to regular showings on TV here I have become gradually attached to the film. The film has acquired a sort of value with its ageing which was not apparent at the time it came out. It should be pointed out that the film is set in " Le Bourbonnais ", an isolated area in central France near to Montluçon, in the Allier Department. The local inhabitants are portrayed as " country bumpkins " eating cabbage soup and farting all the time. The arrival of an alien ( Jacques Villeret - quite a famous actor in France today ) from the planet of Oxo ( is it a play on words with the English beef-stock product ? )who takes a liking to cabbage soup will change the lives of these two " gentlemen ". I'm not saying it's a work of art but it is definitely not as bad as reputed when first released. In addition to that the film music is quite a catchy tune and readily available on CD. So all in all, without going over the top, I would say the film has its place in

French cinematic history. I am not sure, however, whether it would have any success outside France. Is it known elsewhere under another title which I suppose would be " Cabbage Soup " ???

"La soupe aux choux" is more than all things, the story of the sincere friendship between two old men. Besides and in spite of rough discussions between them, this friendship remains complete and always sincere. It's necessary to precise that these old men are not farmers, but peasants, one was a well-sinker, the other a maker of sabots. It's also a mistake to believe that peasants are some resistant to change; this kind of mentality comes from old age, and it's true for everybody.

The beauty of that film comes before all from the greay quality of the actors and of their interpretation. And it's true not only for Louis de Funès, but also for Jean Carmet and Jacques Villeret. It's surely because of the quality of the direction of Jean Girauld, on the one hand and the dragging of the quality of play of that tremendous actor who was Louis de Funès on the other hand.

I have seen that film about fifty times at least, and I feel the need to see it again about three to four times a year. Each time I like it and never find it vulgar, because it's necessary to be highter than the apparent vulgarity of certain scenes. Never forget that everyone can, at a time in his life do some scenes like these, and we should not feel ashamed to do that, it's all and completely human. It's precisely what the film is, very human, and it explains the attachment we have for it. Even if the film is a little budget one, it's one of the best of that great actor who was Louis de Funès.

Non french people may feel very disoriented by this movie... Its dialogs and background refer to a scaring rural France which disappeared a long time ago. Dialogs sound dumb ? There are... Character look ridiculous ? They are... The story is a nonsense ? sure. So, what makes this movie so interesting and well known in french cinema history ? well, as i said in the title it is a very rare tale about friendship, and also loneliness and fate. The two protagonists are old poor isolated countrymen close to death. They have lost everything (love, youth, illusions, hope) but themselves and their friendship. The world has changed too much... The movie was released as a stupid comedy (it has this reputation anyway). But it is a very sad movie and i often saw people crying during the film.

There's a little magic in this film I'll have to add a little sentimental note here: This movie reminds me of good and bad childhood memories. The good being, that (like many Germans of my generation), I grew up with the Louis de Funes comedies so, yes, I was laughing very hard when I saw this film for the first time. The bad memories: a few days after having seen it first, I heard the de Funes had passed away and this may have been the only time in my life when I had tears rolling down my cheeks after hearing about the passing of an actor (this was before the time when everybody was racing to put a random, make-myself-feel-better "RIP" on Facebook, whenever a celebrity kicks the bucket).

In many ways, his second-to-last film was one of the most unusual de-Funes-Films. For one, the viewer can intrinsically tell, that De Funes was a very sick man; somebody who's at the end of his road, yet still summoning up his strength to give us the usual over-the-top, hyper-ventilating performance for which he was known and loved. Despite this being a "typical" de-Funes-Film, there are very strong, melancholic moments (especially those involving farmer Claude and his resurrected wife Franchine or the when Claude is reminiscing about past days), which was very rare for the typical de-Funes-film. What was also very atypical was the electro-sound-music that at times reminds of Jean-Michel Jarre. Some people have complained that the soundtrack wasn't fitting. Matter of personal taste really, but I dare you to look up the title-song on YouTube and not have the tune, be it the original or one of the many covers, stuck in the back of your head for a long time to come.

In essence, all slapstick and de Funes hyper-conundrum aside, it is a movie about people longing for simpler, "down to earth" (paradoxically) times, when you could still enjoy the starlit, countryside-sky with a friend, getting drunk on wine and Pastis (and, yes, not to mention the fart-tournaments between de Funes and Carmet, which goes beyond the contemporary "laugh because somebody farted"-joke). One of the films highlights is the scene where de Funes introduces his alien friend into the "art" of eating his homemade cabbage soup – watch it and tell me honestly to the face that it doesn't make you long for a bowl and a piece of bread, whether you like cabbage or not. Is this movie vulgar? Sure thing it is. Dishonest? Quiet the opposite. Makes one almost feel a little guilty writing this over the internet. Sure, those times aren't coming back, but that's what movies are for, no? One can honestly say: they don't make films like this anymore. I tend to ignore the last De-Funes-film ("Le gendarme et les gendarmettes"), thinking of "La Soup aux choux" as the final farewell from this master-comedian, as if to say: hey, no matter how tough things get, face them with a mischievous grin; what comes will come, but it will come more smoothly with a glass of Pastis and a bowl of home-made cabbage soup.

Mind you: this is by no means an objective review but I personally give it 9 out of 10.

This was Mr de Funès on one of his last movies. Even if the health was not all there, he still had the touch and wacky ways of making us laugh. It had a moral, not to make fun at you elders, even if they are living in the past manners. You need to be open minded and you must be a fan of Mr de Funès to really appriciate his style of humour.