Les fesses à l'air

When I saw this movie, I laughed "sew" hard I split my pants! I mean it! As a member of a family in that's been in the clothing business for three generations, I think I'm qualified to say that this is the most realistic depiction of the tailor industry that I have ever seen. And it's "sew" funny becuase its true! The best part is when Ryan O'Neil walks around in those giant pants. I never saw anything "sew" funny in my whole life! Even if you don't really like tailor movies that much, you should still watch "Sew Fine" as soon as you can.

They should make more movies like this one.

Broadly-written and directed comedy about a professor of American literature who is forced into joining his manufacturer-father's dress business in New York City after his dad falls into debt with loan sharks. As an early-1970s Hollywood Lothario who first gained recognition on TV's "Peyton Place" as the resident heartthrob, and later parlayed that same appeal in the hit romantic-tragedy "Love Story", it is amazing that actor Ryan O'Neal was then typecast as a befuddled square who is nervous and unsure around women (this following his success in 1972's "What's Up, Doc?"). O'Neal doesn't really fit the role; his clumsiness isn't forced, yet the star doesn't have the innate grace for physical comedy (he's too self-conscious and heavy-spirited, and mock-innocent). The film has one great gag (split jeans), and a funny follow-up (a TV commercial promoting the jeans with see-through plastic on the rear), but none of the screwball hijinks in the boudoir raises a laugh. *1/2 from ****

What makes this movie a comedy classic are the sub-plots involving Ryan O'Neal as a straight laced academic who gets involved with a sexy woman who is the girl friend of Big Eddie (the biggest bad guy you will ever met). While I wouldn't want to compare Ryan O'Neal with Cary Grant there is a feel of some of the Grant roles where he plays the shy awkward guy rather than his normal sophisticated role. This movie has the feel of an old time screwball comedy but with some scenes that only could be shown in a more modern movie. I will never forget the passionate couch scene where the girl breaks out in opera.

Well worth the viewing if you can find it.

Unfortunately it is not available on DVD yet... that needs to change!

Having never been a Ryan O'Neal fan, I was surprised at how much I enjoyed "So Fine". I'm sure a great supporting cast helped (especially Jack Warden). We travel from the Ivy Halls of University life to the garment district of New York City, from clothing factory to an opera performance. Throw in a little infidelity, the "mob", and a new clothing fad, and you have a roller coaster ride of a film. Oh, and some advice, never date a woman whose last relationship was with Richard Kiel. He's the jealous (and angry) type.

One thing I never understood. The accidental creation of the jeans (that led to fame and fortune), never having made it to a real world fad. They consisted of jeans with cut-outs on the seats of the pants, with clear plastic instead of denim material. It's a great look! They may have seemed a bit risque in those days or more of a costume but no more. Anyone who has been to a beach or a pool lately will consider them tame. It may be an idea whose time has come........

It is truly criminal that this movie is not available on DVD, especially when you consider the tripe that is out there.

The acting is on target and the writing is superb. Richard Kiel is perfect as the asexual mobster who forces Jack Warden to bring his dorky English professor son Ryan O'Neal into the family garment business. An affair between O'Neal and Kiel's incredibly hot wife ensues, leading to a clothing fiasco that results in the development of jeans with clear plastic back pockets and a windfall profit for the company.

O'Neal returns to school, leaving his New York garment district co-workers with Shakespeare ("We few, we happy few...") And from there the finale (Verdi's Otello, Richard Kiel in the title role, an appearance on paper by Pope John Paul II, and one of the classic lines of Jack Warden's career) can only be described as perfect.

BTW, Fred Gwinn is exceptional as the head of O'Neal's English department.

Don't miss it!