Riches et célèbres

Gosh, I am learning pretty fast that sometimes when you see a film as a youngster and then again 20 years later you gain a different view -- primarily because in 20 years you learn more. For example, I had no idea who George Cukor was - how great of a director he was and how much of that made this film fly. All I can say is..I really liked this film for it touched on an area that paralleled my life: lifelong friendship between two women. Can that EVER exist? Well, in certain doses, yes...and this film let out in a bit on ... "how".

Being a youngster with not a lot of life experience at the first time I saw this so I focused more on the "rich" and "famous" part between the two. At the time, I had no idea there was a difference and what would happen to two women who discovered there was...and how that would effect their friendship. Through their men, their career, the decades that defined them. And coming to realize one thing remained stronger than anything else...their friendship and knowing each other more than anyone else could have.

Then I got older, studied film a bit... and watched this film again with my best friend from High School. We do understand the 'rich' and 'famous' angle ... and we are still the best of friends...but this film is not a cinematic masterpiece...it can be seen as a bit campy at times...a little over the top at points (kinda on a 'Dynasty' and 'Dallas' level to me..) and honestly I can identify with the "teddy bear" scene for we do share a bear that means a lot more than a stuffed fun toy through our trials and tribulations with men/careers, et al..so its not as over the top as it seems....! As many already said, seeing Meg Ryan and Matt Latanzzi and Dack Rambo and David Selby are great in this 1981 piece. this is a nice "chick" flick!

Both Jackie and Candice are terrific in this movie. They are well-suited to their roles and have several chances to shine. In particular, the way Candice pronounces the words "Puerto Rican" is very funny, as she is being kind as she can be but condescending at the same time. I had seen the original of this movie, called "Old Acquaintance", starring Bette Davis and Miriam Hopkins. They allegedly did not get along, so because the movie is about female friendship, that might have been a problem. Here, the actresses clearly admire and respect each other. Hart Bochner and Meg Ryan have supporting parts and are both excellent, in particular Bochner, who never got many decent parts in movies, as far as I am concerned. George Cukor did not make another movie after this, so this was a good one to go out on.

George Cukor is and always will be one of my favorites. The unsung hero of his generation. Nobody mentions Cukor in the same breath as John Ford, Howard Hawks, William Wyler or Billy Wilder and yet, look at his filmography. From sparkling comedies "The Philadelphia Story" "Adam's Rib" "Holiday" Psycho melodramas "Gaslight" "A Double Life" a great semi western "Heller in Pink Tights" not to mention "My Fair Lady" or "Travels with my Aunt" He was at the service of his actors, he never put himself in front of the camera. I feel a certain tenderness watching "Rich and Famous" flashes of the old master still very much in evidence. Candice Bergen gives us for the first time in her career glimpses of the wonderful comedian she was about to become. Jacqueline Bisset is a throwback to the days of Greer Garson and Loretta Young and Hart Bochner steps in, teasing us, promising something spectacular that will eventually materialize in 1989 with "Apartment Zero", Meg Ryan, as Bergen's daughter is already Meg Ryan. As tired as the formula is, it remains a Cukor film and for what I gather one of Almodovar's favorite movies.

Screenwriter Gerald Ayres' crazy dialogue throughout "Rich and Famous", a remake of the Bette Davis chestnut "Old Acquaintance", continually sounds like failed poetry (or, perhaps, an amateur poet's idea of what movie dialogue should sound like). When college chums-turned-literary rivals Jacqueline Bisset and Candice Bergen are arguing, Bisset refers to herself metaphorically as a dedicated dog. "One come into the yard, we'd kick it out!" Bergen hisses to her. Bisset: "They're refreshingly loyal!" Bergen: "They'd **** a snake if it stood still!" It gets worse. While cuddling with her boy-toy (a writer from Rolling Stone!), Bisset asks if men weep. Her fella says, "We have little hairs that stand up on the backs of our necks." Bisset: "Are your little hairs standing up?" This is a flaky, camp-melodrama, ostensibly aimed at just the sort of women depicted on-screen. Though the two ladies look beautiful, they're acting styles clash: Bisset, trying for depth, comes off as cold and dour; Bergen is hyped-up for a battle, yet her southern accent is shaky (to be charitable) and her approach to this part seems out of place--she's a puff pastry on a dinner table full of oysters. At the end of the film, New Year's Eve, Bisset is feeling lonely and reaches out to her lifelong friend/enemy/whatever. "I need the press of human flesh!" she whispers dramatically to Bergen. "And you are the only flesh around...kiss me!" Somebody send this writer back to movie-school. ** from ****

Okay, it is not the most upbeat movie ever shot, but it is for sure one of the smartest and deepest pictures about friendship. Candice Bergen and Jacqueline Bisset shine as two intelligent women who found wiseness, if not happiness, through the cracks of personal failure. Plus, this was Meg Ryan's first appearance, in a small role as Candice Bergen's daughter!