La Maison près du cimetière

In some ways, you get a sense Fulci was trying hard to make this more "respectable" than some of his other movies. The camerawork is careful, creating atmosphere as well as a sense of polish. The makeup and gore effects (except for the ridiculous bat scene) are also well-crafted, and the Dr. Freudstein character is fairly creepy to see. Also, there are fewer splatter scenes, and they come more out of the story than any gratuitous attempts to add gore. However, the story (which has shades of THE SHINING) is pretty slow-moving, so after a while you wish Fulci *would* throw in some gratuitous splatter! And like many of Fulci's other movies, a lot of things are simply not explained. (I will admit I got a good laugh at the sudden burst of "explanation" by one character at the end, which comes out of nowhere!) Quite frankly, viewers who have heard about Fulci but not seen any of his other movies will be wondering at the end of the movie why he's received so much fuss. So only for Fulci fans, or people with more than a passing interest in Italian horror movies.

The son of the researcher is a fair haired boy who is frightened repeatedly throughout the film and seems to spend his entire time banging on doors and calling for his mommy. The boy has the single most annoying child's voice ever heard on film and this alone makes him a character who needing killing off in the first minutes.

Not great but made worse by the kid.

A family formed by Norman Boyle (Paolo Malco), wife (Katriona MacColl, Fulci's ordinary) and son (Frezza) move an old mansion in New England outside Boston close a graveyard . Norman advised by professor Muller (secondary role by Lucio Fulci) has to investigate a scientific named Patterson who committed suicide by hanging and killed his lover. There they hire a mysterious babysitter (Anna Pieroni). Early rare deeds begin to happen to them, as they start hearing noises, rare characters and tragic murders. The picture terminates telling some lines by Henry James : ¨ No one will ever know whether children are monsters or monsters are children ¨.

Chilling Italian terror flick full of screams, chills, thrills and lots of blood and gore. Good make-up and special effects make-up by the maestro Gianetto De Rossi. Produced on a tight budget by Fabrizio De Angelis , Fulci's usual producer and occasionally director. Eerie musical score composed and conducted by Walter Rizzati. The motion picture is realized by one of the most controversial filmmakers of terror movies ,Lucio Fulci in his usual style with flaws and gaps but is professionally made because he is a skilled craftsman . Reviewers are divided over booth the morals and talents of Fulci (1927-1996) who sometimes directed under the alias ¨Louis Fuller¨. For some critics many of his movies are cruel and shockingly violent, yet their gory surface often conceals religious, social commentaries or intelligent issues. Whether he should be viewed as a cheap sensationalist or just a genius Fulci has a loyal fan base and undeniably has an important and unique influence on the terror genre , creating great works on a low budget such as proved in ¨The Beyond¨, ¨Manhattan baby¨, ¨Gates of Hell¨, ¨Island of the living dead¨, ¨New York ripper¨ , among them. This gore-feast that tried to disguised itself under many other titles will appeal to Lucio Fulci aficionados.

Here is an effort from the infamous director Luci Fulci, who is probably best known for his ultra-violent zombie movies. This is one of them, although strictly speaking it is a haunted house/zombie combination. The story has a family move into a new home where it turns out a zombie called Dr Freudstein (yes, really) lives in the cellar. And from this premise much bloody mayhem does ensue. The highlight of the movie overall is the practical effects work from Giannetto De Rossi which kick into gear during the various scenes of over-the-top bloody violence. It's a fairly run-of-the-mill film aside from this really but it is also notable for having a very effective, intense ending. Last and by all means least is the child actor playing the character called Bob - he has been dubbed with the most ridiculous and inane voice that you would be forgiven for hoping he will wind up being torn apart by the resident zombie. But will he?

By this point in his career Lucio Fulci was cranking out gorefest after gorefest. This film is no different. With a great opening involving two lovers in an abandoned house we are introduced to the great score by Walter Rizzati that plays through out the film. After the credit sequence we are introduced to the Boyle family. Mother Lucy (Catriona MacColl in I believe her third Fulci film after THE CITY OF THE LIVING DEAD and THE BEYOND), father Norman (Paulo Malco) and son Bob (Giovanni Frezza) are going to be moving to a new home with New England. Only problem is the previous owner murdered his mistress and then committed suicide.

The first half of the movie is good and quite restrained if you will for Fulci. It is introducing characters, infusing creepiness and at times visually impressive while not exactly going for the gore. But, to me it is the second half where it does amp up the gore, bring on the great, gruesome kills and really the tension at times is almost chaotic in the basement (especially when Bob goes down there) of their new house that brings this film up on the rating scale for me. I mean that is what I am expecting from a Fulci movie.

If gobs of gore isn't your thing you should probably stay away, but if you are a fan of Fulci or like a mix of gore and tension in your films I recommend this 1981 horror flick for you.

Two final notes: Mr. Fulci himself portrays Dr. Mueller and whomever did the voice over work for Bob does in fact have a slightly annoying whiny voice. So just be prepared for that.