Tout l'or du ciel

When Herb Ross opened "Pennies From Heaven" during Christmas of 1981 it met with harsh press and public indifference. Many concluded the musical was dead.

But "Pennies," like Bob Fosse's "All That Jazz" released two years before, is a key transitional work that juxtaposed the cynicism of the '70s to the exhilaration and escapist fantasy of its buoyant Depression era score.

Steve Martin ran the risk of alienating his fan base by trading in the "Wild and Crazy" guy for the brooding, unfaithful Arthur Parker. But he's a revelation. And what a dancer!

It was no surprise when audiences stayed away.

By all means watch it today, particularly on the new widescreen DVD release. You'll walk away with a greater appreciation of Christopher Walken, Bernadette Peters and especially Steve Martin.

It makes it so much harder to watch this major talent wasting himself in such tripe as "Cheaper by the Dozen" and "Bringing Down the House."

I saw "Pennies from Heaven" in the theater and I've seen it several times since. It has always been an unsatisfying watch. It's just too downbeat. Director Herbert Ross and company deserve an E for effort but the movie doesn't work as well as it should. Steve Martin's character is just too unlikable. The misery he spreads is just too much. The movie does look great. The set design and costumes are terrific. The musical numbers are very good. "Pennies from Heaven" jerks the audience from one extreme to another. It's often an uncomfortable movie to watch.

If you are truly interested in seeing this film, please read the review written by Pauline Kael, who with her unique voice, says everything I am about to try to say, perfectly. This may not be a movie for everybody. First, you may have to have some patience for musicals. And secondly, you may have to have patience for complex people and their problems. I have watched this movie with two friends, and the first yawned everytime the actors opened their mouths to lip sync the beautiful and strange Depression era songs. The second found the role played by Steve Martin heartbreaking, and could not watch the entire film. But I think this movie can be extremely rewarding, and have found myself watching it a least once a year for the past few years. I think the Depression makes an excellent back round in this bittersweet story of blind optimism, and this movie greatly inspires my imagination. I imagine the whole U.S. as it was in the early part of the century, filled with millions of dreamers, greedy for sex and love and money, just like people are now, only now most people have a shot at a least one of those things, and during the depression, beautiful and hopelessly empty dreams were everywhere, as poverty crushed lives right and left. Steve Martin and Bernadette Peters are as connected and magical together as they are in the Jerk. In fact, everything I love about The Jerk is what I love about Pennies From Heaven. Some of the musical sequences are breathtaking, particularly a dance number performed by Christopher Walken ! And the subtle beauty of the last song sung by Steve Martin, I don't know how to describe it. In closing, this movie is not for everybody. But I know I am not the only person out there who will see this movie as the unique gift that it is. Please give it a shot.

Man, did I love the musical numbers in this film.....but hated the story. I wound up taping just the music segments out of this film and making myself a neat little half-hour video of fantastic song-and-dance numbers.

The dance numbers are 1920s-1930s material except you get 1980s color and special-effects (and loose sexual mores). Actually, these are more like put- ons of those routines, including Busby Berkeley extravaganzas. Added to the routines are humor. I just laughed out loud at the absurdity of them, which included having the actors lip-sync to the old-time singers.

The dance routines are all totally different and very entertaining, from the opening bank skit, to the kids in the classroom to Christopher Walken's striptease to Steve Martin and Bernadette Peters imitating Astaire & Rogers. The dancing is good and the songs are great: catchy and fun.

Story-wise, Martin ("Arthur Parker") plays a boorish, profane, lying and just plain unlikeable character. Are we supposed to root for him? Maybe we are to root for Peters, who plays "Lulu," the school teacher-turned- prostitute (sounds like real-life these days with all the female teacher sex scandals). Hey, I like Martin in a lot of films. He can be a very entertaining guy, but the character he plays in here.....well, you can have him and this very cynical and depressing story. No thanks.

It's no surprise to me it bombed at the box office. Too bad, because with a more appealing story a lot more people would have been treated to the great musical numbers in this movie.

It's 1934 Chicago. Sheet music salesman Arthur Parker (Steve Martin) can't get any love from his wife Joan (Jessica Harper) both in the bedroom and in the bank book. She wants to keep her inheritance for a rainy day but he wants to use it for his business. He befriends penniless hitchhiking Accordion Man. He falls for school teacher Eileen (Bernadette Peters) and they have a short affair as he lies to her about being a widow telling her to "take the pain away". His wife Joan entices him back with sex and money. Eileen is fired for being pregnant out of wedlock. Arthur meets a blind girl calling her beautiful. Later the Accordion Man rapes her and kills her. A desperate Eileen falls into the arms of Tom the pimp (Christopher Walken).

This is a sad depressing movie juxtaposed by the bright shiny surreal song and dance show. The story is such a downer. Arthur is a horrible person. Eileen is an innocent that is destroyed. There is a horrible crime. Yet this is a fantasy with dance reminiscent of the 30s except darker. It's a very odd mix and is almost experimental in its nature. It's definitely not a comedy.