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La maison du lac

Titre original : On Golden Pond
  • 1981
  • Tous publics
  • 1h 49min
NOTE IMDb
7,6/10
37 k
MA NOTE
Henry Fonda, Katharine Hepburn, and Jane Fonda in La maison du lac (1981)
Trailer for On Golden Pond
Lire trailer1:48
1 Video
84 photos
Drame psychologiqueLe passage à l'âge adulteDrame

Norman est un homme grincheux aux relations distantes avec sa fille Chelsea. À la maison du lac, lui et sa femme acceptent néanmoins de s'occuper de Billy, le fils du nouveau petit ami de Ch... Tout lireNorman est un homme grincheux aux relations distantes avec sa fille Chelsea. À la maison du lac, lui et sa femme acceptent néanmoins de s'occuper de Billy, le fils du nouveau petit ami de Chelsea, et une relation des plus inattendues s'épanouit entre eux.Norman est un homme grincheux aux relations distantes avec sa fille Chelsea. À la maison du lac, lui et sa femme acceptent néanmoins de s'occuper de Billy, le fils du nouveau petit ami de Chelsea, et une relation des plus inattendues s'épanouit entre eux.

  • Réalisation
    • Mark Rydell
  • Scénario
    • Ernest Thompson
  • Casting principal
    • Katharine Hepburn
    • Henry Fonda
    • Jane Fonda
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    37 k
    MA NOTE
    • Réalisation
      • Mark Rydell
    • Scénario
      • Ernest Thompson
    • Casting principal
      • Katharine Hepburn
      • Henry Fonda
      • Jane Fonda
    • 174avis d'utilisateurs
    • 53avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 3 Oscars
      • 15 victoires et 24 nominations au total

    Vidéos1

    On Golden Pond: Special Edition
    Trailer 1:48
    On Golden Pond: Special Edition

    Photos84

    Voir l'affiche
    Voir l'affiche
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    + 78
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    Rôles principaux8

    Modifier
    Katharine Hepburn
    Katharine Hepburn
    • Ethel Thayer
    Henry Fonda
    Henry Fonda
    • Norman Thayer Jr.
    Jane Fonda
    Jane Fonda
    • Chelsea Thayer Wayne
    Doug McKeon
    Doug McKeon
    • Billy Ray
    Dabney Coleman
    Dabney Coleman
    • Bill Ray
    William Lanteau
    William Lanteau
    • Charlie Martin
    Christopher Rydell
    Christopher Rydell
    • Sumner Todd
    • (as Chris Rydell)
    Troy Garity
    Troy Garity
    • Young Boy on Jetty
    • (non crédité)
    • Réalisation
      • Mark Rydell
    • Scénario
      • Ernest Thompson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs174

    7,636.8K
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    Avis à la une

    8greatbritain1989

    Perfect characterisation of relationships and contains all the simple pleasure that time forgot

    There is a film like this very rarely and indeed it works like we actually do know the Thayers. Indeed we can most certainly relate to Henry Fonda while Katharine Hepburn is more then an incredible actress. In this film the mix of drama and comedy from her as a character shows why she won that record breaking fourth Oscar statuette.

    I'll just say the story in a nutshell. Jane Fonda and her father did not get along. Jane, however wanted one last chance for a close bond to her father and bought the rights to the play "On Golden Pond." In the film the Oscar winning performance by Henry Fonda (his only in a career spanning decades.) Jane fully deserved her Oscar nomination for her exceptional (and of course very realistic performance.) In the actual film the chemistry of Hepburn and (Henry) Fonda is perfect. This film really to try to put into words is a really touching gem that makes you feel so uplifted. Your spirits soar and any relationship that can be amended and is anywhere near as strong in the film (From Hepburn and Fonda) shows us what acting can do.

    Oscars abound, critical praise and very likely the last of the old fashioned melodramas (Mainly because acting has moved on a generation from these sorts of films.) The sentiment and feel is perfectly placed and the storeys clicked so much like the Fonda Father- Daughter relationship. It is a warm intelligent character based film that i would advise everyone to see at once!
    rosco29

    New Hampshire at its finest!

    I grew up in the Lakes Region of New Hampshire, and was there when this movie was being filmed. It was really quite the local event. On Golden Pond not only showcases the stunning scenery of that region, but Henry Fonda & Kate Hepburn's dynamic performances truly capture the New England spirit. I can't tell you how many Ethel Thayers I met growing up!

    There were three lakes used in the filming. Squam-where the cabin was. Newfound-where Henry fell into the water while fishing, among other shots, and Winnipesaukeee, for most of the aerial shots, and the mail boat. While they did combine the lakes into the fictitious `Golden Pond', what you see on the screen is what those places look like. No post-production trickery here.

    There haven't been a ton of New England movies made. Good Will Hunting and Perfect Storm got a lot of attention, but On Golden Pond, in addition to being one of the finest character studies in film history, perfectly captures New England: beautiful, contemplative, with an understanding that newer isn't necessarily better, and that still waters truly run deep.
    SmileysWorld

    Henry Fonda saves his best for last

    Oh,the numerous memorable characters Henry Fonda brought to the screen over the years.His most memorable came in his final film,On Golden Pond. This film brought to light two important realizations for me.Family togetherness is one of the most important things we have in life,and we had better resolve our differences as a family and get along because we can't go back and correct the things we come to regret.Secondly,I came to realize that elderly couples are more than the stereotype we sometimes force upon them.They don't cease to be affectionate and sexual merely because they have gotten older.Henry Fonda and Katharine Hepburn made a delightful couple here and make you wish they had worked together more often through the years,but unfortunately,this was their first and only film together.Also,the pairing of Fonda with real life daughter Jane was indeed a delight to see.Their own troubled relationship made them naturals for their parts as a father and daughter coming together after years of tension.You could sense that at times, Henry and Jane were not acting at all when it came to their scenes with one another,making these scenes more realistic and effective.Henry Fonda received a well deserved Oscar for this film.I watched the night he received it,and recall his reaction from his home(he was too ill to attend the ceremony),and the tears streaming down his face.I couldn't help but shed a tear or two myself.I'm sure I was not the only one.Great film.
    AslaugRuotsalainen

    The tale of true and everlasting love

    It's not many years ago I watched this film for the first time. Had to admit that before watching it I was a bit skeptical, I thought it would be just one of those boring hyper-romantic films but....

    Finally when I got the chance to watch it I was breathtaken! This film is simply a masterpiece of a time that, unfortunately, is long gone. A time where love could last a lifetime and still be beautiful at the end of life. How many of those films are made today in this hasty divorce filled time? Not many I'd say!

    It was such a beautiful experience to watch this film and in a strange way it made me also sad. Mainly because today's world isn't like that anymore for how many people can stay in love and care for eachother after 50 years? The theme of everlasting love, knowing eachothers habits through a whole life is really something very very special.

    The roles as the elderly couple were also played with such an honesty that it was amazing and the music plus the landscape and the actual calmness of the film makes it into a film that won't ever be forgotten; at least it shouldn't be!

    Of course it's romantic but it's also realistic and that's what makes it different from other socalled romantic films. There's a catch in it and there's something to think about too!

    The beauty of these two old people and their relationship is something I believe many people will envy. Having been together for half a century and still being so much in love as the film shows.

    A film that ought to be seen by people who still dare to believe in lifelong love and for those who don't - forget about it then you'll just waste your time or think "jee, that's ridiculous"...
    7roghache

    Reflective twilight year musings on aging & relationships

    This is an extremely well crafted film, although I believe a little overrated from a sense of nostalgia for its beloved talented and now aging stars, Henry Fonda and Katharine Hepburn. Of course the cinematography is magnificent, with lovely country scenery and beautiful lakeside vistas, all well incorporated into the emotional aspects of the picture.

    The movie brings the viewer into what is probably the last of many summers spent at their Golden Pond cottage by retired professor, Norman Thayer, an ornery old codger, and his cheerful, loving wife, Ethel. Their semi estranged 40 something daughter, Chelsea (Jane Fonda), comes to visit, in honor of her father's 80th birthday, bringing her new fiancé, Bill. The younger couple leave Bill's young teenage son, Billy, with Chelsea's parents while they jaunt off to Europe for a couple of weeks on holiday.

    It's a film that is character driven, and all about relationships. For me, the most moving is that between husband and wife. Henry Fonda and Katharine Hepburn give brilliant Oscar winning performances as the aging Thayer couple, Norman and Ethel. Their relationship, the love, support, and comfortable banter, is so amazing on screen it is impossible to believe they aren't actually married in real life. Norman has become quite frail and has troubling health concerns, both physical (heart palpitations) and mental (some memory loss). Mind you, this film is all a bit depressing with Norman's anxieties about his mortality (no comforting faith mentioned here, unfortunately) and of course his aging. Ethel is jovially comforting, especially when he gets a little lost in the woods while they are out picking strawberries together. This scene is beautifully done by both spouses. He's a sympathetic but crotchety character to say the least, yet she always manages to deal with him affectionately.

    Also, the relationship between Norman and the fiancé's young son... Although Billy has earlier been rather miffed at being stuck with these old folks for the summer, Norman develops quite a touching grandfatherly relationship with him, as the two go fishing together and so forth.

    The only relationship that doesn't come off well here is the strained father / daughter one between Norman and Chelsea that presumably is meant to reflect the real life tensions between Henry and Jane Fonda. Frankly, Chelsea seems more like a self absorbed teenager or 20 something, trying to find herself. By age 40, she should have done so and become a genuine support to these elderly parents of hers. I really like Jane Fonda in some of her roles, but this particular character hasn't much depth and is little asset to the movie. Hopefully, at least making On Golden Pond together helped to mend any real life fences between the two Fondas.

    In any case, the film examines skillfully the aging process from the very personal perspective of a loving couple going through it, and as such is a movie not to be missed.

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    Centres d’intérêt connexes

    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Drame psychologique
    Elsie Fisher in Dernière Année (2018)
    Le passage à l'âge adulte
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The brown Fedora worn by Henry Fonda belonged to Spencer Tracy and was given to Fonda by Katharine Hepburn on the first day on the set. Overwhelmed with the gesture, Fonda painted a still life watercolor of the three hats he wore in the film and gave the original to Hepburn as a gift. He had 200 lithographs made of the painting and sent one to every person who worked on the film. Each copy was numbered and personally signed by Fonda, thanking each person by name. In her autobiography, Hepburn wrote that she gave the painting to screenwriter Ernest Thompson. After Fonda's death, she found the painting to be a sad reminder of him and Tracy.
    • Gaffes
      The numbers of the pump show the cost of fuel to be 67.9 cents per gallon with a total cost of $19.00. The price of gasoline in 1981 was around $1.30 per gallon.

      However, old pumps were not capable of charging more than 99.9 cents per gallon, so they were set to half the price, and the total was then doubled. That is why the teenager asks for $38.00.
    • Citations

      Billy Ray: So, I heard you turned 80 today.

      Norman: Is that what you heard?

      Billy Ray: Yeah. Man, that's really old.

      Norman: You should meet my father.

      Billy Ray: Your father's still alive?

      Norman: No, but you should meet him.

    • Versions alternatives
      When premiered on TV, an extra credit dedicated to Henry Fonda was added to the final credits.
    • Connexions
      Edited into Reflections on Golden Pond (2003)
    • Bandes originales
      Happy Birthday to You
      (uncredited)

      Written by Mildred J. Hill & Patty S. Hill

      [Sung by all for Norman's birthday]

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    FAQ19

    • How long is On Golden Pond?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 avril 1982 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Los años dorados
    • Lieux de tournage
      • Squam Lake, New Hampshire, États-Unis(Main lake)
    • Sociétés de production
      • Incorporated Television Company (ITC)
      • IPC Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 7 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 119 285 432 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 89 213 $US
      • 6 déc. 1981
    • Montant brut mondial
      • 119 285 810 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 49min(109 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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