Of Mice and Men

I first saw this film when it was broadcast in 1981. I went to friend's house so he could record it on his VCR recorder for me to use in my HS Lit. class. Having seen the more recent version with Gary Sinise, I still prefer this adaptation. The character of Lennie is portrayed as too dark in the newer version. I'm now doing a long-term sub job for a local school and have just purchased a DVD copy of this film so that my HS juniors can watch it after they take their test. I will enjoy watching it as much as any of my students! Great performances from everyone and a very moving film. Kudos especially for Mr. Blake and Mr. Keach!

As someone who's taught Of Mice and Men for years, I have a real affection for this version. Robert Blake is an engaging George and Randy Quaid's Lennie utterly convincing. The conversation between George and Aunt Clara, although only alluded to in the text, is intriguing - and helpful to students. This version also retains the part (first used in the Burgess Meredith version) where George has Lennie lift the cart and then swings on the wheel: simple but effective -rather like Lennie, I suppose!

I'm not sure when I became aware of the one element that came to irritate me - but it certainly wasn't on first viewing: the soundtrack music is, I feel, overly sentimental.

The final scenes are inventively shot - as is Lennie! - and the audience is given a hint of George's lonely, empty future.

I'm searching for a copy (UK) to encourage some debate with students who are familiar with text and with the 1992 Sinise/Malkovitch version. Help welcomed!

This is the best version of my favorite novel. Robert Blake is amazing as George. The humanity and depth of feeling he exhibits for Lennie is evident but not overly done. Randy Quaid shows off his wonderful dramatic ability that first became apparent in the big time with "The Last Detail." Those folks who only remember him from the "Vacation" films are in for a surprise.

Greta film, great actors Just watch Whitman Mayo (better known as "Grady" from "Sanford and Son"), he is marvelous and he displays talents not often showcased in his career. Great film. Get a tape of if you can (I haven't seen one).

While this movie could well deserve a 1 rating, I know that there are worse films out there. That faint praise, however, is more of a comment on how bad "Plan 9 From Outer Space" actually was compared to this film.

My primary objections to this film aren't the wooden acting, though that would be sufficient to not recommend the film, but the script. Steinbeck wrote a novel that was designed to be staged. Each "act," it's hard to call them chapters, contains everything necessary to set the scene, place the actors on stage, feed them informative and insightful dialog, and interest the observer/reader. It was an admirable piece of writing that should, by design, be easily translated to stage or film.

Yet, in the first 40 minutes of this film, the director chose to add scenes, such as one with Aunt Clara, one where George tries to abandon Lennie, one between Curley and his wife, and the one where Lennie lifts the back of a wagon. None of these scenes are supported by the text of the book. When staged, they succeed only in destroying the meaning of Steinbeck's awesome novel. If abusing a piece of literature were a capital crime, Solow and Badiyi would be the first against the wall.

Now, the acting. At best, Blake is a mediocre actor. In this, which is arguably his worst work, he is wooden, condescending, and emotionally crippled. You are supposed to like George and sympathize with his ability to put up with the ever failing Lennie, but I found myself liking Curley almost as much.

Quaid, on the other hand, tries, but fails, to bring life to the character of Lennie. Had they actually used the words Steinbeck wrote, it is possible he may have been successful. It was a game effort, but it failed miserably, nonetheless.

Granted, this was a television adaptation and suffered from a lack of budget and time. All the more reason for the creators to not delve off into laughable visits with Aunt Clara or create other unnecessary, and unsupported, scenes. Steinbeck wrote a concise and accurate script which he designed to read like a play and, hence, brought to stage or screen. Somehow, those responsible for this train wreck failed to understand this, even though the ability to do this should be in their job description.

Watch any other version of this movie, if you get the chance. While I have issues with all of them, they are all significantly better films and are closer to the original text of the book.

Rick

Blake again affirms his remarkable dramatic abilities in a performance not surpassed since his legendary "In Cold Blood" portrayal of the real life Perry Edward Smith. His often understated portrayal of the loser protagonist is disturbing and moving. Quaid is exceptional in his role as the simple-minded side-kick, and if you only remember him from the "Vacation" films, you'll be amazed at his dramatic acting ability. This film captures the true essence of the Steinbeck spirit. It is a dramatic, touching story about hope, friendship, and it's ultimate cost. A true treasure, so much better than many of the feature films I've wasted $9.00 on at the movies lately. A must see.