Les yeux de la terreur

Probably best recognised for being the debut feature for of the ravishing British actress Rachel Ward, but "Night School" deserves a little more credit for that lone reason. I wasn't expecting it be as good it was, but while it's your by-the-numbers mystery psycho slasher it managed to resourcefully up the suspense and intrigue in some well presented set-pieces. The usual revelation behind it all doesn't come as much as a surprise (where we seem to be quite ahead of the clueless detective/s scratching their heads), along with the second twist (which is even more foreseeable), but then it ends with a neat final one which seems to be a mock send-up of the typical shock closing. "Don't you ever take your job seriously". I'm kind of surprised by its middling to poor reputation, as I found it more than competent than its 80s crop. Good atmospheric, authentic locations are masterfully framed by cinematographer Mark Irwin. His expressively flowing camera stages some inventive frames and effectively helps building up the tension before the initial shock. He films the ominous looking killer (decked in black leather and bike helmet) quite well. Director Ken Hughes' slick touch lets it flow, nailing the terrorising tension with a real sting to its tail. Hughes style kind of reminded me off Hitchcock, but the modern unpleasantness is evident (slicing and dicing with ritual decapitation on mind, but little is seen) and lurking within is a sneering sleazy undertone. The black and white story remains interesting, due to the solid performances (Leonard Mann, Drew Snyder, Rachel Ward and an amusing Joseph R. Sicari) and particularly sharp script. Brad Fiedel composes the score in an understated manner, but it eerily works. A modest psycho slasher offering.

Anne Barron (Meb Boden) is a teacher's aide at the Jack-N-Jill Daycare Center in Boston. It's the early evening and the last child has been picked up by her mother. Anne is relaxing on the playground carousel when someone pulls up on a motorcycle, wearing a pink helmet. Anne is startled. Suddenly the stranger pulls out a machete and starts spinning the carousel. The machete is held up in the air and the terrified woman goes around and around - until she's struck with it.

Judd Austin (Leonard Mann) is the cop assigned to the case. He is called to the scene and when he gets there, he sees a gruesome sight. The girl was decapitated and her head was put in a bucket of water nearby. The distraught director of the center tells the officer that Anne worked there during the day - and was attending night classes at Wendell College. At the hospital, Judd and his partner Taj (Joseph R. Sicari) discuss a similar case from the previous week. Another girl was found decapitated and her head was dumped in a pond. They wonder if there's any connection between the two murders.

"Night School" is a typical run-of-the-mill early 80's whodunit slasher with a decapitation twist. This is the kind of movie where half of the money is trying to figure out where the detectives are going to find the missing heads. The twist ending is pretty predictable and the acting is a bit wooden (Rachel Ward, in her film debut, is all sorts of terrible here) but the film is never boring and has been directed with style. Boston looks positively wretched on film here and it gives the slasher a bit of a grungy "Departed" vibe. Overall, it's definitely worth checking out, just check your expectations-and your head--at the door.

An excellent slasher/whodunnit you might not have heard about.Brutal killings,attractive women.attractive men,big knife,Freudian Symbolism,shower scene and red herrings.Even a surprise ending,although one that is a bit out of place especially compared to the rest of the movie.It's all there.So how come Night School isn't a more popular title? Your guess is as good as mine. But it could be that it has to do with the relatively late release on DVD. The pacing is a little uneven at times which does hurt the tension slightly. And the ending could be considered unsatisfying.It's one you will see coming and at the same time not at all. Very inventive I have to say although like I said earlier a bit out of tune with the movie overall. Honestly,I had fun watching since it does most things right.And to see Rachel Ward's bottom in all it's glory can't be that bad,now is it?

This is a slasher film with a twist or two. It seems there's a loony loose in Boston who decapitates women and stuffs the heads in water. Several of the victims attended a women's college and so the cops zero in on a womanizing professor of anthropology who specializes in the customs of tribal New Guinea, including shrunken heads.

The prof (Drew Snyder) is also a real snot who's shacked up with his research assistant (Rachel Ward) who defends his every move. The cop (Leonard Mann) can't get an angle on the heads in water gimmick, and his sidekick (Joseph Sicari) is totally clueless. There is also a lesbian dean (Annette Miller) who preys on the girls and seems like the likely killer. As the student population drops, the cops gets desperate and go after a peeping tom but get lucky when he happens to be peeping on a victim. Certainly no classic, but there are enough twists to keep it going. Not especially vivid in its violence. Nice Boston locations.

Night School (1981) Genre: Horror Sub Genre: Slasher Thriller

Night School is an excellent slasher film, with a lot of things to recommend. This is one nasty film, with a lot of well done, very unsettling kills and setups. The main score is nicely done, but the kill track combined with the kills, is extremely effective. It certainly makes you sit up and take notice, as does the unnerving presence of the killer with the black motorcycle helmet. Very, very unsettling. All I'll say is, I'll never look at Daft Punk in the same way again... *Screams in terror

Night School is best described as a serial killer thriller with slasher movie and horror elements. The plot revolves around a kill spree of local women being beheaded and the police are on the case to stop it at all costs. Nothing new here you may say, but how it's done is what really sets Night School apart from the competition.

As said, what makes this such a successful slasher in my opinion, is how well the shots are done. There is plenty of build up and suspense, a whodunnit angle and a great twist. The atmosphere running through Night School is creepy with a capital C. By far one of the best slashers films I've seen.

What is particularly impressive, is the original elements this film has. The main score which takes you into the film already lets you know, this isn't going to be just another rubbish samey slasher film. There is an element of class and craft here, completely devoid in many of the other slasher films. I am largely surprised I haven't heard more of this film, as Night School is that effective in what it does well, it deserves more acclaim. Totally ignore the 5.5 rating on here, Night School is a far more accomplished slasher movie than many have given it credit for.

Night School uses suspense extremely well and the kills and setups are memorable. Night School gets a very well deserved 7 rating and is highly recommended to horror and slasher film fans.

Ranking: 7/10

#FilmReview #FilmReviews #NightSchool #NightSchool1981

RATING SYSTEM:

10) Untouchable - Marry me 9) Excellent 8) Great 7) Good 6) Average 5) Bad 4) Very Bad 3) Irredeemably Bad 2) An abomination 1) WTAF have you done?