Ajouter une intrigue dans votre langueWhen the owner of a wax museum attempts to frame Herman and Grandpa Munster for pulling a jewelry heist, they must both prove their innocence and find out who the true thieves are.When the owner of a wax museum attempts to frame Herman and Grandpa Munster for pulling a jewelry heist, they must both prove their innocence and find out who the true thieves are.When the owner of a wax museum attempts to frame Herman and Grandpa Munster for pulling a jewelry heist, they must both prove their innocence and find out who the true thieves are.
- Réalisation
- Scénario
- Casting principal
- Lily Munster
- (as Yvonne DeCarlo)
- Police Chief Harry Boyle
- (as Herbert Voland)
- Patrolman Pete
- (as Sandy-Alexander Champion)
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For starters, the script is downright awful: A mad doctor (Sid Caesar - I'll deal with him later) has an army of monster robots, two of which resemble Herman and Grandpa (Al Lewis, also reprising his part). Sending these automatons out on random crime sprees, it isn't very long before they're mistaken for the real Herman and Grandpa Munster -- and our arrested heroes have to spend the rest of the movie convincing everyone that they're innocent, while trying to foil the doctor's plans.
Fred Gwynne and Al Lewis get the most screen time, which is a small solace, as their old jams together are the only thing worth staying tuned for. What very little satisfaction is squeezed from this revival is due to them. Just the same, they're visibly older and slower, and just don't seem to be as vital as they were on the show. This is certainly understandable, but what's not acceptable is that the jokes are terrible, and the glaring silence where a laugh track ought to be only alerts us to that fact. This brings me back to Sid Caesar, who is more annoying than funny, and adds absolutely nothing to the proceedings as "Dr. Diablo".
Yvonne De Carlo returns as Lily, but she's very under-used and that's probably all for the best. Since this was now the 1980's, the next mistake was in casting some new, "hip" modern-sounding actors to portray little Eddie and a new Marilyn. It would have been much more conceivable to cast the original Butch Patrick and Pat Priest as the now-older versions of their sixties characters. The modern music is also not very nostalgic for fans of the old show, and gets in the way. The feeling one gets from this lost opportunity is that those involved just missed the whole point of what made the original series so delightful to those of us who grew up loving it. Darn, Darn, Darn! ** out of ****
It's a shame that Yvonne De Carlo wasn't given a larger part. Still, it was good to see Fred Gwynne and Al Lewis in the roles that made them so famous! During the 2 seasons that THE MUNSTERS was on prime time, it was the Gwynne/Lewis chemistry that made the series such a success. The rest of the cast were supporting cast members, not to say that they weren't needed. They were! The TV series wouldn't had survived as long as it did without them. Given the choice between Butch Patrick or Happy Derman (the original "Eddie"), the choice was too easy. Yvonne De Carlo was also the better choice over Joan Marshall.
Though this movie doesn't measure up to the original TV series, it still measures up nicely and is one of the better "reunuin" TV specials that plagued the boob-tube during the late 1970s/early 1980s.
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Director Don Weis offers a cheap, cheerful unintentionally creepy NBC TV movie, mainly due to the Phantom of the Opera (Bob Hastings) and blank the wax museum Munsters. The Addams Family composer Vic Mizzy offers a fitting throwback score. It's feels like a Munsters extended episode mixed with a hint of The West World TV pilot. While the series was disappointingly filmed in black and white, The Munsters (1964) pilot episode and Munster, Go Home! (1966) was filmed in colour. This thankfully was also filmed in standard colour in 1981.
Veteran Weis' staging is clunky at times, possibly due to budget restraints. The Munsters' Revenge writers Arthur Alsberg and Don Nelson's jokes, setups and gags are hit an miss, some are on the money and offer a few chuckles mainly from Lewis and Gwynne. It's fitting that they've included some additional classic horror characters including the likes of The Hunchback of Notre Dame, Igor, The Phantom of the Opera, The Wolf Man and Creature from the Black Lagoon.
Thanks to the original actors, namely the lovable Fred Gwynne as Herman Munster, Yvonne De Carlo (Lily Munster) and Al Lewis as Grandpa Dracula, it's a joy. Jo McDonnell is likeable enough as Marilyn Munster and K. C. Martel emulates Eddie Munster. American comic and actor Sid Caesar does his best with the script.
Despite The Munsters' Revenge short comings it's more enjoyable than the Munsters Today (1988) and heartwarming to see some of the cast reprise their roles.
Le saviez-vous
- AnecdotesFred Gwynne insisted that original make-up artists Karl Silvera and Abe Haberman, who were both still working in the business, be brought aboard to make sure the vintage Munsters look was retained.
- GaffesWhen detective Glen Boyle and Marilyn first drive off chasing after Herman and Grandpa, Boyle sideswipes an oncoming car but doesn't stop. The camera switches to show Boyle and Marilyn inside the car and it's obvious that the car isn't moving. Seconds later the view switches back outside the car and it's still driving forward.
- Citations
Grandpa Munster: [adressing the Cave Girl Robot] Excuse me, my dear, could I interest you in a little bite?
Herman Munster: Grandpa, she's only a robot. That woman can not talk.
Grandpa Munster: I know... those are the best kind.
- ConnexionsEdited from Frankenstein et les faux-monnayeurs (1966)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La Venganza de los Monsters
- Lieux de tournage
- Universal City, Californie, États-Unis(interiors)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro