Ajouter une intrigue dans votre langueJealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only ... Tout lireJealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.Jealous, harried air traffic controller Max Fiedler, recently dumped by his girlfriend, comes into contact with nuclear waste and is granted the power of telekinesis, which he uses not only to win her back, but to gain a little revenge.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Vendor
- (as Ron House)
Avis à la une
Chevy plays Max Fielder, an air-traffic controller who's life is constantly in the toilet and bad luck follows him everywhere. He's very paranoid and possessive over his girlfriend, so much so that she dumps him for some total dork.
On his way home from a disastrous night out his car is sprayed with radioactive gunk from a leaky government truck. He is soon blessed/cursed with telekinetic abilities, which he uses to get revenge on those who make his life miserable.
It could have been really fun but it's just...weird. Ken Shapiro (who?) does not have the same edge in his direction as Harold Ramis, Michael Ritchie or John Landis and he doesn't know how to fully use Chevy's brand of humor. There are some laughs to be had though, but their not so memorable.
The DVD is in 1.85:1 anamorphic widescreen but it's mostly all shot in soft focus so there's nothing outstanding here. The sound is plain old Mono and it's alright if nothing else, though the dialogue has very heavy use of ADR. A trailer and TV spot are included. Oh...and that theme song playing over the menu, opening and closing credits? Yuck!
Well, Ken Shapiro could be blamed. The direction is sloppy; actually it is downright pathetic. The pacing is WAY too slow, the action is ineptly handled, and many of the actors seem bored. And worst of all, the special effects are woeful...I haven't seen so much camera equipment on-screen since the glory days of Ed Wood. Case in point...the scene with the Flying-Airplane-Ashtray (don't ask), where some strange, large object is obviously present in the close-ups, holding up the Ashtray next to the camera. I've made home movies with better effects.
What about the actors? Well, Nell Carter is an absolute hoot; she deserves better. And Dabney Coleman is entirely in his element here as a shady, egotistical author. Brian Doyle Murray and Mary Kay Place are also entertaining. Patti D'Arbanville is a bit lacking in comedic talent; she is given nothing more to do than pout and screech. But the real problem here is Chase. He is just going through the motions here, playing the hapless bumbler bit to death and looking very bored doing it. There is no life to his performance, and it grinds the movie to a halt.
True, there are some funny moments here...Nell Carter gets most of the laughs in a woefully small role, the scenes involving Chase's romantic rival Barry (Mitch Kreindel) are pretty amusing, and one reviewer here has already mentioned Chase's throwaway line "Smells like feet," which for some reason made me laugh hysterically...but the funny moments are few and far between. There is so much BAD to sort through to get to the GOOD stuff, and it just isn't worth the time and trouble. Perhaps in better hands, "Modern Problems" could have been a good movie. This certainly isn't it.
90 minutes later I'm sitting here thinking to myself "Wow, this was pretty bad wasn't it?", and I'm not sure if the film hadn't aged well, or if it simply wasn't a very good film to begin with. All I can say is that I remember enjoying it a heck of a lot more as an easier-to-impress 12 year old.
Chase plays Max, a stressed out Air Traffic Controller who's got serious relationship problems. He's recently broken up with his live-in girlfriend, and his ex-wife (Mary Kay Place), whom he apparently has kept a friendly relationship with, is now "schtupping" (that's an exact quote) an old friend of his from high school (Brian Doyle-Murray, aka Bill's brother). As if that weren't enough, a chance meeting with a leaky Nuclear Waste truck on the highway one night splatters him with radioactive goo, and he wakes up the next morning with telekinetic powers.
You'd think that this would be a license to do a totally go-for-broke slapstick comedy but oddly enough very little is made of Max's newfound abilities till the film is almost over. Chase isn't his usual wild-and-wacky self either, preferring to mope around mooning over his girlfriend (Patti D'Arbanville). Eventually the dysfunctional foursome (Chase, D'arbanville, Doyle-Murray, and Place) go off to Murray's beach house to spend the weekend, joined by one of Murray's clients, an insufferable self-help author played by Dabney Coleman. Coleman is the funniest thing in the film, as his constant jabs and insults finally poke Chase's character into a full on telekinetic meltdown that can only be stopped by a voodoo ritual (?) performed by Murray's Haitian housekeeper (Nell Carter).
"Modern Problems" tries to be quirky and wacky but spends most of the film falling flat on its face. It's got a decent cast and an interesting premise, but its greatest sin is that it casts a gifted comic like Chase and then tells him to be morose and unfunny for much of the run time (till he finally explodes towards the end).
There are a few good bits (Chase using his power to give a guy a massive nosebleed in the middle of a swanky restaurant is a highlight, as is the entire "voodoo" scene) but otherwise "Modern Problems" isn't very "modern" anymore. Easily skippable even for hardcore Chevy Chase fans.
The bloody nose scene goes from mildly amusing to rather revolting, and that made it something I could have done without. But that was the only really bad part of the film.
Fans of Chase may not have seen this one, as it is not well known. Younger fans (those who now know him best from "Community") will definitely not have heard of it. Check it out. Please.
Le saviez-vous
- AnecdotesChevy Chase was nearly electrocuted during a stunt in the sequence in which he is wearing "landing lights" and dreams that he is an airplane. The lights' wiring short-circuited through his arm, back, and neck, which caused him to lose consciousness.
- GaffesAfter Max levitates the bar of soap, the soap lands in the sink. In the close-up, two holes for the string can be seen.
- Citations
Brian Stills: Well, I'll be a striped-ass ape! Max Fiedler!
Max Fielder: Brian? Wow!
Brian Stills: How are you, you old egg-sucker? Damn, you look good. How long's it been? Not since high school, huh? Say, where are my manners? This is Dorita. She's from Port-au-Prince.
Max Fielder: Hi.
Lorraine: Hi.
Dorita: How do you do?
Max Fielder: Oh, Lorraine, this is Brian Stills, an old friend of mine from, uh, high school. Brian, this is my ex-wife, Lorraine.
Brian Stills: Pleased to meet you, Lorraine.
Lorraine: Nice to meet you, Brian.
Brian Stills: [Points to wheelchair] Admiring the old skateboard? I got my ass blown off in Nam. Crazy damn thing. I was loving this little girl. She was hiding ammo, for the Cong under the bed. I lit a cigarette, woke up in the hospital with medals all over the place.
Lorraine: God, talk about sex with fireworks.
Max Fielder: Jesus, Lorraine.
Brian Stills: No, it's funny, really.
- Crédits fousAlternate takes (without audio) are shown of the main characters during the end credits.
- Bandes originalesGonna Get It Next Time
Performed by The Tubes
Arranged and produced by David Foster
Courtesy of Capitol Records
Lyrics by Adrienne Anderson
Music by Dominic Frontiere
Meilleurs choix
- How long is Modern Problems?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Flygande bekymmer
- Lieux de tournage
- Long Island Expressway, New York, États-Unis(Max driving his new Lancia Beta Coupe down the L.I.E. passing Exit 16)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 26 154 211 $US
- Montant brut mondial
- 26 154 211 $US