L'amant de lady Chatterley

Lady Chatterley's Lover is understandably controversial but it is also a compelling read, though not a personal favourite. This film is not exactly terrible as there are some good things to see on display but the maligning it has gotten is as understandable as the book being controversial. The photography mostly has a nostalgic quality to it while the costumes and sets are exquisite in colour and detail. The score is seductive and hauntingly beautiful, Sylvia Kristel is a real beauty, the second half is an improvement over the first half with some appropriately steamy moments and Nicholas Clay as well as being astonishingly handsome and sexy is quite good as Oliver. Unfortunately Kristel's acting talents do not translate here, throughout she is very wooden and bland, while on the other side of the scale Shane Briant's hammy over-acting grates after a while. The supporting cast, and there are some talented actors here, are unable to do much with characters that are written to caricatures(blander than that in some cases). Some of the sexy moments are sensual but too many and most of them verge on lowbrow and too much like a porn film, the book is an explicit one but it's not that trashed up. The script is very underwritten and banal, it is difficult to take seriously anything that the actors say, while the storytelling is really dull with non-existent passion in the first half, the main reason being that while the basic story of the book is intact, the prose, characterisations and passion(mostly) are barely scarce. Some of the editing looks hastily-put together too. All in all, Lady Chatterley's Lover looks good but it is dull and underwritten, and takes the sexual nature of the book to extremes, well at least to me it did. 4/10 Bethany Cox

From the makers of "Emmanuelle: The Joys Of A Woman"...not exactly D. H. Lawrence territory! Still in all, this low-budget sex-capade has decent locales and very steamy leads (Sylvia Kristel and Nicholas Clay), neither of whom are shy about appearing in the buff. It is noteworthy that this is one of the few R-rated movies from this period to show the man undressed as well as the woman, and their sex in the forest has animal heat to it. But those looking for an adept cinematic translation of the famous novel will be embarrassed...or perhaps shamefacedly tickled. The weakest link is the editing, which darts around leaving scenes unfinished, such as the finale (which is really just a bushel of footage posing as an ending). Pruriently amusing on a softcore, soft-headed harlequin level. ** from ****

Not good, not bad, just ok.. Ive always enjoyed watching Sylvia Kristel. I keep waiting for her to do a slow sensual strip, twerk and really get it on but I guess that'll never happen. The worst actor in the movie was the nurse. She was pretty wooden all the way through. Otherwise it was just an ok way to spend a Thursday pandemic night.

I haven't read the book in over 50 years but I remember it as boring and pretentious. This movie appears to be a very accurate adaptation, which is its main flaw. It is boring and pretentious. There are some very romantic scenes, especially the scene where Oliver decorates Constance's naked body with flowers. This film could never have a high rating but I feel it has been underrated by most of the reviewers.

Sir Clifford Chatterley and his wife Constance Chatterley (Sylvia Kristel) belong to the upper class of English society. War breaks out between England and Germany in WWI. Clifford is maimed in the trenches. He is a cripple in many ways. He permits Constance to take on a lover. She is taken with gamekeeper Oliver Mellors who works on the estate. As she starts an affair with him, Clifford becomes cruel.

This is trying to be a highbrow soft porn adaptation of the D. H. Lawrence novel. Sylvia Kristel is probably the obvious choice since becoming infamous for her Emmanuelle movies. She is not shy about showing her body but she is limited in her acting range. There isn't much in the story. Nothing is obviously bad. This could be an interesting psychological drama but this does not have the gravitas. There is no tension. It's rather flat.