Ajouter une intrigue dans votre langueThe sole surviving Texas Ranger (Klinton Spilsbury) of an ambush arranged by outlaw leader Major Bartholomew "Butch" Cavendish (Christopher Lloyd) returns to fight back as a great masked wes... Tout lireThe sole surviving Texas Ranger (Klinton Spilsbury) of an ambush arranged by outlaw leader Major Bartholomew "Butch" Cavendish (Christopher Lloyd) returns to fight back as a great masked western hero, The Lone Ranger.The sole surviving Texas Ranger (Klinton Spilsbury) of an ambush arranged by outlaw leader Major Bartholomew "Butch" Cavendish (Christopher Lloyd) returns to fight back as a great masked western hero, The Lone Ranger.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 4 nominations au total
Avis à la une
The magic of this film, for me, is the first half, when we see how John Reid becomes the Lone Ranger.Also, a great scene where he finds a wild white horse, breaks him, and names him Silver. But a later scene just blew my mind away.
In that scene,after Reid and Tonto bury his brother and the other ambushed Texas Rangers, he decides to wear a mask so the bad guys won't recognize him. He tells Tonto the mask will be a symbol of justice. At this point, we have not yet seen his alter ego.
That changes when we see him from the back kneeling at his brother's grave and vowing to avenge his death. Then he puts his hat on, turns around, and as we see him in his mask for the first time, blaring trumpets sound out the start of the William Tell Overture. Being a Lone Ranger fan, this literally sent shivers down my spine.
The scene continues as they both ride away to more of the overture, and, of course, we hear "Hi yo, Silver, away."
Breathtaking!
Some wonderful performances by all of the leads. How wonderful to see Jason Robards as President Grant. He added so much to the role with his usuall unbeatable acting abilities. This is a terrific actor in all that he does. And Christopher Lloyd as "Butch" Cavendish, the villain, plays the part with simplicity and not the usuall western bad guy. It was nice to see Lloyd play a different kind of role other than the character from "Taxi" he's known for. I liked Matt Clark as the Sheriff. You see Clark in many films and most of the time his work goes un-noticed. This actor, too, does fine character work. Then we have the Lone Ranger and Tonto. Yes, there are many legends that lean on the gay relationship, but this viewer liked these two actors. I didn't know that Klinton Spilsbury's voice was dubbed as the Ranger. But I thought he had lots of charm and certainly good looks, with or without the mask. His scenes with the horse, Silver, were wonderfully humorous and appealing. His scene in the church with Amy was also well played and well photographed. I liked this actor and don't understand why he never appeared again in a film. It must have been his own choice.
As Tonto, Michael Horse was perfection. Simply played with dignity for his race, he brought some nice quality to the film. You felt that unsaid respect and devotion the two heroes had for one another. If you want to go the gay route, do so. I guess in this day and age, one must take that aspect and build on it. What, then, does that say of the Three Muskateers?
It was entertaining. There are things I'd change here or there, but overall it was good. The handling of Tonto still holds up today in our hyper-PC world.
It's not without its warts, but they can easily be seen beyond and the movie enjoyed. Definitely check it out.
I think what i liked the most was the music score, that theme song was haunting to my ears and one of the few that stayed fresh in my mind for so many years. John Barry truly did a marvelous job on this one, and many other movie scores over the years as well. I wish i could find the original theme song on CD, or at least on MP3.
Legendary bomb. The idea was not a bad one--reinvent and introduce the Lone Ranger for 1980s audiences. Right off the bat though there were problems. The studio ordered Clayton Moore (the original Ranger) to stop appearing anywhere as the Lone Ranger. It led to a nasty little battle that made headlines. I know of people who refused to see the film because of how Moore was treated. Also they hired the awesomely untalented Klinton Spilsbury to play the Ranger. Spilsbury was very handsome and muscular but had absolutely no charisma and just couldn't act. In fact his whole vocal performance was redubbed by another actor! Also his off screen antics (public drunkenness and beating people up) didn't help matters. Acting aside, the script is dull and slow. Also the Ranger himself doesn't show up until an HOUR in! There were some complaints at the time that the movie was too violent for a PG. However I don't think it was that bad.
There are a few (very few) things done right here--the photography was truly beautiful; Michael Horse was excellent as Tonto; Christopher Lloyd is lots of fun as the villain and when the Lone Ranger finally shows up (with the William Tell Overture booming from the soundtrack) it's really rousing. But, all in all, this is a boring and terrible attempt to bring back the Lone Ranger. It's easy to see why this bombed. A 4--mostly for the photography.
Le saviez-vous
- AnecdotesThe filmmakers were disappointed with Klinton Spilsbury's line readings, and wanted an actor with a stronger voice. James Keach dubbed his lines.
- GaffesEarly in the movie, John Reid gives Amy Striker a copy of the book "A Century of Dishonor" by Helen Hunt Jackson, written in 1881.
- Citations
[last lines]
President Ulysses S. Grant: Who is that masked man?
The Lone Ranger: Hi-Yo, Silver! Away!
- Versions alternativesUK versions are cut by 5 secs to remove horse-falls.
Meilleurs choix
- How long is The Legend of the Lone Ranger?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El llanero solitario
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 12 617 845 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 945 600 $US
- 25 mai 1981
- Montant brut mondial
- 12 617 845 $US
- Durée
- 1h 38min(98 min)
- Mixage
- Rapport de forme
- 2.35 : 1