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Knightriders

  • 1981
  • R
  • 2h 26min
NOTE IMDb
6,3/10
5,9 k
MA NOTE
Ed Harris in Knightriders (1981)
Trailer for Knightriders
Lire trailer3:06
2 Videos
99+ photos
ActionDrameDrames historiquesÉpée et sandale

Ajouter une intrigue dans votre langueA medieval reenactment troupe struggles to maintain its family-like dynamic amid pressure from local authorities, interest from talent agents, and their "King's" delusions of grandeur.A medieval reenactment troupe struggles to maintain its family-like dynamic amid pressure from local authorities, interest from talent agents, and their "King's" delusions of grandeur.A medieval reenactment troupe struggles to maintain its family-like dynamic amid pressure from local authorities, interest from talent agents, and their "King's" delusions of grandeur.

  • Réalisation
    • George A. Romero
  • Scénario
    • George A. Romero
  • Casting principal
    • Ed Harris
    • Gary Lahti
    • Tom Savini
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    5,9 k
    MA NOTE
    • Réalisation
      • George A. Romero
    • Scénario
      • George A. Romero
    • Casting principal
      • Ed Harris
      • Gary Lahti
      • Tom Savini
    • 61avis d'utilisateurs
    • 84avis des critiques
    • 69Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos2

    Knightriders
    Trailer 3:06
    Knightriders
    Knightriders
    Promo 0:53
    Knightriders
    Knightriders
    Promo 0:53
    Knightriders

    Photos168

    Voir l'affiche
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    + 161
    Voir l'affiche

    Rôles principaux93

    Modifier
    Ed Harris
    Ed Harris
    • Billy
    Gary Lahti
    Gary Lahti
    • Alan
    Tom Savini
    Tom Savini
    • Morgan
    Amy Ingersoll
    • Linet
    Patricia Tallman
    Patricia Tallman
    • Julie
    Christine Forrest
    Christine Forrest
    • Angie
    Warner Shook
    • Pippin
    Brother Blue
    • Merlin
    Cynthia Adler
    Cynthia Adler
    • Rocky
    John Amplas
    John Amplas
    • Whiteface
    Don Berry
    • Bagman
    Amanda Davies
    • Sheila
    Martin Ferrero
    Martin Ferrero
    • Bontempi
    Ken Foree
    Ken Foree
    • Little John
    Ken Hixon
    • Steve
    John Hostetter
    John Hostetter
    • Tuck
    Harold Wayne Jones
    • Bors
    Randy Kovitz
    Randy Kovitz
    • Punch
    • Réalisation
      • George A. Romero
    • Scénario
      • George A. Romero
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs61

    6,35.8K
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    Avis à la une

    7artzau

    Potential Cult Classic

    OK, besides Ed Harris and Tom Savini, who else is in this amazing biker film from the early 80s? Well, it doesn't really matter because sometimes things just come together in a way that transcends what the likely original intent was, to patch together a biker movie about jousting knights who engage in feudal combat from motorcycles instead of horses. Yep. The costumes are a bit cheesy, the acting is a bit raw and amateurish and the story..., ah, the story: The story is the Arthurian tragedy of innocence, self sacrifice, honor and unfaithfulness. The tale works around the triad of the King, the very young Ed Harris, the villain, the wonderful Tom Savini and the knight protector, Lancelot, Gary Lahti. Each of these figures represents an archetype which very likely unbeknown to the film makers and they come through wonderfully in the way in which this tale is patched together. Billy,as the King Arthur prototype is idealistic, uncompromising loyal to his own mythology and like the legendary Arthur, ego-less. His loyal knight retainer, Alan, is Lancelot in his nobility and loyalty to his sovereign while coveting his wife all the time. Savini is purely delightful as the Modred counterpart, even taking Morgan le Fay's name as a pun. Morgan covets the crown and tries to usurp it by going off only to discover his new realm is a forest of paper tigers. The final scene and resolution of the tragedy works wonderfully, giving a the only glimpse of the famous story-teller and raconteur, Brother Blue as the wizard, Merlin.

    As an anthropologist and mythologist, I saw this tale back in the early 80s and was impressed how the underlying mythology of an essentially low budget film held together in such a wonderful way in spite of a few flaws. I consider it a cult classic.
    krasnegar

    Fighting the Dragon

    Sometimes it's too long.

    Sometimes it's just right.

    But even when i watch it and say -Yup, too long!- i can never decide what to cut.

    I love to put this on for people who have never seen it and have no idea of what they're in for -- the careful arrangements, compositions and camerawork of the opening sequence, as the King and his Queen tarry a while in the (probably enchanted) woods, in the lovely golden sunlight, then dress themselves, he girds on his armor, he mounts his mighty steed (shot composed so that we see only his torso, the steed being out of shot at the bottom), she mounts side-saddle on the pillion...

    And BARRROOOOMMMM!!!! that huge bike roars into life and the camera pulls back as we see them ride away...

    It's almost as much of a jolt as the narrow-to-wide cut at the beginning of "Road Warrior"... and just as important to see (if possible) on a big screen the first time.

    Kings and queens, knights and heroes; a wizard... even a faithful Indian companion; it's all here.

    Action, adventure, humor, treachery and heroism -- all here.

    Love and hate, jealousy and heart break? Present and accounted for.

    Bad guys get theirs, hero vindicated in the end? What do you think?

    And incredible, incredible action work. This film equals or even surpasses "The Road Warrior" in its motorcycle work. I'm still not sure if the final stunt is faked or whether they actually did it -- either way, my hat's off to the people who put it on the screen.

    Ed Harris, as King Billy, whose vision forms the kingdom, whose unhealing wound signifies danger ahead, and whose malaise may well doom the kingdom, is brilliant.

    Brother Blue as Merlin is indescribable -- but in a good context.

    Patricia Tallman, who has gone on to a dual career as actress and stuntwoman (recurring on "Babylon 5" as telepath "Lita" and doing stunts in the film "Long Kiss Goodnight") has what i believe is her first screen appearance, playing a townie girl who is temporarily admitted into the kingdom's magic, but must eventually go home if only to tell the world what she's seen, is good...

    Tom Savini as Morgan, the villain (hiss, boo) is Jes' Fine...

    I have always described this film as the one film i know of that gets the closest to the truths that underlie the King Arthur legends...
    Wizard-8

    Flawed, but has rewarding moments

    From what I gather, "Knightriders" didn't do very well at the box office when it was released. Upon watching it, it's easy to come up with plausible explanations for this. While the poster seemed to promise wall-to-wall action, there isn't that much of it, and what action there is often becomes monotonous. The movie tries to do so much that many of the plot threads feel unfinished at the end. And of course, the unbelievably long running time - 145 MINUTES!!!

    Yet at the same time, I can't really call this a BAD movie - I would lean more to calling it "misguided". That's because as problem-filled the movie is, there are some good things about it. The actors give their characters a lot of heart - Brother Blue is especially good. (And I thought Savini actually wasn't bad in his role as well.) While the action scenes become monotonous, there are some impressive stunt sequences. The medieval-style music score fits like a glove. And there are some moments that are just *perfect*, the best being the opening sequence.

    If you do watch it, I recommend that you split up your viewing into several sessions, so that you don't become too bored by how the movie keeps, well, spinning its wheels. There's a great movie hiding in there - perhaps with a lot of work (and a little magic), it might one day be successfully remade.
    uncapie

    Highly recommended independent film.

    I saw this film when it first came out as a kid and just recently found an out-of-print video on it. The movie still holds up. The acting is quite good, especially Ed Harris, who stands out as the "King Arthur" leader, Billy. Tom Savinni did a good job during the scenes where he "sold out" his image. You could see the transition in his face, sans dialogue. Yes, it does need to be shortened by about twenty minutes, but overall its an enjoyable film with many underlying lessons to learn from. Two outstanding, bittersweet scenes are the "Lancelot" character having to return the woman that loves him back to her home and the transition at the end where Ed Harris gives a young boy, who hero worships him, his sword. The stunts are fantastic as well. Sit back with some popcorn and enjoy! Look for the cameo by Stephen King as the "Loudmouth Spectator."
    6Leofwine_draca

    Something different

    I'd wanted to see Romero's KNIGHTRIDERS for a long time for the sake of completeness, but its rarity works against it even for fans of the director. Thankfully Amazon Prime have rectified things by making it available for viewing. Seen today, it's a heavily dated production that feels quite rural and low budget, very much a product of its era, but not without merit. For novelty alone, fans will enjoy seeing lots of horror stars making appearances, including DAWN OF THE DEAD's Ken Foree, Scott H. Reiniger, and Tom Savini. The latter has possibly the biggest acting role of his career and is good in the part too. The narrative plays out as a modern-day character study of bikers and actors reenacting the old tales of King Arthur and his Round Table, and deserves kudos for offering up something original. Ed Harris is very good as the lead but the film is about an hour overlong, and the impressive motorbike jousting scenes only go so far.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Stephen King and his wife Tabitha King played a spectator with a loud mouth opinion and a fairly messy face and his wife in the first scene at the fair. King was on the set because he working on the script for Creepshow (1982) with George A. Romero.
    • Gaffes
      When Pip and Angie are hanging posters, the stapler disappears and re-appears in Pip's hands.
    • Citations

      Merlin: If I didn't believe in magic, I'd still be treating gall bladders, prostates and stuff like that. See, magic ain't got nothing to do with organs and glands and busted necks. Magic got to do with the soul, man. Only the soul's got destiny. It got wings. It's can fly. That's magic. The body? The body's just got a few minutes down here in the dirt with the rest of us.

      Billy: You see things before they happen.

      Merlin: That's probability. Some things is just sure to happen. Seeing em comin' ain't nothing to get excited about.

      Billy: No, you taught me too good, magician. You taught me to believe. That black bird's gonna get me.

    • Versions alternatives
      A shorter cut of the film (running 102 minutes) was released in Europe.
    • Connexions
      Featured in Scream Greats, Vol. 1: Tom Savini, Master of Horror Effects (1986)
    • Bandes originales
      I'd Rather Be A Wanderer
      Music, Lyrics and Sung by Donald Rubinstein

      © 1981 United Film Distribution Co. - United Artists Corporation/Donald Rubinstein

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    FAQ16

    • How long is Knightriders?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 avril 1981 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • George A. Romero's Knightriders
    • Lieux de tournage
      • Pittsburgh, Pennsylvanie, États-Unis
    • Société de production
      • Laurel Productons
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 26 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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