Au revoir Papa

I saw this years and years ago on Elvira. It was amusing because of the strange, stilted quality of the child actors. Years later I met the producer at a cook out in Santa Monica. She was very self effacing and sweet. Once in awhile I would see her on the street and wave.

In the early nighties they opened a "Hogie" sandwich place at a maul at Pico and La Cienega in L.A. The put up a sign advertising the Fabian would be there making a special appearance. I thought it was kinda funny. I didn't go to see if he was there for the opening. I think I had a sandwich there once. I don't know if it's there anymore.

I remember you used to see the big sized box for this film at the video store.

Hilarious. The psychic children are what saves this movie. The kids playing these roles are so completely lifeless that their performances steal the show. Apparently they're the director's kids... which makes sense. That's the only way they would have ever been given the opportunity to act. They speak their lines with total indifference, with no expressions except for the same blank stare that they wear throughout the whole movie.

The makeup on their daddy is equally fantastic. It's so stupid you have to see it to believe it.

A classic. Watch and laugh...

I rented this only because Marilyn Burns was in it, and I am a huge fan of hers and of "Texas Chainsaw Massacre," where she played her most famous role of Sally, the terror-stricken heroine. I had seen her in "Eaten Alive," Tobe Hooper's follow-up to TCM, and she was great in that. And I wondered if she would keep that same style of acting in this. (If you've seen her in those two movies, you'll know exactly what I'm talking about.)

What a surprise, she played an extremely timid role, and it was interesting to see her acting in such a contemporary manner. She plays Nora Dennis, a social worker of some sorts who checks on these two children every month. The children are these two little psychic kids whose father was killed by roadhogs. They bring him back through "the Power" to exact revenge, and thus he does, in a very boring manner.

The other part of the movie is Nora meeting and becoming involved with this cop who is investigating some on what's going on in the movie. Burns plays the role well, but I've seen her do better, and she never actually gets to pull off that Sally-like performance that made her first two roles so memorable. In fact, this film in a whole is quite timid, and pretty boring. There is no blood whatsoever (not that I'm a gorehound, but some would be okay.) It's a weak movie, and I can't recommend it much. But fans of Burns might be interested in seeing her in this film.

This inferior quality film has a few decent ideas at work...a young girl and boy are siblings with telekinetic powers, and are kept hidden from the world by their protective father, who fears that they will be taken for scientific study should their secret become revealed. Their incommunicado home is invaded by some nasty bikers whose punkish antics result in the Father's death, obviously leaving the kids in quite a pickle. Unsure of what to do, they use their paranormal abilities to resurrect their father...thus begins a bloody rampage of zombie vengeance.

A poorly shot flummox with flavorless performances, KISS DADDY GOODBYE somehow manages to retain a level of watchability in a quirky sort of way...I suspect it could have been great had it been made under better conditions.

Take it or leave it. 4/10

This film was supposed to released by Film Venutres International under the title CAUTION:CHILDREN AT PLAY many years ago, but the president of the company disappeared after a lawsuit leaving this film in limbo and now public domain nightmare. Teen Idol Fabian plays a local cop who meet and falls for Burns (from TEXAS CHAINSAW MASSACRE) is basically a subplot. The main plot is these little kids (a brother & a sister) who's father was murdered by Robert Dryer and his biker gang. But the kids have special powers to bring the dad back to life to get even with the bikers and even kill a drunken Jon Cedar in the process. The film is dull, boring, barely "R" rated, and has a terrible music score. Marvin Miller has a nothing cameo as a food mart store owner. Skip it!